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Lucientes Collection (page 8)

Lucientes, a name that resonates with the artistic genius of Francisco de Goya

Background imageLucientes Collection: Hobgoblins. Plate 49 of Los Caprichos

Hobgoblins. Plate 49 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Hobgoblins. Plate 49 of Los Caprichos, etching and aquatint. Etching; Engraving

Background imageLucientes Collection: You will not escape

You will not escape

Background imageLucientes Collection: What use is one cup

What use is one cup
GOYA Y LUCIENTES, Francisco de (1746-1828). What use is one cup. Etching

Background imageLucientes Collection: When day breaks we will be off, Plate 71 of Los Caprichos

When day breaks we will be off, Plate 71 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). When day breaks we will be off. etching, burnished

Background imageLucientes Collection: Carnival Scene, Plate 6 of Los Caprichos

Carnival Scene, Plate 6 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Plate 6 of Los Caprichos, etching and aquatint. Carnival scene. Etching;

Background imageLucientes Collection: Francisco de Goya y Lucientes, painter. Capricho plate 1

Francisco de Goya y Lucientes, painter. Capricho plate 1
GOYA Y LUCIENTES, Francisco de (1746-1828). Francisco de Goya y Lucientes, painter. Capricho plate 1, etching, aquatint

Background imageLucientes Collection: Can t anyone untie us? Plate 75 of Los Caprichos

Can t anyone untie us? Plate 75 of Los Caprichos

Background imageLucientes Collection: Tantalus, Plate 9 of Los Caprichos

Tantalus, Plate 9 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Tantalus. Plate 9 of Los Caprichos, etching and burnished aquatint. Etching;

Background imageLucientes Collection: Se hizo a obscuras (It was made in darkness). Figure of a ba

Se hizo a obscuras (It was made in darkness). Figure of a ba

Background imageLucientes Collection: School drawing, Goya

School drawing, Goya
GOYA Y LUCIENTES, Francisco de (1746-1828). School drawing. Charcoal drawing with clarion touches on grey laid paper. Drawing

Background imageLucientes Collection: Los Caprichos, Preparatory drawing for plate 16 of Los Capri

Los Caprichos, Preparatory drawing for plate 16 of Los Capri
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 16 of Los Caprichos, etching, aquatint

Background imageLucientes Collection: They carried her off!. Capricho plate 8

They carried her off!. Capricho plate 8
GOYA Y LUCIENTES, Francisco de (1746-1828). They carried her off!. Capricho plate 8, etching and aquatint. Etching; Engraving

Background imageLucientes Collection: Volaverunt. Plate 61 of Los Caprichos

Volaverunt. Plate 61 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Volaverunt. Plate 61 of Los Caprichos, etching, aquatint and drypoint. Engraving;

Background imageLucientes Collection: Dreams of Lies and Inconstancy

Dreams of Lies and Inconstancy
GOYA Y LUCIENTES, Francisco de (1746-1828). Dreams of Lies and Inconstancy

Background imageLucientes Collection: Portrait of the painter Francisco Bayeu

Portrait of the painter Francisco Bayeu
GOYA Y LUCIENTES, Francisco de (1746-1828). Portrait of the painter Francisco Bayeu. Oil on canvas

Background imageLucientes Collection: Maria Luisa de Parma

Maria Luisa de Parma

Background imageLucientes Collection: Majas taking a walk

Majas taking a walk
GOYA Y LUCIENTES, Francisco de (1746-1828). Majas taking a walk. Tinta china a pincel sobre papel verjurado. Drawing

Background imageLucientes Collection: Militar with horse

Militar with horse
GOYA Y LUCIENTES, Francisco de (1746-1828). Militar with horse. Work attributed to Goya. Oil on canvas

Background imageLucientes Collection: Family of the 6th Count Fern n Nolez

Family of the 6th Count Fern n Nolez
GOYA Y LUCIENTES, Francisco de (1746-1828). Family of the 6th Count Fern n Nolez. Oil on canvas

Background imageLucientes Collection: Portrait of the Engraver Rafael Esteve Vilella

Portrait of the Engraver Rafael Esteve Vilella
GOYA Y LUCIENTES, Francisco de (1746-1828). Portrait of the Engraver Rafael Esteve Vilella. Oil on canvas

Background imageLucientes Collection: Childrens Game: El Paso

Childrens Game: El Paso

Background imageLucientes Collection: Pantaleon Perez de Nenin

Pantaleon Perez de Nenin
GOYA Y LUCIENTES, Francisco de (1746-1828). Pantaleon Perez de Nenin. Oil on canvas

Background imageLucientes Collection: The Women Water Carriers

The Women Water Carriers
GOYA Y LUCIENTES, Francisco de (1746-1828). The Women Water Carriers. Three women water carriers. Painted for the Royal Studio

Background imageLucientes Collection: Woman and Child

Woman and Child
GOYA Y LUCIENTES, Francisco de (1746-1828). Woman and Child. Engraving

Background imageLucientes Collection: General Jose de Urrutia

General Jose de Urrutia
GOYA Y LUCIENTES, Francisco de (1746-1828). General Jose de Urrutia. He holds on his right hand the telescope

Background imageLucientes Collection: Don Manuel Silvela

Don Manuel Silvela
GOYA Y LUCIENTES, Francisco de (1746-1828). Don Manuel Silvela. Oil on canvas

Background imageLucientes Collection: Portrait of Queen Maria Luisa, wife of King Charles IV of Sp

Portrait of Queen Maria Luisa, wife of King Charles IV of Sp
GOYA Y LUCIENTES, Francisco de (1746-1828). Portrait of Queen Maria Luisa, wife of King Charles IV of Spain

