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Glass Frame : Jain cosmological map, 19th century
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Jain cosmological map, 19th century
Jain cosmological map, 19th century. Titled Manusyaloka ( map of the world of man ), this artwork shows the world according to the cosmological traditions of Jainism, an ancient religion of India. Human couples are seen in pavilions at different levels, with rivers and world-girdling oceans (blue rings) separating them. The central continent (Jambudvipa, the island of the rose apple tree) has rivers and six mighty mountains (rows with triangles), with Mount Meru at centre (yellow circle). This artwork, from western Rajasthan, India, is gouache (a type of paint) on cloth, and dates from the 1890s
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6298221
© LIBRARY OF CONGRESS, GEOGRAPHY AND MAP DIVISION/SCIENCE PHOTO LIBRARY
1890s Ancient Antiquity Circle Circular Cloth Cosmological Cosmology Eastern Globe India Indian King Mountain Mountains Oriental Philosophy Queen Rajasthan Religion Religious River Rivers Round Ruler Symbol Symbolic Symbols Tent Tents Traditional World Gouache Meru Mount Meru Pavilion Pavilions Pavillion Rules
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This 19th-century Jain cosmological map, titled Manusyaloka, offers a glimpse into the intricate world of Jainism, an ancient religion originating in India. Painted with meticulous detail on cloth using gouache paint, this artwork showcases the cosmological traditions and beliefs held by Jains during that era. At first glance, one is immediately drawn to the central continent known as Jambudvipa or "the island of the rose apple tree". This landmass is adorned with rivers and six majestic mountains, prominently featuring Mount Meru at its center. Surrounding this central realm are pavilions occupied by human couples positioned at various levels. These pavilions symbolize different stages of existence within the Jain worldview. The blue rings encircling these pavilions represent vast oceans that separate each level. The presence of rivers flowing through Jambudvipa adds further depth to this intricate illustration. Every element in this artwork holds symbolic significance within Jain philosophy and serves as a visual representation of their understanding of the universe. Originating from western Rajasthan in India, this historical piece provides us with valuable insights into ancient Indian religious practices and beliefs. Its circular composition reflects an Eastern artistic tradition while incorporating elements such as fish motifs and traditional symbols associated with Asian cultures. As we explore this mesmerizing artwork from the 1890s, we are transported back in time to witness how people perceived their place in the cosmos centuries ago—a testament to humanity's enduring fascination with our world's mysteries and our relentless pursuit for spiritual enlightenment.
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