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Leonardo Da Vinci Collection (page 3)

Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science

Background imageLeonardo Da Vinci Collection: Portrait of a Man in Red Chalk, c1512, (1932). Artist: Leonardo da Vinci

Portrait of a Man in Red Chalk, c1512, (1932). Artist: Leonardo da Vinci
Portrait of a Man in Red Chalk, c1512, (1932). From the collection of the Biblioteca Reale, Turin. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Background imageLeonardo Da Vinci Collection: Drawing of Two Halves of a Skull, c1480 (1945). Artist: Leonardo da Vinci

Drawing of Two Halves of a Skull, c1480 (1945). Artist: Leonardo da Vinci
Drawing of Two Halves of a Skull, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Profile to the Right of an Bearded Man, c1480 (1945). Artist: Leonardo da Vinci

Profile to the Right of an Bearded Man, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Right of an Bearded Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). Artist: Leonardo da Vinci

Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). Artist: Leonardo da Vinci
Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci

Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Two Allegories of Envy, c1480 (1945). Artist: Leonardo da Vinci

Two Allegories of Envy, c1480 (1945). Artist: Leonardo da Vinci
Two Allegories of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Studies for a Madonna and Child with a Cat, 1478-1480 (1945). Artist: Leonardo da Vinci

Studies for a Madonna and Child with a Cat, 1478-1480 (1945). Artist: Leonardo da Vinci
Studies for a Madonna and Child with a Cat, 1478-1480 (1945). The drawing is held by the Musee Bonnat, Bayonne, France. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). Artist: Leonardo da Vinci

Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). The drawing is held by the Corsini Gallery, Rome. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: A Spray of a Plant, c1480 (1945). Artist: Leonardo da Vinci

A Spray of a Plant, c1480 (1945). Artist: Leonardo da Vinci
A Spray of a Plant, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Mona Lisa, c16th century, (1911)

Mona Lisa, c16th century, (1911). Copy of famous portrait of Lisa Gherardini, wife of Francesco del Giocondo, from original work by Leonardo di ser Piero da Vinci (1452-1519)

Background imageLeonardo Da Vinci Collection: Diagram illustrating the theory of light and shade and sketches of figures, c1472-c1519 (1883)

Diagram illustrating the theory of light and shade and sketches of figures, c1472-c1519 (1883)
Diagram illustrating the theory of light and shade and sketches of figures illustrating the movements of the human body, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol

Background imageLeonardo Da Vinci Collection: Study for the head of Christ for The Last Supper, c1495, (1911). Artist: Leonardo da Vinci

Study for the head of Christ for The Last Supper, c1495, (1911). Artist: Leonardo da Vinci
Study for the head of Christ for The Last Supper, c1495. Painting held in the Pinacoteca di Brera, Milan. From A History of Painting Vol. 1 by Haldane MacFall [T.C. and E.C

Background imageLeonardo Da Vinci Collection: Scaramuccia, 1500-1505 (1954). Artist: Leonardo da Vinci

Scaramuccia, 1500-1505 (1954). Artist: Leonardo da Vinci
Scaramuccia, 1500-1505 (1954). Found in the collection of Christ Church Library, Oxford. A print from Leonardo da Vinci by Ludwig H Heydenreich, (London, 1954)

Background imageLeonardo Da Vinci Collection: Cartoon of St Anne with Madonna and Child and St John, 15th century (1930)

Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). Artist: Leonardo da Vinci
Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). From Apollo magazine, volume XII, no 71 (November 1930)

Background imageLeonardo Da Vinci Collection: Proportions of the human figure, c1492, (1936). Artist: Albrecht Durer

Proportions of the human figure, c1492, (1936). Artist: Albrecht Durer
Proportions of the human figure, c1492, (1936). Vitruvian Man. Found in the collection of the Galleria dell Accademia, Venice, Italy

Background imageLeonardo Da Vinci Collection: Heads of Warriors, 1503-1505. Artist: Leonardo da Vinci

Heads of Warriors, 1503-1505. Artist: Leonardo da Vinci
Heads of Warriors, 1503-1505. A study for the Battle of Anghiari. From the collection of the Museum of Fine Art, Budapest, Hungary

Background imageLeonardo Da Vinci Collection: Porto Canale Leonardesco, Port in Emilia Romagna with typical sailing boats

Porto Canale Leonardesco, Port in Emilia Romagna with typical sailing boats, Cesenatico (Cervia), Italy

Background imageLeonardo Da Vinci Collection: Venice, Veneto, Italy. Leonardo da Vincis mask at Venice Carnival at sunset

Venice, Veneto, Italy. Leonardo da Vincis mask at Venice Carnival at sunset

Background imageLeonardo Da Vinci Collection: Leonardo da Vinci

Leonardo da Vinci
Portrait of artist Leonardo da Vinci. Digitally colored 19th-century photograph of a portrait

