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Leonardo Da Vinci Collection (page 6)

Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science

Background imageLeonardo Da Vinci Collection: A page from Quaderni d Anatomia, I-VI, 1911-16 (colour lithograph)

A page from Quaderni d Anatomia, I-VI, 1911-16 (colour lithograph)
1764828 A page from Quaderni d Anatomia, I-VI, 1911-16 (colour lithograph) by Vinci, Leonardo da (1452-1519) (after); Private Collection; (add.info.: A page from Quaderni d Anatomia, I-VI)

Background imageLeonardo Da Vinci Collection: Raphael Introduced to Da Vinci (gravure)

Raphael Introduced to Da Vinci (gravure)
969240 Raphael Introduced to Da Vinci (gravure) by American School, (19th century); Private Collection; (add.info.: Raphael Introduced to Da Vinci)

Background imageLeonardo Da Vinci Collection: Leonardo da Vinci and King Francis I of France (litho)

Leonardo da Vinci and King Francis I of France (litho)
1092333 Leonardo da Vinci and King Francis I of France (litho) by French School, (19th century); Private Collection; (add.info.: Leonardo da Vinci and King Francis I of France)

Background imageLeonardo Da Vinci Collection: Leonardo looks forward (colour litho)

Leonardo looks forward (colour litho)
976580 Leonardo looks forward (colour litho) by English School, (20th century); Private Collection; (add.info.: Leonardo looks forward)

Background imageLeonardo Da Vinci Collection: Galerie des Offices, a Florence, Meduse (engraving)

Galerie des Offices, a Florence, Meduse (engraving)
3645778 Galerie des Offices, a Florence, Meduse (engraving) by French School, (19th century); Private Collection; (add.info.: Galerie des Offices, a Florence, Meduse)

Background imageLeonardo Da Vinci Collection: Study of some dancing female figures; pen drawing on paper turned yellow by Leonardo da Vinci

Study of some dancing female figures; pen drawing on paper turned yellow by Leonardo da Vinci
3572623 Study of some dancing female figures; pen drawing on paper turned yellow by Leonardo da Vinci and preserved at the Gallery of the Academy, Venice

Background imageLeonardo Da Vinci Collection: Head of a young man; drawing by Leonardo da Vinci. The Louvre, Paris

Head of a young man; drawing by Leonardo da Vinci. The Louvre, Paris
3566085 Head of a young man; drawing by Leonardo da Vinci. The Louvre, Paris by Vinci, Leonardo da (1452-1519); Louvre, Paris

Background imageLeonardo Da Vinci Collection: Study of human figures in different positions; drawing by Leonardo da Vinci. The Louvre, Paris

Study of human figures in different positions; drawing by Leonardo da Vinci. The Louvre, Paris
3566076 Study of human figures in different positions; drawing by Leonardo da Vinci. The Louvre, Paris by Vinci, Leonardo da (1452-1519); Louvre, Paris

Background imageLeonardo Da Vinci Collection: Seven grotesque heads; drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice

Seven grotesque heads; drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice
3566022 Seven grotesque heads; drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Sudy of an arm, drawing by Leonardo da Vinci. Gallerie dell Accademi, Venice

Sudy of an arm, drawing by Leonardo da Vinci. Gallerie dell Accademi, Venice
3566008 Sudy of an arm, drawing by Leonardo da Vinci. Gallerie dell Accademi, Venice by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Study for the head of a saint, drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice

Study for the head of a saint, drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice
3566007 Study for the head of a saint, drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Study for the Last Supper: sanguine drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice

Study for the Last Supper: sanguine drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice
3565995 Study for the Last Supper: sanguine drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Five grotesque heads, drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice

Five grotesque heads, drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice
3565984 Five grotesque heads, drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Head of the woman or of Sant Anna, drawing by Leonardo da Vinci

Head of the woman or of Sant Anna, drawing by Leonardo da Vinci, study for the head of Sant Annas painting
3565983 Head of the woman or of Sant Anna, drawing by Leonardo da Vinci, study for the head of Sant Annas painting " Madonna with Child and Sant Anna" now in the Louvre

Background imageLeonardo Da Vinci Collection: First idea for the Madonna and Child and Saint Ann; drawing by Leonardo da Vinci

First idea for the Madonna and Child and Saint Ann; drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice
3565938 First idea for the Madonna and Child and Saint Ann; drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Study of various figures and and old mans head; drawing by Leonardo da Vinci

Study of various figures and and old mans head; drawing by Leonardo da Vinci
3565899 Study of various figures and and old mans head; drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence by Vinci

Background imageLeonardo Da Vinci Collection: Bust of a man in profile, drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe

Bust of a man in profile, drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence
3565878 Bust of a man in profile, drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence by Vinci, Leonardo da (1452-1519); Gabinetto dei Disegni e Stampe

Background imageLeonardo Da Vinci Collection: The Leonardo da Vinci private airship arrives for the first time in Milan

The Leonardo da Vinci private airship arrives for the first time in Milan and turns among the applause over Il Duomo
2815294 The Leonardo da Vinci private airship arrives for the first time in Milan and turns among the applause over Il Duomo (colour litho) by Beltrame

Background imageLeonardo Da Vinci Collection: King Francis I of France visiting Leonardo da Vinci at Clos Luce (chromolitho)

King Francis I of France visiting Leonardo da Vinci at Clos Luce (chromolitho)
2782720 King Francis I of France visiting Leonardo da Vinci at Clos Luce (chromolitho) by European School, (19th century); Private Collection; (add.info)

Background imageLeonardo Da Vinci Collection: Designs for Making Wheels and Gears, illustration from the Codex Forster II (pencil on paper)

