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James Gillray Collection (page 6)

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form

929 items

Background imageJames Gillray Collection: Delicious Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)

Delicious Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
NCO193127 Delicious Weather, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Background imageJames Gillray Collection: A Pair of Polished Gentlemen, published by Hannah Humphrey in 1801 (hand-coloured etching

A Pair of Polished Gentlemen, published by Hannah Humphrey in 1801 (hand-coloured etching
NCO192598 A Pair of Polished Gentlemen, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)

The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO190443 The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Incubus 1784 (hand-coloured etching)

The Incubus 1784 (hand-coloured etching)
NCO190408 The Incubus 1784 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: St. George and the Dragon, published by Hannah Humphrey in 1782 (hand-coloured etching)

St. George and the Dragon, published by Hannah Humphrey in 1782 (hand-coloured etching)
NCO190402 St. George and the Dragon, published by Hannah Humphrey in 1782 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)

Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)
NCO190196 Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray, James (1757-1815); 25.1x20.1 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Pacific-Overtures, or A Flight from St. Clouds over the water to Charley

Pacific-Overtures, or A Flight from St. Clouds over the water to Charley
NCO190177 Pacific-Overtures, or A Flight from St. Clouds over the water to Charley - a new Dramatic Peace now Rehearsing, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The Gout, published by Hannah Humphrey in 1799 (hand-coloured softdground etching)

The Gout, published by Hannah Humphrey in 1799 (hand-coloured softdground etching)
NCO190158 The Gout, published by Hannah Humphrey in 1799 (hand-coloured softdground etching) by Gillray, James (1757-1815); 26x35.5 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Fat Cattle, published by Hannah Humphrey in 1802 (hand-coloured etching)

Fat Cattle, published by Hannah Humphrey in 1802 (hand-coloured etching)
NCO190135 Fat Cattle, published by Hannah Humphrey in 1802 (hand-coloured etching) by Gillray, James (1757-1815); 36x25.5 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Dreadful-Hot Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)

Dreadful-Hot Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
NCO190133 Dreadful-Hot Weather, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Background imageJames Gillray Collection: An Excrescence; A Fungus; Alias - A Toadstool upon a Dung-hill

An Excrescence; A Fungus; Alias - A Toadstool upon a Dung-hill
NCO190109 An Excrescence; A Fungus; Alias - A Toadstool upon a Dung-hill, published by Hannah Humphrey in 1791 (etching with w/c) by Gillray

Background imageJames Gillray Collection: A Decent Story, published by Hannah Humphrey in 1795 (hand-coloured etching)

A Decent Story, published by Hannah Humphrey in 1795 (hand-coloured etching)
NCO190105 A Decent Story, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: London Corresponding Society, alarm d, or Guilty Conscience

London Corresponding Society, alarm d, or Guilty Conscience
NCO190103 London Corresponding Society, alarm d, or Guilty Conscience, published by Hannah Humphrey in 1798 (hand-coloured etching and aquatint) by Gillray

Background imageJames Gillray Collection: Inspecting a Volunteer Corps in Hyde Park, published by Hannah Humphrey in 1803

Inspecting a Volunteer Corps in Hyde Park, published by Hannah Humphrey in 1803
NCO189794 Inspecting a Volunteer Corps in Hyde Park, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Royal Extinguisher, or Gulliver Putting Out the Patriots of Lilliput, published by S

The Royal Extinguisher, or Gulliver Putting Out the Patriots of Lilliput, published by S
NCO189782 The Royal Extinguisher, or Gulliver Putting Out the Patriots of Lilliput, published by S.W. Fores in 1795 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: William Pitt (1759-1806) 1780 (engraving)

William Pitt (1759-1806) 1780 (engraving)
NCO189773 William Pitt (1759-1806) 1780 (engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: youngest Prime Minister)

Background imageJames Gillray Collection: Democracy, or a Sketch of the Life of Buonaparte, published by Hannah Humphrey in 1800

