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James Gillray Collection (page 5)

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form

929 items

Background imageJames Gillray Collection: High Change in Bond Street or la Politesse du Grande Monde

High Change in Bond Street or la Politesse du Grande Monde
2562156 High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Making Decent, i. e. Broad Bottomites getting into the Grand Costume, pub

Making Decent, i. e. Broad Bottomites getting into the Grand Costume, pub
2636968 Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: A Smoking Club, pub. 1793 (hand coloured engraving)

A Smoking Club, pub. 1793 (hand coloured engraving)
2636967 A Smoking Club, pub. 1793 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Speaker (left); Charles James Fox (1749-1806)

Background imageJames Gillray Collection: A new way to pay the National Debt, pub. 21st April, 1786 (hand coloured engraving)

A new way to pay the National Debt, pub. 21st April, 1786 (hand coloured engraving)
2636952 A new way to pay the National Debt, pub. 21st April, 1786 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April

Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April
2636948 Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April, 1806 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Britannia between death and the Doctors, pub. Hannah Humphrey, 20th May

Britannia between death and the Doctors, pub. Hannah Humphrey, 20th May
2636946 Britannia between death and the Doctors, pub. Hannah Humphrey, 20th May, 1804 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: Very Slippy Weather, 1808

Very Slippy Weather, 1808
1574448 Very Slippy Weather, 1808 by Gillray, James (1757-1815); (add.info.: Hand-coloured etching depicts an elderly man who has slipped)

Background imageJames Gillray Collection: Praetor Urbanus - Inauguration of the Coptic Mayor of Cairo

Praetor Urbanus - Inauguration of the Coptic Mayor of Cairo
1275085 Praetor Urbanus - Inauguration of the Coptic Mayor of Cairo, preceded by the Procureur de la Commune, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Political Ravishment, or The Old Lady of Threadneedle Street in danger

Political Ravishment, or The Old Lady of Threadneedle Street in danger
1218698 Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Untitled, published by Hannah Humphrey, 1800 (coloured engraving)

Untitled, published by Hannah Humphrey, 1800 (coloured engraving)
NCO256300 Untitled, published by Hannah Humphrey, 1800 (coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Background imageJames Gillray Collection: Mendoza (aquatint)

Mendoza (aquatint)
BSA273439 Mendoza (aquatint) by Gillray, James (1757-1815); 61.5x48 cm; Private Collection; (add.info.: Daniel Mendoza (c.1765-1836)

Background imageJames Gillray Collection: The coming-on of the Monsoons, published by Hannah Humphrey, 1791 (coloured engraving)

The coming-on of the Monsoons, published by Hannah Humphrey, 1791 (coloured engraving)
NCO253706 The coming-on of the Monsoons, published by Hannah Humphrey, 1791 (coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Cupid, from the New Pantheon No. 4, published by Hannah Humphrey

Cupid, from the New Pantheon No. 4, published by Hannah Humphrey
NCO253703 Cupid, from the New Pantheon No.4, published by Hannah Humphrey, 1799 (coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: 'My Poll and My Partner Joe', engraved by T. Adams, pub

"My Poll and My Partner Joe", engraved by T. Adams, pub
NCO89957 " My Poll and My Partner Joe", engraved by T. Adams, pub. by Hannah Humphrey, 1796 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: 'Pylades and Orestes', pub. by Hannah Humphrey, 1797 (etching)

"Pylades and Orestes", pub. by Hannah Humphrey, 1797 (etching)
NCO89954 " Pylades and Orestes", pub. by Hannah Humphrey, 1797 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Death of the Great Wolfe, pub. by H. Humphrey, 1795 (etching) (b / w photo

The Death of the Great Wolfe, pub. by H. Humphrey, 1795 (etching) (b / w photo
XJF105409 The Death of the Great Wolfe, pub. by H. Humphrey, 1795 (etching) (b/w photo) (see also 119752, 124902 & 153197) by Gillray, James (1757-1815); Private Collection; English, out of copyright

Background imageJames Gillray Collection: Plate 5, from The Life of William Cobbett, written by himself, pub. by H

Plate 5, from The Life of William Cobbett, written by himself, pub. by H
XJF129849 Plate 5, from The Life of William Cobbett, written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo) by Gillray

Background imageJames Gillray Collection: Andrew Robinson Bowes Esq. as he appeared in the Court of the King

Andrew Robinson Bowes Esq. as he appeared in the Court of the King
NCO193431 Andrew Robinson Bowes Esq. as he appeared in the Court of the Kings Bench on Tuesday 28th November 1786, to answer the articles exhibited against him by his wife the Countess of Strathmore

Background imageJames Gillray Collection: Mr James Gillray (1756-1815) engraved by Charles Turner, published by G

Mr James Gillray (1756-1815) engraved by Charles Turner, published by G
NCO193417 Mr James Gillray (1756-1815) engraved by Charles Turner, published by G. Humphrey in 1819 (hand-coloured etching) by Seymour

Background imageJames Gillray Collection: Opening of the Budget or John Bull Giving his Breeches to Save his Bacon

Opening of the Budget or John Bull Giving his Breeches to Save his Bacon
HSC185233 Opening of the Budget or John Bull Giving his Breeches to Save his Bacon, published November 17th, 1796 (coloured engraving) by Gillray, James (1757-1815); Bank of England, London

Background imageJames Gillray Collection: Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar

Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar
NCO190496 Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Uncorking Old Sherry, published by Hannah Humphrey in 1805 (hand-coloured etching)

Uncorking Old Sherry, published by Hannah Humphrey in 1805 (hand-coloured etching)
NCO190487 Uncorking Old Sherry, published by Hannah Humphrey in 1805 (hand-coloured etching) by Gillray, James (1757-1815); 35.8x25.5 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Which Way Shall I Turn Me, How Shall I Decide? published by S. W. Fores in 1793 (etching)

