Leonardo Da Vinci Collection (page 24)

Leonardo sketches for three emblems
These personal emblems were designed by Leonardo da Vinci in his position as court artist in Milan c.1506-10. They are on the theme of constancy

Plato (c. 428 BC-c. 347 BC)
Plato (c.428 BC-c.347 BC)

Leonardo: Mortar bombardment of fortress
Drawing of a fusillade from four mortars firing over the high curtain wall of a fortress. A section of this wall has been breached

Leonardos drawing of stratified rocks
Leonardos studied the stratification of rocks and the flow of water. He concluded that " the stratified stones of the mountains are the layers of clay deposited one above the other by

Leonardo: repelling of scaling ladders
Scheme devised by Leonardo to repel the storming of ramparts by means of dislodging scaling ladders. In the drawing the outer beam of a horizontal framework slotted through the parapet walls pushes

Leonardos Cannon Foundry
Pen and ink perspective drawing on paper by Leonardo from 1487 of a cannon foundry. It depicts the inside of a factory for casting cannons from bronze

Sketches of labourers at work

Cannons with explosive ammunition
Leonardos sketch of explosive cannon balls fired from large mortars. The cannon balls consisted of round shells fitted around iron spacers and stitched inside a pliable casing

Mechanically powered flying machine
Leonardo da Vinci produced several designs for ornithopters but this drawing can be interpreted as acceptance that man-powered flight is not practicable

Leonardo-analysis of multiple shadows
The diagram of c.1492 shows two large light sources of differing intensities close to two smaller objects. This diffuse lighting creates two shadows with ill-defined edges, one darker than the other

Drawings of a child
Preparatory sketches of a child, by Leonardo da Vinci, for his painting " Virgin and Child with St. Anne". Chalk on paper dating from the early 16th century

Da Vincis notebook. Late 19th Century reproduction of a page from a notebook written by Leonardo da Vinci (1452-1519). Published circa 1894-1904

Leonardo da Vincis oak leaves and acorns
Oak leaves and acorns. Historical artwork of the leaves and fruit (acorns) of the oak tree (Quercus robur). Also seen at left are the leaves and pods of the Dyers woad plant (Isatis tinctoria)

Leonardo da Vincis lilies
Lilies. Historical artwork of lilies (family Liliaceae) in flower. Drawn by the Italian artist, engineer and scientist Leonardo da Vinci (1452- 1519)

PART2A-00063
Leonardo da Vincis backward handwriting on his design for a lamp using a globe filled with water. 19th-century woodcut reproduction with a watercolor wash

Arno River and the Romanesque bridge of Ponte Buriano, the bridge behind the face of Gioconda (Mona Lisa) of Leonardo da Vinci, Arezzo, Tuscany, Italy, Europe

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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.