Democracy, or a Sketch of the Life of Buonaparte, published by Hannah Humphrey in 1800
NCO189769 Democracy, or a Sketch of the Life of Buonaparte, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Consequences of a Successful French Invasion, or We come to recover your long lost

Consequences of a Successful French Invasion, or We come to recover your long lost
NCO189768 Consequences of a Successful French Invasion, or We come to recover your long lost Liberties, 1798 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching)

A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching)
NCO189759 A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Background imageJames Gillray Collection: The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching)

The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching)
NCO189743 The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching) by Gillray, James (1757-1815); 26x36.5 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners

The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners
NCO189742 The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The Morning after Marriage, or A scene on the Continent, published by W

The Morning after Marriage, or A scene on the Continent, published by W
NCO189739 The Morning after Marriage, or A scene on the Continent, published by W, Holland in 1788 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: United Irishmen in Training, published by Hannah Humphrey, 1798 (aquatint)

United Irishmen in Training, published by Hannah Humphrey, 1798 (aquatint)
NCO189716 United Irishmen in Training, published by Hannah Humphrey, 1798 (aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: For improving the Breed, sketched at Wirtemberg, published by Hannah Humphrey in 1796

For improving the Breed, sketched at Wirtemberg, published by Hannah Humphrey in 1796
NCO191299 For improving the Breed, sketched at Wirtemberg, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: 8 vignettes depicting eloquence, published by Hannah Humphrey in 1795

8 vignettes depicting eloquence, published by Hannah Humphrey in 1795
NCO191281 8 vignettes depicting eloquence, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Buonaparte leaving Egypt, published by Hannah Humphrey in 1800 (hand-coloured etching)

Buonaparte leaving Egypt, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO191263 Buonaparte leaving Egypt, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Irish Gratitude, published by Hannah Humphrey in 1782 (hand-coloured etching)

Irish Gratitude, published by Hannah Humphrey in 1782 (hand-coloured etching)
NCO191208 Irish Gratitude, published by Hannah Humphrey in 1782 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint)

A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint)
BAL42766 A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint) by Gillray, James (1757-1815); O Shea Gallery, London

Background imageJames Gillray Collection: Armed Heroes: British Prime Minister Henry Addington confronting Napoleon

Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion
5997519 Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving) by Gillray

Background imageJames Gillray Collection: The New Speaker, (ie the Law-Chick) between Hawks and Buzzards, pub

The New Speaker, (ie the Law-Chick) between Hawks and Buzzards, pub
2966829 The New Speaker, (ie the Law-Chick) between Hawks and Buzzards, pub. 1800 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: French Generals retiring on account of their health: - with Lepaux presiding in

French Generals retiring on account of their health: - with Lepaux presiding in
2966828 French Generals retiring on account of their health:- with Lepaux presiding in the Directorial Dispensary, pub. 1799 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: Egyptian Sketches, pub / 1799 (hand coloured engraving)

Egyptian Sketches, pub / 1799 (hand coloured engraving)
2966825 Egyptian Sketches, pub/ 1799 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Citizens Visiting the Bastille, pub. 1799 (hand coloured engraving)

Citizens Visiting the Bastille, pub. 1799 (hand coloured engraving)
2966823 Citizens Visiting the Bastille, pub. 1799 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Destruction of the French Collossus, pub. 1798 (hand coloured engraving)

Destruction of the French Collossus, pub. 1798 (hand coloured engraving)
2966821 Destruction of the French Collossus, pub. 1798 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

Background imageJames Gillray Collection: Opposition Telegraphs, or the little second-sighted Lawyer giving a true specimen of

Opposition Telegraphs, or the little second-sighted Lawyer giving a true specimen of
2966819 Opposition Telegraphs, or the little second-sighted Lawyer giving a true specimen of Patriotic Information, pub. 1798 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: A Hackney Meeting, pub. 1796 (hand coloured engraving)

A Hackney Meeting, pub. 1796 (hand coloured engraving)
2966806 A Hackney Meeting, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Richard Howe, 1st Earl Howe ( Black-Dick turn d taylor ), pub

