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Lucientes Collection (page 9)

Lucientes, a name that resonates with the artistic genius of Francisco de Goya

Background imageLucientes Collection: The Maja and the Cloaked Men

The Maja and the Cloaked Men

Background imageLucientes Collection: The Drinker

The Drinker

Background imageLucientes Collection: De Una Muleta

De Una Muleta
GOYA Y LUCIENTES, Francisco de (1746-1828). Torero prepar ndose para matar utilizando un sombrero en vez

Background imageLucientes Collection: Shepherd Blowing a Horn

Shepherd Blowing a Horn
GOYA Y LUCIENTES, Francisco de (1746-1828). Shepherd Blowing a Horn. Cardboard for tapestry. Pair of Hunter by a

Background imageLucientes Collection: The Woodcutters

The Woodcutters
GOYA Y LUCIENTES, Francisco de (1746-1828). The Woodcutters. Painted for the Princes Bedroom at El Pardo. Oil on canvas

Background imageLucientes Collection: Two Boys with Mastiff

Two Boys with Mastiff
GOYA Y LUCIENTES, Francisco de (1746-1828). Two Boys with Mastiff. Cardboard for tapestry. Oil on canvas

Background imageLucientes Collection: Don t eat, great Torrigiano

Don t eat, great Torrigiano
GOYA Y LUCIENTES, Francisco de (1746-1828). Don t eat, great Torrigiano!. Goya denounces with this ink drawing the position

Background imageLucientes Collection: Esta lo deja pensativa

Esta lo deja pensativa
GOYA Y LUCIENTES, Francisco de (1746-1828). Esta lo deja pensativa. Drawing

Background imageLucientes Collection: Personajes prostern ndose ante un monje

Personajes prostern ndose ante un monje
GOYA Y LUCIENTES, Francisco de (1746-1828). Personajes prostern ndose ante un monje. 1820. Pen and watercolour

Background imageLucientes Collection: Head of an Angel

Head of an Angel
GOYA Y LUCIENTES, Francisco de (1746-1828). Head of an Angel. Drawing for the Adoration of the Name of God. Drawing

Background imageLucientes Collection: The Garrotted Man

The Garrotted Man
GOYA Y LUCIENTES, Francisco de (1746-1828). The Garrotted Man. Etching and burin. Etching

Background imageLucientes Collection: Majo with a Guitar

Majo with a Guitar

Background imageLucientes Collection: Allegory of Love (Cupid and Psyche)

Allegory of Love (Cupid and Psyche)
GOYA Y LUCIENTES, Francisco de (1746-1828). Allegory of Love (Cupid and Psyche). Oil on canvas

Background imageLucientes Collection: Scene of Flagellants

Scene of Flagellants
GOYA Y LUCIENTES, Francisco de (1746-1828). Scene of Flagellants. Work attributed to Goya. Oil on canvas

Background imageLucientes Collection: Summer, or The Harvest

Summer, or The Harvest

Background imageLucientes Collection: Juan Antonio Melendez Valdes

Juan Antonio Melendez Valdes
GOYA Y LUCIENTES, Francisco de (1746-1828). Juan Antonio Melendez Valdes. Based on the painting by Francisco de Goya. Oil on canvas

Background imageLucientes Collection: No se descuida el Borrico

No se descuida el Borrico
GOYA Y LUCIENTES, Francisco de (1746-1828). No se descuida el Borrico. 1816-1820. Paintbrush Chinese ink on laid paper

Background imageLucientes Collection: El Pelele (The Straw Mannikin)

El Pelele (The Straw Mannikin)

Background imageLucientes Collection: The Gathering

The Gathering
GOYA Y LUCIENTES, Francisco de (1746-1828). The Gathering. Wash painting. Drawing

Background imageLucientes Collection: Juan de Villanueva

Juan de Villanueva
GOYA Y LUCIENTES, Francisco de (1746-1828). Juan de Villanueva. Oil on canvas

Background imageLucientes Collection: The Swing

The Swing
GOYA Y LUCIENTES, Francisco de (1746-1828). The Swing. SPAIN. Madrid. Royal Palace. Tapestry

Background imageLucientes Collection: The Conducting of an Ashlar

The Conducting of an Ashlar

Background imageLucientes Collection: Hunter Loading his Gun. Tapestry of the Real F brica

Hunter Loading his Gun. Tapestry of the Real F brica
GOYA Y LUCIENTES, Francisco de (1746-1828). Hunter Loading his Gun. Tapestry of the Real F brica

Background imageLucientes Collection: Charles IV on horseback

Charles IV on horseback
GOYA Y LUCIENTES, Francisco de (1746-1828). Charles IV on horseback. He is wearing the Colonel of the Guards of Corps uniform

Background imageLucientes Collection: The Hunter

The Hunter
GOYA Y LUCIENTES, Francisco de (1746-1828). The hunter. Sketch for the cardboard of the tapestry The Quail Shoot. Pencil

Background imageLucientes Collection: The Milkmaid of Bordeaux

The Milkmaid of Bordeaux

Background imageLucientes Collection: Indissoluble Links

Indissoluble Links
GOYA Y LUCIENTES, Francisco de (1746-1828). Indissoluble Links. Chinese ink and black pencil wash painting. Drawing

Background imageLucientes Collection: Manola (La Leocadia)

Manola (La Leocadia)
GOYA Y LUCIENTES, Francisco de (1746-1828). Manola (La Leocadia). Mural painting mounted on canvas

Background imageLucientes Collection: Pilgrimage to St. Mural painting mounted on canvas

Pilgrimage to St. Mural painting mounted on canvas
GOYA Y LUCIENTES, Francisco de (1746-1828). Pilgrimage to St. Mural painting mounted on canvas

