English Artist Collection

The Tea-Table, 1920 (oil on canvas)
656960 The Tea-Table, 1920 (oil on canvas) by Harvey, Harold (1874-1941); Private Collection; (add.info.: The Tea-Table. Harold Harvey (1874-1941). Oil on canvas. Dated 1920

The Tube Station, c. 1932 (linocut printed in colours on tissue Japan)
659543 The Tube Station, c.1932 (linocut printed in colours on tissue Japan) by Power, Cyril Edward (1874-1951); 25.5x29 cm; Private Collection; (add.info.: The Tube Station)

A map from On the Mode of Communication of Cholera, 1855 (litho)
1195411 A map from On the Mode of Communication of Cholera, 1855 (litho) by Snow, John (1813-58) (after); 22, 5x14, 2 cm; Private Collection; (add.info.: Snow)

A dawn sky silhouettes a spectacular grove of ancient baobab trees, known as Baines Baobabs, which perches on the eastern edge of the Kudiakam Pan in the Nxai Pan National Park

A Southern Railway poster advertising Ramsgate, 1939 (colour lithograph)
1769905 A Southern Railway poster advertising Ramsgate, 1939 (colour lithograph) by Kenneth Shoesmith (1890-1939) & Verney L

The Weald of Kent, a Southern Railway advertising poster, c
1769903 The Weald of Kent, a Southern Railway advertising poster, c.1925 (colour lithograph) by Maxwell, Donald (1877-1936); 102x127 cm; Private Collection; (add.info.: The Weald of Kent)

Children on the Beach, St. Ives, 1886 (oil on canvas)
658034 Children on the Beach, St. Ives, 1886 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 30.5x40 cm; Private Collection; (add.info.: Children on the Beach, St. Ives)

The Merry-Go-Round, 1930 (linocut printed in colours on tissue Japan. Dated 1930. 30. 5 x 3)
659541 The Merry-Go-Round, 1930 (linocut printed in colours on tissue Japan. Dated 1930. 30.5 x 3) by Power, Cyril Edward (1874-1951); 30.5x30.5 cm; Private Collection; (add.info)

In a Rose Garden, (oil on panel)
1199614 In a Rose Garden, (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 37.5x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Laurel Tree, 1731-1743 (hand-coloured etching)
986443 Laurel Tree, 1731-1743 (hand-coloured etching) by Catesby, Mark (1679-1749); Private Collection; (add.info.: Laurel Tree. From The Natural History of Carolina, Florida and the Bahama Islands)

A full moon rises over a spectacular grove of ancient baobab trees, known as Baines Baobabs, which perches on the eastern edge of the Kudiakam Pan in the Nxai Pan National Park

Boltons Dragon-fly (Libellula boltonii), 1807 (hand coloured engraving)
986301 Boltons Dragon-fly (Libellula boltonii), 1807 (hand coloured engraving) by Donovan, Edward (1768-1837); Private Collection; (add.info.: Boltons Dragon-fly (Libellula boltonii). Plate 430, Vol

Hunters in a Stable with a Groom, 1809 (oil on canvas)
990550 Hunters in a Stable with a Groom, 1809 (oil on canvas) by Weaver, Thomas (1774-1843); 68.6x89.5 cm; Private Collection; (add.info.: Hunters in a Stable with a Groom. Thomas Weaver (1774-1843)

The Fortune Teller, 1899 (oil on canvas)
989688 The Fortune Teller, 1899 (oil on canvas) by Wontner, William Clark (1857-1930); 81.9x67.9 cm; Private Collection; (add.info.: The Fortune Teller. William Clarke Wontner (1857-1930)

The Lamb, 1789 (hand-coloured relief-etching, watercolour)
985824 The Lamb, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: The Lamb. Plate 7 from Songs of Innocence)

Georgiana, Countess Spencer (1757-1806) afterwards Duchess of Devonshire, with her mother Margaret Georgiana (Poyntz) (1736-1814), Countess Spencer wife of 1st Earl Spencer. Sir Joshua Reynolds

Children with a St. Bernard, 1922 (oil on canvas)
989718 Children with a St. Bernard, 1922 (oil on canvas) by Elsley, Arthur John (1861-1952); 78.7x63.5 cm; Private Collection; (add.info.: Children with a St. Bernard. Arthur John Elsley (1861-1952)