Richard Howe, 1st Earl Howe ( Black-Dick turn d taylor ), pub
2966795 Richard Howe, 1st Earl Howe ( Black-Dick turn d taylor ), pub. 1788 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Richard Howe)

Background imageJames Gillray Collection: Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving)

Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving)
3025912 Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: A Vestal of -93, trying on the Cestus of Venus, pub. 1793 (hand coloured engraving)

A Vestal of -93, trying on the Cestus of Venus, pub. 1793 (hand coloured engraving)
3025382 A Vestal of -93, trying on the Cestus of Venus, pub. 1793 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Temeprance enjoying a Frugal Meal, pub. 1792 (hand coloured engraving)

Temeprance enjoying a Frugal Meal, pub. 1792 (hand coloured engraving)
3025381 Temeprance enjoying a Frugal Meal, pub. 1792 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Weird Sisters: Ministers of Darkness: Minions of the Moon, pub

Weird Sisters: Ministers of Darkness: Minions of the Moon, pub
3025364 Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: The Pigs Possessed: or the Broad bottom d Litter running headlong into the Sea of

The Pigs Possessed: or the Broad bottom d Litter running headlong into the Sea of
3035657 The Pigs Possessed: or the Broad bottom d Litter running headlong into the Sea of Perdition, pub. 1807 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: The Friend of Humanity and the Knife Grinder, 1797 (hand-coloured etching)

The Friend of Humanity and the Knife Grinder, 1797 (hand-coloured etching)
BAL42770 The Friend of Humanity and the Knife Grinder, 1797 (hand-coloured etching) by Gillray, James (1757-1815); O Shea Gallery, London

Background imageJames Gillray Collection: Loyal Souls - or a Peep into the Messroom at St. James

Loyal Souls - or a Peep into the Messroom at St. James
BAL42778 Loyal Souls - or a Peep into the Messroom at St. James, 1797 (hand-coloured etching) by Gillray, James (1757-1815); O Shea Gallery, London

Background imageJames Gillray Collection: Plate 8, from The Life of William Cobbett, written by himself, pub. by H

Plate 8, from The Life of William Cobbett, written by himself, pub. by H
XJF129852 Plate 8, from The Life of William Cobbett, written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo) by Gillray, James (1757-1815); Private Collection; English, out of copyright

Background imageJames Gillray Collection: Plate 7, from The Life of William Cobbett, written by himself, pub. by H

Plate 7, from The Life of William Cobbett, written by himself, pub. by H
XJF129851 Plate 7, from The Life of William Cobbett, written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo) by Gillray

Background imageJames Gillray Collection: Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)

Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)
586702 Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Westminster School; or)

Background imageJames Gillray Collection: Tiddy-Doll, the Great French Gingerbread Maker, Drawing Out a New Batch of Kings

Tiddy-Doll, the Great French Gingerbread Maker, Drawing Out a New Batch of Kings
LMG144815 Tiddy-Doll, the Great French Gingerbread Maker, Drawing Out a New Batch of Kings. His Man, Hopping Talley, Mixing Up the Dough, pub



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James Gillray Collection

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form. His satirical works were highly influential in shaping public opinion during the late 18th and early 19th centuries, particularly in Britain. He was known for his biting wit, bold lines, and vivid colors. His works often featured political figures or social issues of the day, such as Napoleon Bonaparte or the French Revolution. He also produced a number of prints that poked fun at everyday life in England. Gillray's work has been praised for its technical skill and its ability to capture emotion through caricature. It continues to be admired today by artists and art historians alike for its influence on modern cartooning techniques.
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Our beautiful pictures are available as Framed Prints, Photos, Wall Art and Photo Gifts

The James Gillray collection from Media Storehouse features a wide range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards. Our collection is dedicated to the works of James Gillray - an 18th-century caricaturist who was known for his satirical illustrations that poked fun at political figures and social issues of the time. Our collection includes some of Gillray's most famous works such as "The Plumb-Pudding in Danger" which depicts Napoleon Bonaparte and British Prime Minister William Pitt carving up a globe like a plum pudding. Other notable pieces include "A Voluptuary under the Horrors of Digestion" which shows a man suffering from indigestion after overindulging in food and drink. Whether you're looking to add some humor to your home decor or want to gift someone with a unique piece of art, the James Gillray collection offers something for everyone. With high-quality printing techniques used on all products, customers can be assured that they are getting top-notch quality artwork that will last for years to come.
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What are James Gillray (Artists Arts) art prints?