Background imageLucientes Collection: El Cid spearing another bull

El Cid spearing another bull
GOYA Y LUCIENTES, Francisco de (1746-1828). El Cid spearing another bull. Preparatory drawing for plate 11

Background imageLucientes Collection: Los Caprichos

Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Second preparatory drawing for plate 10 of Los Caprichos. Drawing

Background imageLucientes Collection: Two Women and a Man

Two Women and a Man
GOYA Y LUCIENTES, Francisco de (1746-1828). Two Women and a Man. Mural painting mounted on canvas

Background imageLucientes Collection: Evil Husband

Evil Husband by GOYA Y LUCIENTES, Francisco de (1746-1828). Drawing

Background imageLucientes Collection: The Mass

The Mass
GOYA Y LUCIENTES, Francisco de (1746-1828). The Mass. Chinese ink wash painting. Drawing

Background imageLucientes Collection: famous Martincho places the banderillas

famous Martincho places the banderillas
GOYA Y LUCIENTES, Francisco de (1746-1828). The famous Martincho (probably Antonio Ebassum) places the banderillas

Background imageLucientes Collection: The celebrated picador Fernando del Toro

The celebrated picador Fernando del Toro
GOYA Y LUCIENTES, Francisco de (1746-1828). The celebrated picador Fernando del Toro draws the fierce beast

Background imageLucientes Collection: The valiant Moor Gazul is the first to spear bulls according

The valiant Moor Gazul is the first to spear bulls according
GOYA Y LUCIENTES, Francisco de (1746-1828). The valiant Moor Gazul is the first to spear bulls according to rules. Plate 5

Background imageLucientes Collection: The same Mariano Ceballos, mounted on a bull

The same Mariano Ceballos, mounted on a bull
GOYA Y LUCIENTES, Francisco de (1746-1828). The same Mariano Ceballos, mounted on a bull, breaks short spears

Background imageLucientes Collection: The way in which the ancient Spaniards hunted bulls on horse

The way in which the ancient Spaniards hunted bulls on horse
GOYA Y LUCIENTES, Francisco de (1746-1828). The way in which the ancient Spaniards hunted bulls on horse-back in the open country

Background imageLucientes Collection: The forceful Rendon stabs a bull

The forceful Rendon stabs a bull
GOYA Y LUCIENTES, Francisco de (1746-1828). The forceful Rendon stabs a bull with the pike, from which pass he died

Background imageLucientes Collection: Manly courage of the celebrated Nicolasa Escamilla

Manly courage of the celebrated Nicolasa Escamilla
GOYA Y LUCIENTES, Francisco de (1746-1828). Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa

Background imageLucientes Collection: Un diestro entrando

Un diestro entrando
GOYA Y LUCIENTES, Francisco de (1746-1828). Un diestro entrando a matar con un sombrero en la mano en lugar de muleta (Bullfighter)

Background imageLucientes Collection: (Martincho, probably Antonio Ebassum) throws a bull in the r

(Martincho, probably Antonio Ebassum) throws a bull in the r
GOYA Y LUCIENTES, Francisco de (1746-1828). The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring

Background imageLucientes Collection: The rabble hamstring the bull with lances, sickles, banderil

The rabble hamstring the bull with lances, sickles, banderil

Background imageLucientes Collection: The daring of Martincho in the ring at Saragossa

The daring of Martincho in the ring at Saragossa
GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. Plate

Background imageLucientes Collection: The very skilful student of Falces wrapped in his cape, tr

The very skilful student of Falces wrapped in his cape, tr
GOYA Y LUCIENTES, Francisco de (1746-1828). The very skilful student of Falces wrapped in his cape, tricks the bull

Background imageLucientes Collection: The agility and audacity of Juanito Apinani in the ring at M

The agility and audacity of Juanito Apinani in the ring at M
GOYA Y LUCIENTES, Francisco de (1746-1828). The agility and audacity of Juanito Apinani in the ring at Madrid. Plate 20

Background imageLucientes Collection: Aguarda que venga

Aguarda que venga
GOYA Y LUCIENTES, Francisco de (1746-1828). Aguarda que venga. Drawing



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Lucientes, a name that resonates with the artistic genius of Francisco de Goya. Known for his captivating and often haunting works, Goya's artistry transcends time and leaves an indelible mark on the world of art. One cannot mention Lucientes without delving into the depths of Goya's masterpieces. From his chilling depiction of Saturn devouring his son to the eerie scene of The Witches Sabbath, Goya's paintings evoke a sense of unease and fascination in equal measure. In Los Caprichos, Goya explores the darker side of humanity, shedding light on societal vices and follies. His brushstrokes bring to life The Great He-Goat, a symbol of chaos and debauchery that continues to captivate audiences even today. But beyond these macabre themes lies another facet of Goya's talent - his ability to capture human emotions with profound sensitivity. In Duchesse, he portrays elegance and grace through delicate strokes, while The Drowning Dog depicts despair and helplessness in its rawest form. Glimpses into everyday life can also be found within Lucientes' collection. Reading showcases quiet introspection as a solitary figure immerses themselves in literature. Meanwhile, Hunting Party transports us back to a bygone era where nobility pursued their passion for sport amidst lush landscapes. Yet amidst all this darkness and turmoil emerges Woman in Prison - a testament to resilience and strength despite adversity. It serves as a reminder that even within confinement one can find hope and courage. Goya's legacy lives on through postcards bearing his name - reminders that his art continues to inspire generations long after his passing. His work is not merely confined within gallery walls; it has become part of our collective consciousness. So let us immerse ourselves in the enigmatic world created by Lucientes - an artist who dared to explore both lightness and darkness with equal fervor.