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Lucientes Collection (page 7)

Lucientes, a name that resonates with the artistic genius of Francisco de Goya

Background imageLucientes Collection: He fell for the trick

He fell for the trick
GOYA Y LUCIENTES, Francisco de (1746-1828). He fell for the trick. Drawing from the series Prisiones, Suplicios y Libertad

Background imageLucientes Collection: Gran mano para hurtar sonajas (porque era tr mulo)

Gran mano para hurtar sonajas (porque era tr mulo)
GOYA Y LUCIENTES, Francisco de (1746-1828). Drawing

Background imageLucientes Collection: Strange Dream. Drawing from Album B

Strange Dream. Drawing from Album B
GOYA Y LUCIENTES, Francisco de (1746-1828). Strange Dream. Drawing from Album B. Drawing

Background imageLucientes Collection: Soon she will be free

Soon she will be free
GOYA Y LUCIENTES, Francisco de (1746-1828). Soon she will be free. Wash drawing from the topic Prisiones, Suplicios y Libertad

Background imageLucientes Collection: Despierta inocente

Despierta inocente
GOYA Y LUCIENTES, Francisco de (1746-1828). Despierta inocente. Wash drawing from the topic Prisiones, Supliciosly Libertad

Background imageLucientes Collection: Modern Judith?

Modern Judith?
GOYA Y LUCIENTES, Francisco de (1746-1828). Modern Judith? 1797 - 1798. Sanguine. Drawing

Background imageLucientes Collection: Abducting horse. Plate 10 of Proverbs

Abducting horse. Plate 10 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Abducting horse. Plate 10 of Proverbs, etching, aquatint and drypoint. Engraving

Background imageLucientes Collection: Plate 16 of Proverbs. Preparatory drawing

Plate 16 of Proverbs. Preparatory drawing

Background imageLucientes Collection: Happy fantasy. Plate 12 of Proverbs

Happy fantasy. Plate 12 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Happy fantasy. Plate 12 of Proverbs, etching, aquatint and drypoint. Engraving

Background imageLucientes Collection: There they go, plucked. Plate 20 of Los Caprichos

There they go, plucked. Plate 20 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). There they go, plucked. Plate 20 of Los Caprichos, etching, burnished and drypoint

Background imageLucientes Collection: Los Caprichos. Preparatory drawing for plate 72

Los Caprichos. Preparatory drawing for plate 72
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 72 of Los Caprichos. Drawing

Background imageLucientes Collection: Edad con desgracias

Edad con desgracias
GOYA Y LUCIENTES, Francisco de (1746-1828). Edad con desgracias. Paintbrush and sepia ink drawing. Drawing

Background imageLucientes Collection: Los Caprichos. Preparatory drawing for plate 32

Los Caprichos. Preparatory drawing for plate 32
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 32 of Los Caprichos. Drawing

Background imageLucientes Collection: They ve already got a seat. Plate 60 of Los Caprichos

They ve already got a seat. Plate 60 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). They ve already got a seat. Plate 60 of Los Caprichos, etching and burnished

Background imageLucientes Collection: Because she was susceptible. Plate 32 of Los Caprichos

Because she was susceptible. Plate 32 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Because she was susceptible. Plate 32 of Los Caprichos, etching. Engraving

Background imageLucientes Collection: Blow. Plate 69 of Los Caprichos

Blow. Plate 69 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Blow. Plate 69 of Los Caprichos, etching, aquatint, drypoint and burin

Background imageLucientes Collection: Yes, he broke the pot. Plate 25 of Los Caprichos

Yes, he broke the pot. Plate 25 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Yes, he broke the pot. Plate 25 of Los Caprichos, etching, aquatint

Background imageLucientes Collection: Riddle of fear. Plate 2 of Proverbs

Riddle of fear. Plate 2 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Riddle of fear. Plate 2 of Proverbs, etching, aquatint and drypoint. Engraving

