Lucientes Collection (page 4)

Drawings Prints, Print, Landscape buildings trees, Artist, Goya, Francisco, de, Goya
Drawings and Prints, Print, Landscape with buildings and trees, Artist, Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 1746-1828 Bordeaux, Goya (Francisco de Goya y Lucientes), 1746

Francisco de Goya, Francesco Goya y Lucientes, Pintor, Spanish, 1746-1828, published 1799, etching, aquatint, drypoint, and burin

Contemptuous of the Insults; Francisco Jose de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; about 1816 - 1820; Brush and india ink; 29.5 x 18.3 cm (11 5/8 x 7 3/16 in.)

Its a Pity You Don t Have Something Else to Do!; Francisco Jose de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; about 1808 - 1814; Brush and sepia wash and pen

He Can No Longer at the Age of Ninety-Eight; Francisco Jose de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; about 1819 - 1823; Brush and India ink; 23.3 x 14.4 cm (9 3/16 x 5 11/16 in.)

Pygmalion and Galatea; Francisco Jose de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; possibly about 1812 - 1820; Brush and sepia wash; 20.5 x 14.1 cm (8 1/16 x 5 9/16 in.)

Portrait of the Marquesa de Santiago; Francisco Jose de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; 1804; Oil on canvas; Unframed: 209.6 x 126.4 cm (82 1/2 x 49 3/4 in.)

Bullfight, Suerte de Varas; Francisco Jose de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; 1824; Oil on canvas; Unframed: 49.8 x 70.8 cm (19 5/8 x 27 7/8 in.)

They are Dying; Francisco Jose de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; about 1825 - 1828; Black chalk with lithographic crayon and/or stumping; 18.9 x 14.4 cm

FRANCISCO GOYA (1746-1828). Spanish painter, etcher, and lithographer. Self-portrait. Oil on canvas, late 18th century

CARLOS IV OF SPAIN (1748-1819). King of Spain, 1788-1808. Oil on canvas, 1798, by Francisco Goya

MANUEL de GODOY (1767-1851). Spanish statesman. Oil on canvas, c1800, by Francisco Goya

MARIA LUISA OF PARMA (1751-1819). Queen Consort of Spain, 1788-1808. Oil on canvas, 1799, by Francisco Goya

GOYA: COUNTESS, 1803. The Countess of Fernan-Nunez. Oil on canvas, 1803, by Francisco Goya

GOYA: CONDESA, 1808. The Countess of Chinchon. Detail of an oil on canvas, 1808, by Francisco Goya

GOYA: FLAGELLANTS, 1793. Procession of the Flagellants. Oil on canvas, 1793, by Francisco Goya

SAINT AMBROSE (339-397). Oil on cavnas, 1796-99, by Francisco Goya

DUKE OF WELLINGTON (1769-1852). Arthur Wellesley, 1st Duke of Wellington. English general and statesman. Red chalk drawing, August 1812, by Francisco Goya y Lucientes

FRANCISCO GOYA (1746-1828). Spanish painter, etcher, and lithographer. Self-portrait, etching, c1798

The Burial of the Sardine. Oil on canvas, 1793, by Francisco Goya
GOYA: FIESTA, 1793. The Burial of the Sardine. Oil on canvas, 1793, by Francisco Goya

Francisco Jose de Goya y Lucientes, (30 March 1746 - 16 April 1828) was a Spanish romantic painter The Tribunal The Inquisition Tribunal or The Inquisition Auto de fe, painted between 1812 and 1819

GOYA Y LUCIENTES, Francisco de (1746-1828). Duel with Cudgels. 1819 - 1823. Mural painting mounted on canvas. This painting with the other 13 works decorated two rooms of the Quinta del Sordo

GOYA Y LUCIENTES, Francisco de (1746-1828). Portrait of Maria Luisa de Parma. 180s0s-1810s. Oil on canvas. SPAIN. Bilbao. Bilbao Fine Arts Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Poor People by a Fountain. 1786. Painted for the Bedroom of Infante Don Gabriel, in El Escorial, where the tapestry is preserved. Costumbrism

GOYA Y LUCIENTES, Francisco de (1746-1828). Se desnuda para siempre. (Undressing himself for ever and ever). Romanticism. Drawing. SPAIN. Madrid. Prado Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Busca un m餩 co (Find a doctor). Romanticism. Drawing. SPAIN. Madrid. Prado Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Charles IV. ca. 1799. Oil on canvas. SPAIN. Madrid. Prado Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Loco matando a una vieja. (Mad man killing an old woman). Romanticism. Drawing. SPAIN. Madrid. Prado Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Judith and Holophernes. 1819 - 1823. Mural painting mounted on canvas. This painting with the other 13 works decorated two rooms of the Quinta del Sordo