Background imageLeonardo Da Vinci Collection: Friday Man

Friday Man
Artem Pozdniakov

Background imageLeonardo Da Vinci Collection: Characters and Caricaturas by William Hogarth

Characters and Caricaturas by William Hogarth
3521495 Characters and Caricaturas by William Hogarth by Hogarth, William (1697-1764); (add.info.: Characters and Caricaturas by William Hogarth (1697 - 1764)

Background imageLeonardo Da Vinci Collection: Antique Map by Leonardo Da Vinci

Antique Map by Leonardo Da Vinci 1515 and the Hauslab Globe

Background imageLeonardo Da Vinci Collection: Mug shot of Vincenzo Peruggia, Italian painter who stole the Mona Lisa from the Louvre on August

Mug shot of Vincenzo Peruggia, Italian painter who stole the Mona Lisa from the Louvre on August 21, 1911, c
3714149 Mug shot of Vincenzo Peruggia, Italian painter who stole the Mona Lisa from the Louvre on August 21, 1911, c.1913 (b/w photo) by Italian Photographer

Background imageLeonardo Da Vinci Collection: Portrait of Mona Lisa ( La Gioconda), 1503-1505 (oil on poplar)

Portrait of Mona Lisa ( La Gioconda), 1503-1505 (oil on poplar)
JLJ4656219 Portrait of Mona Lisa ( La Gioconda), 1503-1505 (oil on poplar) by Vinci, Leonardo da (1452-1519); 77x53 cm; Louvre, Paris, France; (add.info.: Portrait of Mona Lisa( La Gioconda)

Background imageLeonardo Da Vinci Collection: The Virgin, Child Jesus and St. Anne, 1503-1519 (oil on panel)

The Virgin, Child Jesus and St. Anne, 1503-1519 (oil on panel)
JLJ4667844 The Virgin, Child Jesus and St. Anne, 1503-1519 (oil on panel) by Vinci, Leonardo da (1452-1519); 168x130 cm; Louvre, Paris, France; (add.info.: The Virgin, Child Jesus and St. Anne)

Background imageLeonardo Da Vinci Collection: Vitruvian man painted by Leonardo da Vinci from 1492

Vitruvian man painted by Leonardo da Vinci from 1492
Vitruvian man from Leonardo da Vinci from 1492 from my own archives

Background imageLeonardo Da Vinci Collection: The adoration of the Magi, 1481 (oil on panel)

The adoration of the Magi, 1481 (oil on panel)
7146910 The adoration of the Magi, 1481 (oil on panel) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: The adoration of the Magi, 1481)

Background imageLeonardo Da Vinci Collection: The Virgin with the laughing Child, after 1460 (terracotta)

The Virgin with the laughing Child, after 1460 (terracotta)
5055257 The Virgin with the laughing Child, after 1460 (terracotta) by Vinci, Leonardo da (1452-1519); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageLeonardo Da Vinci Collection: Leonardo da Vinci's water organ

Leonardo da Vinci's water organ
7129250 Leonardo da Vinci's water organ by Vinci, Leonardo da (1452-1519) (after); Museo della Citta, Rimini, Italy; (add.info.: Leonardo da Vinci's water organ)

Background imageLeonardo Da Vinci Collection: The Baptism of Christ, 1470-75 (tempera and oil on panel)

The Baptism of Christ, 1470-75 (tempera and oil on panel)
DEX5040754 The Baptism of Christ, 1470-75 (tempera and oil on panel) by Verrocchio, Andreea (1435-1488) & Vinci, Leonardo da (1452-1519); 177x151 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageLeonardo Da Vinci Collection: Bust of Leonardo da Vinci, 1813 (marble)

Bust of Leonardo da Vinci, 1813 (marble)
2561983 Bust of Leonardo da Vinci, 1813 (marble) by Albacini, Filippo (1777-1858); Musei Capitolini, Rome, Italy; (add.info.: Leonardo da Vinci (1452-1519) was an Italian polymath

Background imageLeonardo Da Vinci Collection: St Jerome, c. 1480-82

St Jerome, c. 1480-82
3362061 St Jerome, c.1480-82 by Vinci, Leonardo da (1452-1519); Vatican Museums and Galleries, Vatican City; (add.info)

Background imageLeonardo Da Vinci Collection: Italy Tuscany Florence, Uffizi Gallery: The Annunciation, Painting by Leonardo da Vinci (1452-1519)

Italy Tuscany Florence, Uffizi Gallery: The Annunciation, Painting by Leonardo da Vinci (1452-1519), Oil on wood, ca
JEB4947795 Italy Tuscany Florence, Uffizi Gallery: The Annunciation, Painting by Leonardo da Vinci (1452-1519), Oil on wood, ca