Background imageLucientes Collection: Poor little girls!. Plate 22 of Los Caprichos

Poor little girls!. Plate 22 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Poor little girls!. Plate 22 of Los Caprichos, etching and burnished aquatint

Background imageLucientes Collection: Here comes the bogeyman. Plate 3 of Los Caprichos

Here comes the bogeyman. Plate 3 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Here comes the bogeyman. Plate 3 of Los Caprichos, etching and burnished aquatint

Background imageLucientes Collection: Be quick, they are waking up. Plate 78 of Los Caprichos

Be quick, they are waking up. Plate 78 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Be quick, they are waking up. Plate 78 of Los Caprichos. Etching

Background imageLucientes Collection: God forgive her: and it was her mother. Plate 16 of Los Capr

God forgive her: and it was her mother. Plate 16 of Los Capr
GOYA Y LUCIENTES, Francisco de (1746-1828). God forgive her: and it was her mother. Plate 16 of Los Caprichos, etching

Background imageLucientes Collection: he fleeces him. Plate 35 of Los Caprichos

he fleeces him. Plate 35 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). She fleeces him. Plate 35 of Los Caprichos, etching and burnished aquatint

Background imageLucientes Collection: Hobgoblins. Plate 49 of Los Caprichos

Hobgoblins. Plate 49 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Hobgoblins. Plate 49 of Los Caprichos, etching and aquatint. Etching; Engraving

Background imageLucientes Collection: You will not escape

You will not escape

Background imageLucientes Collection: What use is one cup

What use is one cup
GOYA Y LUCIENTES, Francisco de (1746-1828). What use is one cup. Etching

Background imageLucientes Collection: When day breaks we will be off, Plate 71 of Los Caprichos

When day breaks we will be off, Plate 71 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). When day breaks we will be off. etching, burnished

Background imageLucientes Collection: Carnival Scene, Plate 6 of Los Caprichos

Carnival Scene, Plate 6 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Plate 6 of Los Caprichos, etching and aquatint. Carnival scene. Etching;

Background imageLucientes Collection: Francisco de Goya y Lucientes, painter. Capricho plate 1

Francisco de Goya y Lucientes, painter. Capricho plate 1
GOYA Y LUCIENTES, Francisco de (1746-1828). Francisco de Goya y Lucientes, painter. Capricho plate 1, etching, aquatint

Background imageLucientes Collection: Can t anyone untie us? Plate 75 of Los Caprichos

Can t anyone untie us? Plate 75 of Los Caprichos

Background imageLucientes Collection: Tantalus, Plate 9 of Los Caprichos

Tantalus, Plate 9 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Tantalus. Plate 9 of Los Caprichos, etching and burnished aquatint. Etching;

Background imageLucientes Collection: Se hizo a obscuras (It was made in darkness). Figure of a ba

Se hizo a obscuras (It was made in darkness). Figure of a ba

Background imageLucientes Collection: School drawing, Goya

School drawing, Goya
GOYA Y LUCIENTES, Francisco de (1746-1828). School drawing. Charcoal drawing with clarion touches on grey laid paper. Drawing

Background imageLucientes Collection: Los Caprichos, Preparatory drawing for plate 16 of Los Capri

Los Caprichos, Preparatory drawing for plate 16 of Los Capri
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 16 of Los Caprichos, etching, aquatint

Background imageLucientes Collection: They carried her off!. Capricho plate 8

They carried her off!. Capricho plate 8
GOYA Y LUCIENTES, Francisco de (1746-1828). They carried her off!. Capricho plate 8, etching and aquatint. Etching; Engraving

Background imageLucientes Collection: Volaverunt. Plate 61 of Los Caprichos

Volaverunt. Plate 61 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Volaverunt. Plate 61 of Los Caprichos, etching, aquatint and drypoint. Engraving;