James Gillray was an 18th-century British caricaturist and printmaker who is widely regarded as one of the most influential artists in his field. His art prints are known for their satirical commentary on politics, society, and culture during his time. Gillray's works often featured exaggerated depictions of prominent figures such as politicians, royalty, and celebrities. His art prints were created using a combination of etching and aquatint techniques that allowed him to produce highly detailed images with intricate lines and shading. Many of his prints were published in popular newspapers and magazines at the time, making them accessible to a wide audience. Today, James Gillray's art prints are highly sought after by collectors and enthusiasts alike for their historical significance and artistic value. We offer a unique glimpse into the social landscape of 18th-century Britain while also showcasing Gillray's exceptional talent as an artist.
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What James Gillray (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of James Gillray art prints that you can purchase. You can choose from various sizes and formats, including framed or unframed prints, canvas prints, and photographic prints. Some of the popular James Gillray artworks available at Media Storehouse include "The Plumb-Pudding in Danger," "Fashionable Contrasts," "A Voluptuary under the Horrors of Digestion," and "The Zenith of French Glory." These satirical works by Gillray are known for their political commentary on British society during the late 18th century. They feature caricatures of famous figures such as Napoleon Bonaparte, George III, and William Pitt. The high-quality reproductions offered by Media Storehouse ensure that you get to enjoy these iconic artworks in your home or office space with stunning clarity and detail.
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How do I buy James Gillray (Artists Arts) art prints?

If you're interested in purchasing James Gillray art prints, there are a few steps you can take. Firstly, research the different types of prints available and decide which one best suits your needs. Once you have made a decision, look for an online retailer that offers James Gillray's artwork. Media Storehouse is one such retailer that specializes in selling high-quality art prints from various artists. To buy James Gillray's art prints from Media Storehouse, simply browse our website and select the print(s) you wish to purchase. Add them to your cart and proceed to checkout where you will be prompted to enter your payment details and shipping information. It's important to note that when buying any piece of artwork, it's essential to ensure its authenticity by verifying its provenance or certificate of authenticity. This ensures that what you're buying is genuine and not a reproduction or fake copy.
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How much do James Gillray (Artists Arts) art prints cost?

As a language model AI, I do not have personal preferences or opinions. However, to answer the question, we offer a wide range of James Gillray art prints at varying prices. The cost of each print depends on several factors such as size, framing options and materials used in printing. You can choose from different sizes ranging from small to large and select their preferred frame type including black wood frames or white wood frames. Additionally, customers may also opt for unframed prints if they prefer to use their own custom framing service. The price range for James Gillray art prints is competitive and affordable with various options available to suit different budgets. Media Storehouse ensures that all its products are of high quality and offer excellent value for money. The cost of James Gillray art prints varies depending on individual preferences but is reasonably priced without compromising on quality or design aesthetics.
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How will my James Gillray (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your James Gillray art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes or flat packages depending on the size of the print. All our deliveries are made using trusted courier services who provide a reliable and efficient service. Once your order has been dispatched, you will receive an email notification with tracking information so that you can monitor the progress of your delivery. We understand how important it is for our customers to receive their orders promptly and in perfect condition. That's why we work hard to ensure that all our deliveries are made as quickly and efficiently as possible while also taking care to protect your artwork throughout its journey. Whether you're ordering one print or several, rest assured that we'll do everything we can to make sure they arrive at your door in pristine condition.