Leonardo Da Vinci Collection (page 8)

Ballista, 1928. Artist: Leonardo da Vinci
Ballista, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Studies for the Virgin Adoring the Infant Christ, c1480 (1945). Artist: Leonardo da Vinci
Studies for the Virgin Adoring the Infant Christ, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Studies of Rushes in Seed, c1480 (1945). Artist: Leonardo da Vinci
Two Studies of Rushes in Seed, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Bulrush, c1480 (1945). Artist: Leonardo da Vinci
A Bulrush, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Flowering Rushes, c1480 (1945). Artist: Leonardo da Vinci
Flowering Rushes, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Long-Stemmed Plant, c1480 (1945). Artist: Leonardo da Vinci
A Long-Stemmed Plant, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Broad River with a Canal Running Beside It, c1480 (1945). Artist: Leonardo da Vinci
A Broad River with a Canal Running Beside It, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A River with a Canal Alongside and a Castle on a Hill, c1480 (1945). Artist: Leonardo da Vinci
A River with a Canal Alongside and a Castle on a Hill, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Bird s-Eye View of a River with a Rope Ferry, c1480 (1945). Artist: Leonardo da Vinci
Bird s-Eye View of a River with a Rope Ferry, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Trees on the Bank of a Stream, c1480 (1945). Artist: Leonardo da Vinci
Two Trees on the Bank of a Stream, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Plan of an Embankment for Diverting the Arno, c1480 (1945). Artist: Leonardo da Vinci
Plan of an Embankment for Diverting the Arno, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Bird s-Eye View Showing Arezzo, Borgho San Sepolco, Perugia, Chiusi and Siena, c1480 (1945). Artist: Leonardo da Vinci
Bird s-Eye View Showing Arezzo, Borgho San Sepolco, Perugia, Chiusi and Siena, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Map of Northern Italy, Showing the Watershed of the Arno, c1480 (1945). Artist: Leonardo da Vinci
Map of Northern Italy, Showing the Watershed of the Arno, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Bird s-Eye View of Part of Tuscany, c1480 (1945). Artist: Leonardo da Vinci
Bird s-Eye View of Part of Tuscany, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Tree, c1480 (1945). Artist: Leonardo da Vinci
Study of a Tree, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Coppice, c1480 (1945). Artist: Leonardo da Vinci
Study of a Coppice, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Storm Over an Alpine Valley, c1480 (1945). Artist: Leonardo da Vinci
A Storm Over an Alpine Valley, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

View over a Valley with Mountains Beyond, c1480 (1945). Artist: Leonardo da Vinci
View over a Valley with Mountains Beyond, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

View of a Mountain Range, c1480 (1945). Artist: Leonardo da Vinci
View of a Mountain Range, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Page of Text with Sketches of Landscape, c1480 (1945). Artist: Leonardo da Vinci
Page of Text with Sketches of Landscape, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawings of an Embryo in the Uterus, c1480 (1945). Artist: Leonardo da Vinci
Drawings of an Embryo in the Uterus, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Dissection of the Principal Organs of a Woman, c1480 (1945). Artist: Leonardo da Vinci
Dissection of the Principal Organs of a Woman, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Muscles of the Face and Arm, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Muscles of the Face and Arm, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Anatomical Drawings of a Mans Neck and Shoulders, c1480 (1945). Artist: Leonardo da Vinci
Anatomical Drawings of a Mans Neck and Shoulders, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Anatomical Studies of a Mans Neck and Shoulders, c1480 (1945). Artist: Leonardo da Vinci
Anatomical Studies of a Mans Neck and Shoulders, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Head and Shoulders of a Man, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Head and Shoulders of a Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawings of a Left Leg Showing Bones and Tendons, c1480 (1945). Artist: Leonardo da Vinci
Drawings of a Left Leg Showing Bones and Tendons, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawing Showing the Position of the Blood Vessels in the Neck and Face, c1480 (1945). Artist: Leonardo da Vinci
Drawing Showing the Position of the Blood Vessels in the Neck and Face, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Nudes and Smaller Sketch of a Battle, c1480 (1945). Artist: Leonardo da Vinci
Studies of Nudes and Smaller Sketch of a Battle, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Nude Man seen from the Back, c1480 (1945). Artist: Leonardo da Vinci
A Nude Man seen from the Back, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Man Drawn as an Anatomical Figure to Show the Heart, Lungs and Main Arteries, c1480 (1945). Artist: Leonardo da Vinci
Man Drawn as an Anatomical Figure to Show the Heart, Lungs and Main Arteries, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Nude Man seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
A Nude Man seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Men Digging, Carrying Earth, Etc. c1480 (1945). Artist: Leonardo da Vinci
Men Digging, Carrying Earth, Etc. c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Seated Nudes and a Woman Washing, c1480 (1945). Artist: Leonardo da Vinci
Two Seated Nudes and a Woman Washing, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Men Ploughing and Digging, c1480 (1945). Artist: Leonardo da Vinci
Men Ploughing and Digging, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sections of a Mans Head Showing the Anatomy of the Eye, Etc. c1480 (1945). Artist: Leonardo da Vinci
Sections of a Mans Head Showing the Anatomy of the Eye, Etc. c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Dissection of a Bears Foot to the Left, c1480 (1945). Artist: Leonardo da Vinci
Dissection of a Bears Foot to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Dissection of a Bears Foot to the Right, c1480 (1945). Artist: Leonardo da Vinci
Dissection of a Bears Foot to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Proportions of Three Figures, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Proportions of Three Figures, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Nude Man with his Left Hand on His Hip, c1480 (1945). Artist: Leonardo da Vinci
Study of a Nude Man with his Left Hand on His Hip, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Nude Man Seen from the Back and from the Side, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Nude Man Seen from the Back and from the Side, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Drawings of the Bony Structure of the Head, c1480 (1945). Artist: Leonardo da Vinci
Two Drawings of the Bony Structure of the Head, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Anatomical Drawing of a Skull to the Left, c1480 (1945). Artist: Leonardo da Vinci
Anatomical Drawing of a Skull to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Anatomical Drawings of Two Skulls in Profile to the Left, c1480 (1945). Artist: Leonardo da Vinci
Anatomical Drawings of Two Skulls in Profile to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Mans Nude Torso, the Head Squared for Proportion, c1480 (1945). Artist: Leonardo da Vinci
Study of a Mans Nude Torso, the Head Squared for Proportion, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Legs, of the Bones and Tendons of a Leg, of an Arm, and of the Bones and Tendons of an A Artist
Studies of Legs, of the Bones and Tendons of a Leg, of an Arm, and of the Bones and Tendons of an Arm and of Organs like a Valve, c1480 (1945). From The Drawings of Leonardo da Vinci

Study for a St. Sebastian, c1480 (1945). Artist: Leonardo da Vinci
Study for a St. Sebastian, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study for a Youthful St. John the Baptist, c1480 (1945). Artist: Leonardo da Vinci
Study for a Youthful St. John the Baptist, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.