Background imageLucientes Collection: Dreams of Lies and Inconstancy

Dreams of Lies and Inconstancy
GOYA Y LUCIENTES, Francisco de (1746-1828). Dreams of Lies and Inconstancy

Background imageLucientes Collection: Portrait of the painter Francisco Bayeu

Portrait of the painter Francisco Bayeu
GOYA Y LUCIENTES, Francisco de (1746-1828). Portrait of the painter Francisco Bayeu. Oil on canvas

Background imageLucientes Collection: Maria Luisa de Parma

Maria Luisa de Parma

Background imageLucientes Collection: Majas taking a walk

Majas taking a walk
GOYA Y LUCIENTES, Francisco de (1746-1828). Majas taking a walk. Tinta china a pincel sobre papel verjurado. Drawing

Background imageLucientes Collection: Militar with horse

Militar with horse
GOYA Y LUCIENTES, Francisco de (1746-1828). Militar with horse. Work attributed to Goya. Oil on canvas

Background imageLucientes Collection: Family of the 6th Count Fern n Nolez

Family of the 6th Count Fern n Nolez
GOYA Y LUCIENTES, Francisco de (1746-1828). Family of the 6th Count Fern n Nolez. Oil on canvas

Background imageLucientes Collection: Portrait of the Engraver Rafael Esteve Vilella

Portrait of the Engraver Rafael Esteve Vilella
GOYA Y LUCIENTES, Francisco de (1746-1828). Portrait of the Engraver Rafael Esteve Vilella. Oil on canvas

Background imageLucientes Collection: Childrens Game: El Paso

Childrens Game: El Paso

Background imageLucientes Collection: Pantaleon Perez de Nenin

Pantaleon Perez de Nenin
GOYA Y LUCIENTES, Francisco de (1746-1828). Pantaleon Perez de Nenin. Oil on canvas

Background imageLucientes Collection: The Women Water Carriers

The Women Water Carriers
GOYA Y LUCIENTES, Francisco de (1746-1828). The Women Water Carriers. Three women water carriers. Painted for the Royal Studio

Background imageLucientes Collection: Woman and Child

Woman and Child
GOYA Y LUCIENTES, Francisco de (1746-1828). Woman and Child. Engraving

Background imageLucientes Collection: General Jose de Urrutia

General Jose de Urrutia
GOYA Y LUCIENTES, Francisco de (1746-1828). General Jose de Urrutia. He holds on his right hand the telescope



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Lucientes, a name that resonates with the artistic genius of Francisco de Goya. Known for his captivating and often haunting works, Goya's artistry transcends time and leaves an indelible mark on the world of art. One cannot mention Lucientes without delving into the depths of Goya's masterpieces. From his chilling depiction of Saturn devouring his son to the eerie scene of The Witches Sabbath, Goya's paintings evoke a sense of unease and fascination in equal measure. In Los Caprichos, Goya explores the darker side of humanity, shedding light on societal vices and follies. His brushstrokes bring to life The Great He-Goat, a symbol of chaos and debauchery that continues to captivate audiences even today. But beyond these macabre themes lies another facet of Goya's talent - his ability to capture human emotions with profound sensitivity. In Duchesse, he portrays elegance and grace through delicate strokes, while The Drowning Dog depicts despair and helplessness in its rawest form. Glimpses into everyday life can also be found within Lucientes' collection. Reading showcases quiet introspection as a solitary figure immerses themselves in literature. Meanwhile, Hunting Party transports us back to a bygone era where nobility pursued their passion for sport amidst lush landscapes. Yet amidst all this darkness and turmoil emerges Woman in Prison - a testament to resilience and strength despite adversity. It serves as a reminder that even within confinement one can find hope and courage. Goya's legacy lives on through postcards bearing his name - reminders that his art continues to inspire generations long after his passing. His work is not merely confined within gallery walls; it has become part of our collective consciousness. So let us immerse ourselves in the enigmatic world created by Lucientes - an artist who dared to explore both lightness and darkness with equal fervor.