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Framed Print : The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train

The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train



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The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train

652110 The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 21.6x29.8 cm; Private Collection; (add.info.: The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train. Myles Birket Foster (1825-1899). Pencil and watercolour heightened with white. 21.6 x 29.8cm.); Photo eChristies Images; English, out of copyright

Media ID 23294694

© Christie's Images / Bridgeman Images

042012upload Architectural Feature British Art British Art On Paper Canal English Art English Artist Foster Gondola Heightened Heightening Large Group Locomotion Mid 19th Century Mid Nineteenth Century Myles Birket Foster Pediment Pencil Pencil Drawing Portico Rail Rail Transport Railroad Religious Building Travel Destination Veneto Region Venezia Victorian Art Water Color Water Colour Water Transport Water Vehicle Water Vessel Waterway White Color Artist British British Artist San Simeone Piccolo


14"x12" (38x32cm) Modern Frame

Experience the enchanting blend of history and modernity with our Framed Print of "The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train" by Foster from Bridgeman Images. This stunning work of art, available through Fine Art Finder, captures the iconic Venetian landmark, San Simeone Piccolo, as a train arrives, adding a unique and captivating twist to its timeless beauty. With intricate pencil and watercolor techniques heightened with white, this Framed Print brings the essence of Venice right into your home or office space. Perfect for art enthusiasts, travelers, or anyone seeking to add a touch of European charm to their décor.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 17.8cm (9.6" x 7")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Charles Green

> Fine Art Finder > Artists > Myles Birket Foster

> Fine Art Finder > Temp Classification

> Animals > Birds > Gruiformes > Rallidae > Water Rail

> Animals > Fishes > G > Grouper

> Animals > Mammals > Muridae > Water Mouse

> Architecture > Churches

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Venice

> Architecture > Drawings

> Architecture > Related Images

> Architecture > Religious

> Architecture > Styles > Victorian Architecture


The Church of San Simone and San Guida (San Simeone Piccolo), Venice - Arrival of a Train

EDITORS COMMENTS
is a captivating print that captures the essence of 19th-century Venice. In this artwork by Myles Birket Foster, we are transported to a time when travel was an adventure and railways were just beginning to shape the world. The focal point of the image is the magnificent church, standing tall against the backdrop of Venetian architecture. Its grandeur is enhanced by Foster's meticulous pencil and watercolor technique, which adds depth and detail to every stroke. The artist's use of white heightening further illuminates the scene, creating a sense of ethereal beauty. In front of the church, we witness an intriguing juxtaposition between tradition and progress as a train arrives at its destination. A large group of people gathers around, eagerly awaiting their loved ones or embarking on new journeys themselves. Among them are men in top hats and women in elegant Victorian attire, reflecting both social hierarchy and cultural norms. As our gaze extends beyond the crowd, we notice gondolas gliding along the canal under a bright daytime sky. This harmonious blend of land and water transport symbolizes Venice's unique character as a city built on canals. "The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train" not only showcases Foster's artistic talent but also encapsulates an era defined by exploration, religious devotion, architectural marvels, bustling crowds, and timeless beauty. It serves as both an exquisite piece for art enthusiasts seeking British art from the mid-19th century and as a window into history for those fascinated by European culture during this period.

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