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Lucientes Collection (page 10)

Lucientes, a name that resonates with the artistic genius of Francisco de Goya

Background imageLucientes Collection: (Martincho, probably Antonio Ebassum) throws a bull in the r

(Martincho, probably Antonio Ebassum) throws a bull in the r
GOYA Y LUCIENTES, Francisco de (1746-1828). The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring

Background imageLucientes Collection: The rabble hamstring the bull with lances, sickles, banderil

The rabble hamstring the bull with lances, sickles, banderil

Background imageLucientes Collection: The daring of Martincho in the ring at Saragossa

The daring of Martincho in the ring at Saragossa
GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. Plate

Background imageLucientes Collection: The very skilful student of Falces wrapped in his cape, tr

The very skilful student of Falces wrapped in his cape, tr
GOYA Y LUCIENTES, Francisco de (1746-1828). The very skilful student of Falces wrapped in his cape, tricks the bull

Background imageLucientes Collection: The agility and audacity of Juanito Apinani in the ring at M

The agility and audacity of Juanito Apinani in the ring at M
GOYA Y LUCIENTES, Francisco de (1746-1828). The agility and audacity of Juanito Apinani in the ring at Madrid. Plate 20

Background imageLucientes Collection: Aguarda que venga

Aguarda que venga
GOYA Y LUCIENTES, Francisco de (1746-1828). Aguarda que venga. Drawing

Background imageLucientes Collection: drawing for plate 42 of Los Caprichos, red wash and sanguine

drawing for plate 42 of Los Caprichos, red wash and sanguine
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 42 of Los Caprichos, red wash and sanguine

Background imageLucientes Collection: You will not find it

You will not find it

Background imageLucientes Collection: Do not open the eyes

Do not open the eyes
GOYA Y LUCIENTES, Francisco de (1746-1828). Do not open the eyes. Drawing

Background imageLucientes Collection: The Grape Harvest

The Grape Harvest
GOYA Y LUCIENTES, Francisco de (1746-1828). The Grape Harvest. Oil on canvas

Background imageLucientes Collection: Lux ex Tenebris

Lux ex Tenebris
GOYA Y LUCIENTES, Francisco de (1746-1828). Lux ex Tenebris. Drawing

Background imageLucientes Collection: Goya Y Lucientes, Francisco

Goya Y Lucientes, Francisco

Background imageLucientes Collection: The Industry. Two women winding the wool into balls

The Industry. Two women winding the wool into balls
GOYA Y LUCIENTES, Francisco de (1746-1828). The Industry. Two women winding the wool into balls. Painted for the library

Background imageLucientes Collection: They (the Moors) play another bull with the cape in an enclo

They (the Moors) play another bull with the cape in an enclo
GOYA Y LUCIENTES, Francisco de (1746-1828). They (the Moors) play another bull with the cape in an enclosure. Plate

Background imageLucientes Collection: The Moors make a different play in the ring with their burno

The Moors make a different play in the ring with their burno
GOYA Y LUCIENTES, Francisco de (1746-1828). The Moors make a different play in the ring with their burnous. Plate 6

Background imageLucientes Collection: Charles V, Holy Roman Emperor and King of Spain as Charles I

Charles V, Holy Roman Emperor and King of Spain as Charles I
GOYA Y LUCIENTES, Francisco de (1746-1828). Charles V, Holy Roman Emperor and King of Spain as Charles I, spearing a bull

Background imageLucientes Collection: Two teams of picadors thrown one after the other by a single

Two teams of picadors thrown one after the other by a single
GOYA Y LUCIENTES, Francisco de (1746-1828). Two teams of picadors thrown one after the other by a single bull. Plate 32

Background imageLucientes Collection: GOYA: GUITARIST. El Majo de la Guitarra. Oil on canvas, 1786, by Francisco Goya

GOYA: GUITARIST. El Majo de la Guitarra. Oil on canvas, 1786, by Francisco Goya

Background imageLucientes Collection: Goya (Milius)

Goya (Milius)
FRANCISCO JOSE DE GOYA Y LUCIENTES Spanish painter, etcher and lithographer



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Lucientes, a name that resonates with the artistic genius of Francisco de Goya. Known for his captivating and often haunting works, Goya's artistry transcends time and leaves an indelible mark on the world of art. One cannot mention Lucientes without delving into the depths of Goya's masterpieces. From his chilling depiction of Saturn devouring his son to the eerie scene of The Witches Sabbath, Goya's paintings evoke a sense of unease and fascination in equal measure. In Los Caprichos, Goya explores the darker side of humanity, shedding light on societal vices and follies. His brushstrokes bring to life The Great He-Goat, a symbol of chaos and debauchery that continues to captivate audiences even today. But beyond these macabre themes lies another facet of Goya's talent - his ability to capture human emotions with profound sensitivity. In Duchesse, he portrays elegance and grace through delicate strokes, while The Drowning Dog depicts despair and helplessness in its rawest form. Glimpses into everyday life can also be found within Lucientes' collection. Reading showcases quiet introspection as a solitary figure immerses themselves in literature. Meanwhile, Hunting Party transports us back to a bygone era where nobility pursued their passion for sport amidst lush landscapes. Yet amidst all this darkness and turmoil emerges Woman in Prison - a testament to resilience and strength despite adversity. It serves as a reminder that even within confinement one can find hope and courage. Goya's legacy lives on through postcards bearing his name - reminders that his art continues to inspire generations long after his passing. His work is not merely confined within gallery walls; it has become part of our collective consciousness. So let us immerse ourselves in the enigmatic world created by Lucientes - an artist who dared to explore both lightness and darkness with equal fervor.