St. Tropez, (oil on canvas)
657448 St. Tropez, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: St.Tropez. William Lee Hankey (1869-1952). Oil on canvas

Full Inside, 1899 (oil on canvas)
991396 Full Inside, 1899 (oil on canvas) by Elsley, Arthur John (1861-1952); 91.5x71 cm; Private Collection; (add.info.: Full Inside. Arthur John Elsley (1861-1952). Oil on canvas. Painted in 1899

Norwich, LMS & L. N. E. R, c. 1940 (lithograph in colours)
1766923 Norwich, LMS & L.N.E.R, c.1940 (lithograph in colours) by Ginner, Charles (1878-1952); 100x62 cm; Private Collection; (add.info.: Norwich, LMS & L.N.E.R. Charles Ginner (1878-1952)

The Harbour, St Ives, (oil on canvas)
657970 The Harbour, St Ives, (oil on canvas) by Hankey, William Lee (1869-1952); 58x71 cm; Private Collection; (add.info.: The Harbour, St Ives. William Lee Hankey (1869-1952). Oil on canvas

A Peter Pan map of Kensington Gardens, 1923 (colour litho)
1198174 A Peter Pan map of Kensington Gardens, 1923 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x127 cm; Private Collection; (add.info.: Gill)

A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand
651793 A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand; Possibly a Study for The Richmond Water-Walk, (black chalk and stump)

Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured)
1198423 Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured) by Bury, Thomas Talbot (1811-77) (after); 26.5x66 cm; Private Collection; Photo eChristies Images; English

Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, 1815 (oil on canvas)
990567 Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, 1815 (oil on canvas) by Cooper, Abraham (1787-1868); 64.8x80 cm; Private Collection; (add.info)

A Map of the Union of South Africa, 1931 (colour litho)
1198400 A Map of the Union of South Africa, 1931 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

Teatime (pencil and watercolour heightened with white on card)
1765030 Teatime (pencil and watercolour heightened with white on card) by Foster, Myles Birket (1825-99); Private Collection; (add.info.: Teatime. Myles Birket Foster (1825-1899)

Portrait of William Henry Paget Marquess of Anglesey, half length, (oil on canvas)
827857 Portrait of William Henry Paget Marquess of Anglesey, half length, (oil on canvas) by Beechey, William (1753-1839); 76.4x63.5 cm; Private Collection; (add.info)

Winchelsea from the Rye Road, (pencil and watercolour)
651975 Winchelsea from the Rye Road, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 12.7x19.9 cm; Private Collection; (add.info.: Winchelsea from the Rye Road)

At Aphrodites Cradle (The Ever-New Horizon), (oil on panel)
989817 At Aphrodites Cradle (The Ever-New Horizon), (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 49.6x38 cm; Private Collection; (add.info.: At Aphrodites Cradle (The Ever-New Horizon)

Title page and opening page from the Kelmscott Press edition of
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

Elegant Conversation, (oil on canvas)
659850 Elegant Conversation, (oil on canvas) by King, Henry John Yeend (1855-1924); 45.9x66 cm; Private Collection; (add.info.: Elegant Conversation. Henry John Yeend King (1855-1924). Oil on canvas

Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil
659831 Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil, watercolour and bodycolour) by Foster

Her Majesty Queen Victorias First Entry into Brighton Oct
985719 Her Majesty Queen Victorias First Entry into Brighton Oct. 4th 1837, 1837 (watercolour, pen and ink, pencil) by Cruikshank

The Studio of Salvator Rosa in the Mountains of the Abruzzi, (oil on canvas)
827524 The Studio of Salvator Rosa in the Mountains of the Abruzzi, (oil on canvas) by Barker, Thomas Jones (1815-82) (after); 111.8x183.2 cm; Private Collection; (add.info)

The Doges Palace, Venice, from the Steps of San Giorgio Maggiore
652111 The Doges Palace, Venice, from the Steps of San Giorgio Maggiore, (pencil and watercolour heightened with white on card) by Foster

The Library of the Royal Institution, Albemarle Street, (pencil
651805 The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 19.7x27.7 cm; Private Collection; (add.info)

The Sleeping Girl, (oil on canvas)
658486 The Sleeping Girl, (oil on canvas) by Corbet, Edith Ridley (c.1850-1920); 91.7x55.2 cm; Private Collection; (add.info.: The Sleeping Girl. Edith Corbet (1850-1920). Oil on canvas

