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Framed Print : BRITISH COLONIALISM. This is how the Englishman colonizes

BRITISH COLONIALISM. This is how the Englishman colonizes



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BRITISH COLONIALISM. This is how the Englishman colonizes

BRITISH COLONIALISM.
This is how the Englishman colonizes. Cartoon by Thomas Theodor Heine in the German satirical publication Simplicissimus, 1904

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12323546

1904 Africa African Black British Empire Convert Great Britain Heine Missionary Native Politics Press Protestant Satire Simplicissimus Theodore Whisky


22"x18" (58x48cm) Modern Frame

Add a thought-provoking conversation piece to your home or office with our Framed Print of "BRITISH COLONIALISM. This is how the Englishman colonizes" by Thomas Theodor Heine. This satirical cartoon from Granger Art on Demand, published in Simplicissimus in 1904, offers a glimpse into the past and invites reflection on the complex history of colonialism. The high-quality print is beautifully framed, ready to hang and sure to spark intrigue and discussion. Bring history into your space with this unique and thought-provoking addition to your collection.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 20.4cm (15.6" x 8")

Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Related Images

> Arts > Artists > H > Thomas Theodor Heine

> Arts > Pop art > Satire > Satirical artwork

> Europe > Germany > Politics

> Popular Themes > Politics

> Granger Art on Demand > Miscellaneous


EDITORS COMMENTS
Caption: "British Colonialism Unveiled: A Satirical Take on the Englishman's Approach to Colonization". This thought-provoking print captures a powerful cartoon by Thomas Theodor Heine, published in the renowned German satirical magazine Simplicissimus in 1904. Titled 'BRITISH COLONIALISM. This is how the Englishman colonizes, ' this artwork offers a critical commentary on the practices of British colonial rule during the turn of the century. Heine's clever depiction portrays an African native being confronted by an English missionary, symbolizing Britain's efforts to convert and civilize indigenous populations under their empire. The cartoon highlights both political and religious aspects of colonization, with references to Protestantism and missionary work. The artist employs satire to expose what he perceives as hypocrisy within British colonial policies. By juxtaposing elements such as whisky bottles alongside images of conversion attempts, Heine suggests that there may be ulterior motives behind Britain's supposed mission to bring progress and enlightenment to Africa. Through this visual critique, Heine challenges viewers to question the true intentions and consequences of British imperialism. His illustration serves as a reminder that history should not be viewed through rose-tinted glasses but rather examined critically for a deeper understanding of its complexities. As we reflect upon this historical artifact today, it prompts us to contemplate how past actions shape our present perceptions and encourages dialogue about post-colonial legacies worldwide.

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