Leonardo Da Vinci Collection (page 2)

Skater Monalisa
Dikhotomy

Da Vinci
Andreas Magnusson

Da Vinci
Andreas Magnusson

Da Vinci
Andreas Magnusson

Da Vinci
Andreas Magnusson

The Last Supper Engraving
Engraved illustration of The Last Supper Engraving from The Popular Pictorial Bible, Containing the Old and New Testaments, Published in 1862. Copyright has expired on this artwork. Digitally restored

Leda and the Swan, 16th century. Found in the Collection of Galleria Borghese, Rome

Self-Portrait (Lucan portrait), ca. 1505-1510. Found in the collection of Museo delle Antiche Genti di Lucania

The Madonna with the Laughing Child, 1928. Artist: Leonardo da Vinci
The Madonna with the Laughing Child, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Legs of a Man Lunging to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Legs of a Man Lunging to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Virgin of the Rocks (detail), c1491. Artist: Leonardo da Vinci
The Virgin of the Rocks (detail), c1491. This painting is part of the group of panels from the S. Francesco Altarpiece, Milan. Held at The National Gallery, London. From The Studio Volume 117

Anatomical drawing, c1472-c1519 (1883). Artist: Leonardo da Vinci
Anatomical drawing, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Giant crossbow, 1480-1485 (1954). Artist: Leonardo da Vinci
Giant crossbow, 1480-1485 (1954). Codex Atlanticus, 53v-b. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Horses, c1490-1510. Artist: Leonardo da Vinci
Horses, c1490-1510. Left: Three Horses, c1508-1510; right: Two Horses, c1490, both studies for the Trivulzio Monument and found in the collection of the Royal Library, Windsor Castle, Windsor, England

The Last Supper, 1803. Artist: Michael Kock
The Last Supper, 1803. A copy of the famous painting by Leonardo da Vinci in the 1490s

Studies of central plan buildings, folio 17v from Paris Manuscript B, 1488-90 (pen & ink on paper)
XJF308749 Studies of central plan buildings, folio 17v from Paris Manuscript B, 1488-90 (pen & ink on paper) by Vinci, Leonardo da (1452-1519); 22x16 cm; Bibliotheque de l'Institut de France

Black and white print portrait of Leonardo da Vinci
Leonardo da Vinci

Last Supper, by Leonardo da Vinci, wood engraving, published 1873
The Last Supper. Woodcut engraving after the famous fresco (1494-98) by Leonardo da Vinci (Italian painter, 1452 - 1519) in Milian, published in 1873

Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum, 1786

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left. 1517

Mona Lisa (La Joconde), 1820-60. Creator: Augustine Fauchery
Mona Lisa (La Joconde), 1820-60

Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Creator
Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Biblical scene, from Mark 14: 18: And as they sat and did eat, Jesus said, Verily I say unto you

leonardo da vinci, sketch, madonna
This illustration comes from a beautiful book on the history of arts in Italy. It was published in 1884 in Germany by the famous art historian Carl von LAOEtzow

A scene in an arsenal, c1485-1490, (1943). Creator: Leonardo da Vinci
A scene in an arsenal, c1485-1490, (1943). Nude male figures hoisting a cannon with a pulley in a military storeyard or arsenal

Portrait of a Man in Red Chalk, c1512, (1932). Artist: Leonardo da Vinci
Portrait of a Man in Red Chalk, c1512, (1932). From the collection of the Biblioteca Reale, Turin. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Drawing of Two Halves of a Skull, c1480 (1945). Artist: Leonardo da Vinci
Drawing of Two Halves of a Skull, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to the Right of an Bearded Man, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Right of an Bearded Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). Artist: Leonardo da Vinci
Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Allegories of Envy, c1480 (1945). Artist: Leonardo da Vinci
Two Allegories of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies for a Madonna and Child with a Cat, 1478-1480 (1945). Artist: Leonardo da Vinci
Studies for a Madonna and Child with a Cat, 1478-1480 (1945). The drawing is held by the Musee Bonnat, Bayonne, France. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). The drawing is held by the Corsini Gallery, Rome. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Spray of a Plant, c1480 (1945). Artist: Leonardo da Vinci
A Spray of a Plant, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Mona Lisa, c16th century, (1911). Copy of famous portrait of Lisa Gherardini, wife of Francesco del Giocondo, from original work by Leonardo di ser Piero da Vinci (1452-1519)

Diagram illustrating the theory of light and shade and sketches of figures, c1472-c1519 (1883)
Diagram illustrating the theory of light and shade and sketches of figures illustrating the movements of the human body, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol

Study for the head of Christ for The Last Supper, c1495, (1911). Artist: Leonardo da Vinci
Study for the head of Christ for The Last Supper, c1495. Painting held in the Pinacoteca di Brera, Milan. From A History of Painting Vol. 1 by Haldane MacFall [T.C. and E.C

Scaramuccia, 1500-1505 (1954). Artist: Leonardo da Vinci
Scaramuccia, 1500-1505 (1954). Found in the collection of Christ Church Library, Oxford. A print from Leonardo da Vinci by Ludwig H Heydenreich, (London, 1954)

Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). Artist: Leonardo da Vinci
Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). From Apollo magazine, volume XII, no 71 (November 1930)

Proportions of the human figure, c1492, (1936). Artist: Albrecht Durer
Proportions of the human figure, c1492, (1936). Vitruvian Man. Found in the collection of the Galleria dell Accademia, Venice, Italy

Heads of Warriors, 1503-1505. Artist: Leonardo da Vinci
Heads of Warriors, 1503-1505. A study for the Battle of Anghiari. From the collection of the Museum of Fine Art, Budapest, Hungary

Porto Canale Leonardesco, Port in Emilia Romagna with typical sailing boats, Cesenatico (Cervia), Italy

Venice, Veneto, Italy. Leonardo da Vincis mask at Venice Carnival at sunset

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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.