Designs for Making Wheels and Gears, illustration from the Codex Forster II (pencil on paper)
ALI308315 Designs for Making Wheels and Gears, illustration from the Codex Forster II (pencil on paper) by Vinci, Leonardo da (1452-1519); Victoria & Albert Museum, London, UK; Alinari

Background imageLeonardo Da Vinci Collection: Final scene of The Awakening of Art, a play by Julius Rodenberg (1831-1914

Final scene of The Awakening of Art, a play by Julius Rodenberg (1831-1914
CHT252946 Final scene of The Awakening of Art, a play by Julius Rodenberg (1831-1914) in homage to Ludwig van Beethoven (1770-1827) for the celebration of the centenary of his birth

Background imageLeonardo Da Vinci Collection: Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c. 1498 (fresco)
ALI246097 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

Background imageLeonardo Da Vinci Collection: Hemicycle: Artists of All Ages, detail of the right hand side

Hemicycle: Artists of All Ages, detail of the right hand side
PWI83555 Hemicycle: Artists of All Ages, detail of the right hand side, 1836-41 (fresco) (see also 83553 and 83554) by Delaroche

Background imageLeonardo Da Vinci Collection: Head of a Woman (charcoal on paper)

Head of a Woman (charcoal on paper)
ALI152190 Head of a Woman (charcoal on paper) by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice, Italy; (add.info.: study for Saint Anne from The Virgin and Child with St)

Background imageLeonardo Da Vinci Collection: Head of a Young Woman (charcoal on paper)

Head of a Young Woman (charcoal on paper)
ALI152186 Head of a Young Woman (charcoal on paper) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Tuscany, Italy; Alinari

Background imageLeonardo Da Vinci Collection: The Virgin and Child

The Virgin and Child
3892990 The Virgin and Child by Vinci, Leonardo da (1452-1519); (add.info.: The Virgin and Child with St. Anne and the Young St. John the Baptist, by Leonardo da Vinci c.1499-1500 Drawing)

Background imageLeonardo Da Vinci Collection: Francis I, King of Francis, with Leonardo da Vinci on his deathbed, 1519 (chromolitho)

Francis I, King of Francis, with Leonardo da Vinci on his deathbed, 1519 (chromolitho)
972221 Francis I, King of Francis, with Leonardo da Vinci on his deathbed, 1519 (chromolitho) by French School, (19th century); Private Collection; (add.info.: Francis I, King of Francis)

Background imageLeonardo Da Vinci Collection: Mona Lisa

Mona Lisa
Oleg Dudko

Background imageLeonardo Da Vinci Collection: Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Background imageLeonardo Da Vinci Collection: Portrait of a Young Lady, c. 1500. Creator: Anon

Portrait of a Young Lady, c. 1500. Creator: Anon
Portrait of a Young Lady, c. 1500

Background imageLeonardo Da Vinci Collection: Ginevra de Benci [obverse], c. 1474 / 1478. Creator: Leonardo da Vinci

Ginevra de Benci [obverse], c. 1474 / 1478. Creator: Leonardo da Vinci
Ginevra de Benci [obverse], c. 1474/1478

Background imageLeonardo Da Vinci Collection: Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), 1786

Background imageLeonardo Da Vinci Collection: Two deformed heads, 1625-1744. Creator: Wenceslaus Hollar

Two deformed heads, 1625-1744. Creator: Wenceslaus Hollar
Two deformed heads, 1625-1744

Background imageLeonardo Da Vinci Collection: Head studies, 1625-77. Creators: Wenceslaus Hollar, Leonardo da Vinci

Head studies, 1625-77. Creators: Wenceslaus Hollar, Leonardo da Vinci
Head studies, 1625-77

Background imageLeonardo Da Vinci Collection: Male head in profile to left with muscles exposed, 1660. Creator: Wenceslaus Hollar

Male head in profile to left with muscles exposed, 1660. Creator: Wenceslaus Hollar
Male head in profile to left with muscles exposed, 1660

Background imageLeonardo Da Vinci Collection: Naked male torso seen from behind, 1645. Creator: Wenceslaus Hollar

Naked male torso seen from behind, 1645. Creator: Wenceslaus Hollar
Naked male torso seen from behind, 1645

Background imageLeonardo Da Vinci Collection: Head of a bald, sinewy man looking downwards, 1648. Creator: Wenceslaus Hollar

Head of a bald, sinewy man looking downwards, 1648. Creator: Wenceslaus Hollar
Head of a bald, sinewy man looking downwards, 1648

Background imageLeonardo Da Vinci Collection: Man with caricatured features and hair streaming behind, in half-length to left, 1648

Man with caricatured features and hair streaming behind, in half-length to left, 1648

Background imageLeonardo Da Vinci Collection: Head of a man with protruding chin and snub nose looking upwards in profile to left

Head of a man with protruding chin and snub nose looking upwards in profile to left, 1625-77

Background imageLeonardo Da Vinci Collection: Bust of a deformed man with a hat and a fat, protruding lower lip in profile to left

Bust of a deformed man with a hat and a fat, protruding lower lip in profile to left, 1625-77

Background imageLeonardo Da Vinci Collection: Grotesque old man with flattened nose in profile to left, 1625-77

Grotesque old man with flattened nose in profile to left, 1625-77

Background imageLeonardo Da Vinci Collection: Bust of a deformed woman with curly hair in profile to the left, 1665

Bust of a deformed woman with curly hair in profile to the left, 1665

Background imageLeonardo Da Vinci Collection: Bust of a deformed man wearing a bulbous hat in profile to the left, 1625-77

Bust of a deformed man wearing a bulbous hat in profile to the left, 1625-77

Background imageLeonardo Da Vinci Collection: Two youths in profile to left with two grotesque heads facing each other below, 1625-77

Two youths in profile to left with two grotesque heads facing each other below, 1625-77



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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.