Background imageLucientes Collection: Francisco Bayeu

Francisco Bayeu
GOYA Y LUCIENTES, Francisco de (1746-1828). Francisco Bayeu. Spanish painter, Goyas brother-in-law. Oil on canvas

Background imageLucientes Collection: The Kite

The Kite
GOYA Y LUCIENTES, Francisco de (1746-1828). The Kite. Cartoon for tapestry. Weaved at the Real F brica

Background imageLucientes Collection: Equestrian Portrait of General Palafox

Equestrian Portrait of General Palafox
GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of General Palafox. Oil on canvas

Background imageLucientes Collection: The Hunter and his Dogs

The Hunter and his Dogs
GOYA Y LUCIENTES, Francisco de (1746-1828). The Hunter and his Dogs. Painted for the Princess bedroom at El Escorial. Oil

Background imageLucientes Collection: The Stilts

The Stilts
GOYA Y LUCIENTES, Francisco de (1746-1828). The Stilts, 1791 - 1792. Painted for the Kings Room in El Escorial

Background imageLucientes Collection: The Rendezvous

The Rendezvous

Background imageLucientes Collection: Men Reading

Men Reading
GOYA Y LUCIENTES, Francisco de (1746-1828). Men Reading. Mural painting remounted on canvas

Background imageLucientes Collection: Two Monks

Two Monks
GOYA Y LUCIENTES, Francisco de (1746-1828). Two Monks. An old and deaf monk leaning on his stick

Background imageLucientes Collection: The Maja and the Cloaked Men

The Maja and the Cloaked Men

Background imageLucientes Collection: The Drinker

The Drinker

Background imageLucientes Collection: De Una Muleta

De Una Muleta
GOYA Y LUCIENTES, Francisco de (1746-1828). Torero prepar ndose para matar utilizando un sombrero en vez

Background imageLucientes Collection: Shepherd Blowing a Horn

Shepherd Blowing a Horn
GOYA Y LUCIENTES, Francisco de (1746-1828). Shepherd Blowing a Horn. Cardboard for tapestry. Pair of Hunter by a

Background imageLucientes Collection: The Woodcutters

The Woodcutters
GOYA Y LUCIENTES, Francisco de (1746-1828). The Woodcutters. Painted for the Princes Bedroom at El Pardo. Oil on canvas

Background imageLucientes Collection: Two Boys with Mastiff

Two Boys with Mastiff
GOYA Y LUCIENTES, Francisco de (1746-1828). Two Boys with Mastiff. Cardboard for tapestry. Oil on canvas

Background imageLucientes Collection: Don t eat, great Torrigiano

Don t eat, great Torrigiano
GOYA Y LUCIENTES, Francisco de (1746-1828). Don t eat, great Torrigiano!. Goya denounces with this ink drawing the position

Background imageLucientes Collection: Esta lo deja pensativa

Esta lo deja pensativa
GOYA Y LUCIENTES, Francisco de (1746-1828). Esta lo deja pensativa. Drawing

Background imageLucientes Collection: Personajes prostern ndose ante un monje

Personajes prostern ndose ante un monje
GOYA Y LUCIENTES, Francisco de (1746-1828). Personajes prostern ndose ante un monje. 1820. Pen and watercolour

Background imageLucientes Collection: Head of an Angel

Head of an Angel
GOYA Y LUCIENTES, Francisco de (1746-1828). Head of an Angel. Drawing for the Adoration of the Name of God. Drawing

Background imageLucientes Collection: The Garrotted Man

The Garrotted Man
GOYA Y LUCIENTES, Francisco de (1746-1828). The Garrotted Man. Etching and burin. Etching

Background imageLucientes Collection: Majo with a Guitar

Majo with a Guitar

Background imageLucientes Collection: Allegory of Love (Cupid and Psyche)

Allegory of Love (Cupid and Psyche)
GOYA Y LUCIENTES, Francisco de (1746-1828). Allegory of Love (Cupid and Psyche). Oil on canvas



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Lucientes, a name that resonates with the artistic genius of Francisco de Goya. Known for his captivating and often haunting works, Goya's artistry transcends time and leaves an indelible mark on the world of art. One cannot mention Lucientes without delving into the depths of Goya's masterpieces. From his chilling depiction of Saturn devouring his son to the eerie scene of The Witches Sabbath, Goya's paintings evoke a sense of unease and fascination in equal measure. In Los Caprichos, Goya explores the darker side of humanity, shedding light on societal vices and follies. His brushstrokes bring to life The Great He-Goat, a symbol of chaos and debauchery that continues to captivate audiences even today. But beyond these macabre themes lies another facet of Goya's talent - his ability to capture human emotions with profound sensitivity. In Duchesse, he portrays elegance and grace through delicate strokes, while The Drowning Dog depicts despair and helplessness in its rawest form. Glimpses into everyday life can also be found within Lucientes' collection. Reading showcases quiet introspection as a solitary figure immerses themselves in literature. Meanwhile, Hunting Party transports us back to a bygone era where nobility pursued their passion for sport amidst lush landscapes. Yet amidst all this darkness and turmoil emerges Woman in Prison - a testament to resilience and strength despite adversity. It serves as a reminder that even within confinement one can find hope and courage. Goya's legacy lives on through postcards bearing his name - reminders that his art continues to inspire generations long after his passing. His work is not merely confined within gallery walls; it has become part of our collective consciousness. So let us immerse ourselves in the enigmatic world created by Lucientes - an artist who dared to explore both lightness and darkness with equal fervor.