GOYA Y LUCIENTES, Francisco de (1746-1828). Infante

GOYA Y LUCIENTES, Francisco de (1746-1828). King Ferdinand VII. 1814. Oil on canvas. SPAIN. Madrid. Prado Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Group of Women Praying. 18th c.-19th c. Drawing. SPAIN. Madrid. National Library

GOYA Y LUCIENTES, Francisco de (1746-1828). Hombre maniatado junto a un Ტ ol (Man with his hands tied close to a tree). Romanticism. Drawing. SPAIN. Madrid. Prado Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Dance on the Banks of the River Manzanares. 1777. Cartoon for tapestry. Weaved at the Real Fᢲ ica de tapices (Royal Tapestry Factory)

GOYA Y LUCIENTES, Francisco de (1746-1828). Hunting

GOYA Y LUCIENTES, Francisco de (1746-1828). Way to Hell. 1819-1822. Watered Chinese ink. Drawing. SPAIN. Madrid. National Library

GOYA Y LUCIENTES, Francisco de (1746-1828). Leandro Fernandez de Moratin. 1824. Oil on canvas. SPAIN. Bilbao. Bilbao Fine Arts Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Saint Francis Borgia at the Deathbed of an Impenitent. 1788. Sketch for the painting of the same title commissioned by the Osuna family to Goya. Drawing

GOYA Y LUCIENTES, Francisco de (1746-1828). Medical

GOYA Y LUCIENTES, Francisco de (1746-1828). Double Equestrian Portrait. Sketch for the equestrian portrait of Carlos IV and Maria Luisa. Drawing. UNITED KINGDOM. London. The British Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Antonio Ricardos. 1793 - 1794. Oil on canvas. SPAIN. Madrid. Prado Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Pepe
" GOYA Y LUCIENTES, Francisco de (1746-1828). Pepe Hillo making the pass of the recorte. 1816. Plate 29 of " The Art of Bullfighting". Etching. SPAIN. Madrid. National Library."

GOYA Y LUCIENTES, Francisco de (1746-1828). Una casa Susana? (A chaste Susana?). Romanticism. Drawing. SPAIN. Madrid. National Library

GOYA Y LUCIENTES, Francisco de (1746-1828). Proverbs
" GOYA Y LUCIENTES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN. Madrid. Lạ ro Galdiano Foundation."

GOYA Y LUCIENTES, Francisco de (1746-1828). Fernando Guillemardet. 1799. Portrait of the French Ambassador to Spain from 1798 to 1800. Oil on canvas. FRANCE. Paris. Louvre Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Allegory of the City of Madrid. 1810. Oil on canvas. SPAIN. Madrid. Museo de Historia

GOYA Y LUCIENTES, Francisco de (1746-1828). The Tobacco Guards. 1780. Painted for the Princes Bedroom at El Pardo. Oil on canvas. SPAIN. Madrid. Prado Museum

GOYA Y LUCIENTES, Francisco de (1746-1828). Ciego enamorado de su potra (Blind man in love with his hernia). Romanticism. Drawing. SPAIN. Madrid. Prado Museum

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Lucientes, a name that resonates with the artistic genius of Francisco de Goya. Known for his captivating and often haunting works, Goya's artistry transcends time and leaves an indelible mark on the world of art. One cannot mention Lucientes without delving into the depths of Goya's masterpieces. From his chilling depiction of Saturn devouring his son to the eerie scene of The Witches Sabbath, Goya's paintings evoke a sense of unease and fascination in equal measure. In Los Caprichos, Goya explores the darker side of humanity, shedding light on societal vices and follies. His brushstrokes bring to life The Great He-Goat, a symbol of chaos and debauchery that continues to captivate audiences even today. But beyond these macabre themes lies another facet of Goya's talent - his ability to capture human emotions with profound sensitivity. In Duchesse, he portrays elegance and grace through delicate strokes, while The Drowning Dog depicts despair and helplessness in its rawest form. Glimpses into everyday life can also be found within Lucientes' collection. Reading showcases quiet introspection as a solitary figure immerses themselves in literature. Meanwhile, Hunting Party transports us back to a bygone era where nobility pursued their passion for sport amidst lush landscapes. Yet amidst all this darkness and turmoil emerges Woman in Prison - a testament to resilience and strength despite adversity. It serves as a reminder that even within confinement one can find hope and courage. Goya's legacy lives on through postcards bearing his name - reminders that his art continues to inspire generations long after his passing. His work is not merely confined within gallery walls; it has become part of our collective consciousness. So let us immerse ourselves in the enigmatic world created by Lucientes - an artist who dared to explore both lightness and darkness with equal fervor.