Background imageLeonardo Da Vinci Collection: Sketch depicting jointed wings by Leonardo da Vinci, 16th century (drawing)

Sketch depicting jointed wings by Leonardo da Vinci, 16th century (drawing)
5308072 Sketch depicting jointed wings by Leonardo da Vinci, 16th century (drawing) by Vinci, Leonardo da (1452-1519); Universal History Archive/UIG

Background imageLeonardo Da Vinci Collection: Detail of The Joconda face, 1505 (painting)

Detail of The Joconda face, 1505 (painting)
ELC5378298 Detail of The Joconda face, 1505 (painting) by Vinci, Leonardo da (1452-1519); Louvre, Paris, France; Photo © Electa

Background imageLeonardo Da Vinci Collection: Leonard de Vinci offering his painting La Joconde to Francois 1er c. 1517, illustration

Leonard de Vinci offering his painting La Joconde to Francois 1er c. 1517, illustration
1764306 Leonard de Vinci offering his painting La Joconde to Francois 1er c. 1517, illustration by Robida, Albert (1848-1926); (add.info)

Background imageLeonardo Da Vinci Collection: Leonardo da Vinci painting The Last Supper, Leonardo da Vinci, 15 April 1452, 2 May 1519

Leonardo da Vinci painting The Last Supper, Leonardo da Vinci, 15 April 1452, 2 May 1519
7277861 Leonardo da Vinci painting The Last Supper, Leonardo da Vinci, 15 April 1452, 2 May 1519 by Brend amour, Richard (1831-1915); Private Collection; (add.info)

Background imageLeonardo Da Vinci Collection: Divina proportione, June 1, 1509. Creator: Unknown

Divina proportione, June 1, 1509. Creator: Unknown
Divina proportione, June 1, 1509

Background imageLeonardo Da Vinci Collection: Virgin and Child, ca. 1830. Creator: Jacopo Bernardi

Virgin and Child, ca. 1830. Creator: Jacopo Bernardi
Virgin and Child, ca. 1830

Background imageLeonardo Da Vinci Collection: The last Supper (fresco, 1495-1497) (after 1999 restauration)

The last Supper (fresco, 1495-1497) (after 1999 restauration)
LRI4684839 The last Supper (fresco, 1495-1497) (after 1999 restauration) by Vinci, Leonardo da (1452-1519); Cenacolo di Santa Maria delle Grazie (Cenacolo Vinciano), Milan, Lombardy

Background imageLeonardo Da Vinci Collection: Portrait of Nicolas Poussin, leading painter of the classical French Baroque style

Portrait of Nicolas Poussin, leading painter of the classical French Baroque style, 1594-1665 He holds a book with De
6338712 Portrait of Nicolas Poussin, leading painter of the classical French Baroque style, 1594-1665 He holds a book with De by Clouwet, Albertus (1636-79); (add.info.: Portrait of Nicolas Poussin)

Background imageLeonardo Da Vinci Collection: The Return of the Mona Lisa, 1914 (oil on canvas)

The Return of the Mona Lisa, 1914 (oil on canvas)
PNH356235 The Return of the Mona Lisa, 1914 (oil on canvas) by Nicholson, William (1872-1949); 44.5x58.4 cm; Private Collection; (add.info)

Background imageLeonardo Da Vinci Collection: Leonardo di ser Piero da Vinci, from Living Biographies of Great Painters

Leonardo di ser Piero da Vinci, from Living Biographies of Great Painters
3960932 Leonardo di ser Piero da Vinci, from Living Biographies of Great Painters by Ross, Gordon (1872-1946); (add.info.: Leonardo di ser Piero da Vinci, 1452-1519)

Background imageLeonardo Da Vinci Collection: Leonardo da Vinci

Leonardo da Vinci (Sepia toned) XXXL

Background imageLeonardo Da Vinci Collection: Two Grotesque Heads, 1538-73. Creator: Hans Liefrinck

Two Grotesque Heads, 1538-73. Creator: Hans Liefrinck
Two Grotesque Heads, 1538-73

Background imageLeonardo Da Vinci Collection: Virgin and Child with the infant Saint John the Baptist... 1825

Virgin and Child with the infant Saint John the Baptist... 1825
Virgin and Child with the infant Saint John the Baptist, before a landscape, in a tondo (La Madonna del Lago - Madonna of the Lake), 1825

Background imageLeonardo Da Vinci Collection: The Last Supper, with a Spaniel, ca. 1500. Creator: Giovan Pietro Birago

The Last Supper, with a Spaniel, ca. 1500. Creator: Giovan Pietro Birago
The Last Supper, with a Spaniel, ca. 1500. [Amen dico vobis quia un vestrum me traditurus e - Verily I say unto you, that one among you will betray me]. Attributed to Giovanni Pietro da Birago



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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.