Corpus Christi College, Oxford, (pencil and watercolour)
824154 Corpus Christi College, Oxford, (pencil and watercolour) by Turner, William (Turner of Oxford) (1789-1862); 22.3x33.4 cm; Private Collection; (add.info.: Corpus Christi College, Oxford)

Self Portrait, engraved by J. Mollison (engraving)
XJF396071 Self Portrait, engraved by J. Mollison (engraving) by Hogarth, William (1697-1764) (after); Private Collection; English, out of copyright

A Hukin and Heath two-handled bowl with hinged cover, 1879
985580 A Hukin and Heath two-handled bowl with hinged cover, 1879 () by Dresser, Christopher (1834-1904); Private Collection; (add.info.: A Hukin and Heath two-handled bowl with hinged cover)

A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas)
990551 A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas) by Turner, Francis Calcraft (1782-1846); 66x97.2 cm; Private Collection; (add.info)

A Young Girl Standing Outside a Cottage Holding a Pail, (oil on canvas board)
657868 A Young Girl Standing Outside a Cottage Holding a Pail, (oil on canvas board) by King, Henry John Yeend (1855-1924); Private Collection; (add.info)

Escaped: Two Rabbits and Guinea Pig, 1880 (oil on canvas)
827248 Escaped: Two Rabbits and Guinea Pig, 1880 (oil on canvas) by Barber, Alfred R. (fl.1879-93); 35.5x48.5 cm; Private Collection; (add.info.: Escaped: Two Rabbits and Guinea Pig. Alfred R)

Woman on a Bed, c. 1912-3 (oil on canvas)
658002 Woman on a Bed, c.1912-3 (oil on canvas) by Gilman, Harold (1876-1919); 35.5x30.5 cm; Private Collection; (add.info.: Woman on a Bed. Harold Gilman (1876-1919). Oil on canvas

Paeonia suffruticosa Andr. var. papaveracea, 1788-1896 (hand-coloured engraving)
991240 Paeonia suffruticosa Andr. var. papaveracea, 1788-1896 (hand-coloured engraving) by English School, (18th century); 24.6x15.4 cm; Private Collection; (add.info.: Paeonia suffruticosa Andr)

Mother and Child, (oil on canvas)
826921 Mother and Child, (oil on canvas) by Hankey, William Lee (1869-1952); 45.7x38 cm; Private Collection; (add.info.: Mother and Child. William Lee-Hankey. (1869-1952). Oil on canvas

The Harbour, (oil on canvas)
657089 The Harbour, (oil on canvas) by Hankey, William Lee (1869-1952); 59.1x89.5 cm; Private Collection; (add.info.: The Harbour. William Lee Hankey (1869-1952). Oil on canvas

All Professionally Made to Order for Quick Shipping

English artist, known for their diverse range of works capturing the beauty and essence of various subjects. From the serene landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster promoting Ramsgate in 1939, this artist's talent shines through. Their ability to capture emotion is evident in Children on the Beach, St. Ives, an oil painting from 1886 that portrays youthful joy and innocence against a backdrop of crashing waves. Equally captivating is A Lady Walking in a Garden, where the artist skillfully depicts a mother's love as she holds her small child by the hand. Not limited to human subjects, this talented individual also showcased their mastery with animals. Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom is an exquisite oil painting from 1815 that captures both strength and elegance within its equine subjects. The artist's versatility extends beyond traditional mediums as seen in Laurel Tree, a meticulously hand-colored etching dating back to 1731-1743. This attention to detail can also be observed in Teatime, where pencil and watercolor are expertly combined with white highlights on card to create an inviting scene. Exploring different themes and styles further reveals their artistic prowess. At Aphrodites Cradle (The Ever-New Horizon) showcases their command over oils on panel as they transport viewers into an ethereal realm filled with beauty and mystery. In addition to these stunning artworks, this it has ventured into creating visually striking maps such as A Map of the Union of South Africa from 1931. Their use of color lithography brings life and vibrancy to what could otherwise be considered purely functional pieces. Finally, Viaduct across the Sankey Valley stands out among their works due to its unique blend of color aquatints and partial hand-coloring techniques employed during its creation in 1831.