Which Way Shall I Turn Me, How Shall I Decide? published by S. W. Fores in 1793 (etching)
NCO190481 Which Way Shall I Turn Me, How Shall I Decide? published by S.W. Fores in 1793 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Right Honourable Catch Singers, published by William Humphrey in 1783

The Right Honourable Catch Singers, published by William Humphrey in 1783
NCO190475 The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Coalition-Dance, published by William Humphrey in 1783 (hand-coloured etching)

The Coalition-Dance, published by William Humphrey in 1783 (hand-coloured etching)
NCO190474 The Coalition-Dance, published by William Humphrey in 1783 (hand-coloured etching) by Gillray, James (1757-1815); 24.7x34.7 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Overthrow of the Republican Babel, published by Hannah Humphrey in 1809

Overthrow of the Republican Babel, published by Hannah Humphrey in 1809
NCO190460 Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Republican Attack, published by Hannah Humphrey in 1795 (hand-coloured etching)

The Republican Attack, published by Hannah Humphrey in 1795 (hand-coloured etching)
NCO190455 The Republican Attack, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795

French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795
NCO190449 French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree

The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree
NCO190442 The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree, published by Hannah Humphrey in 1807 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The Chancellor of the Inquisition marking the Incorrigibles

The Chancellor of the Inquisition marking the Incorrigibles
NCO190436 The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Political Amusements for Young Gentlemen, or The Old Brentford Shuttlecock

Political Amusements for Young Gentlemen, or The Old Brentford Shuttlecock
NCO190435 Political Amusements for Young Gentlemen, or The Old Brentford Shuttlecock, between Old Sarum & the Temple of St

Background imageJames Gillray Collection: Tentanda via est qua me quoque possim Tollere humo, published by Hannah Humphrey in 1810

Tentanda via est qua me quoque possim Tollere humo, published by Hannah Humphrey in 1810
NCO190429 Tentanda via est qua me quoque possim Tollere humo, published by Hannah Humphrey in 1810 (etching, engraving, aquatint & w/c on paper) by Gillray

Background imageJames Gillray Collection: A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of

A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of
NCO190145 A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Comfort to the Corns, published by Hannah Humphrey in 1800 (hand-coloured etching)

Comfort to the Corns, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO190139 Comfort to the Corns, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Enter Cowslip, with a bowl of Cream, published by Hannah Humphrey in 1795

Enter Cowslip, with a bowl of Cream, published by Hannah Humphrey in 1795
NCO191753 Enter Cowslip, with a bowl of Cream, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791

A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791
NCO191715 A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Cincinnatus in Retirement, published by E. D Archery in 1782 (hand-coloured etching)

Cincinnatus in Retirement, published by E. D Archery in 1782 (hand-coloured etching)
NCO191714 Cincinnatus in Retirement, published by E. D Archery in 1782 (hand-coloured etching) by Gillray, James (1757-1815); 22.5x31.5 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Supplementary Militia Turning out for Twenty Days Amusement, or The French invade us, hay

Supplementary Militia Turning out for Twenty Days Amusement, or The French invade us, hay
NCO189706 Supplementary Militia Turning out for Twenty Days Amusement, or The French invade us, hay? damme, whos afraid? published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Dido in Despair, published by Hannah Humphrey, 1801 (hand-coloured engraving)

Dido in Despair, published by Hannah Humphrey, 1801 (hand-coloured engraving)
NCO189701 Dido in Despair, published by Hannah Humphrey, 1801 (hand-coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Raw Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)

Raw Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
NCO191289 Raw Weather, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Background imageJames Gillray Collection: John Bull & his Dog Faithful, published by Hannah Humphrey in 1796 (hand-coloured etching

John Bull & his Dog Faithful, published by Hannah Humphrey in 1796 (hand-coloured etching
NCO191226 John Bull & his Dog Faithful, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Plate 3 from The Rakes Progress at University

Plate 3 from The Rakes Progress at University
NCO193198 Plate 3 from The Rakes Progress at University, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Les Trois Magots, published by Hannah Humphrey in 1791 (hand-coloured etching)

Les Trois Magots, published by Hannah Humphrey in 1791 (hand-coloured etching)
NCO193193 Les Trois Magots, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Orange Jumper, published by Hannah Humphrey in 1809 (hand-coloured etching)

Orange Jumper, published by Hannah Humphrey in 1809 (hand-coloured etching)
NCO193182 Orange Jumper, published by Hannah Humphrey in 1809 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Blue & Buff Charity, or The Patriarch of the Greek Clergy applying for Relief

Blue & Buff Charity, or The Patriarch of the Greek Clergy applying for Relief
NCO193173 Blue & Buff Charity, or The Patriarch of the Greek Clergy applying for Relief, published by Hannah Humphrey in 1793 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Portrait of Charles Howard, Duke of Norfolk (1746-1815) published by Hannah Humphrey in

Portrait of Charles Howard, Duke of Norfolk (1746-1815) published by Hannah Humphrey in
NCO193155 Portrait of Charles Howard, Duke of Norfolk (1746-1815) published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Disciples catching the Mantle: the Spirit of Darkness overshadowing the Priests of Baal

Disciples catching the Mantle: the Spirit of Darkness overshadowing the Priests of Baal
NCO193135 Disciples catching the Mantle: the Spirit of Darkness overshadowing the Priests of Baal, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Cartoon depicting Colonel Justly Watson with the body of a boot

Cartoon depicting Colonel Justly Watson with the body of a boot
NCO193133 Cartoon depicting Colonel Justly Watson with the body of a boot, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray



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James Gillray Collection

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form. His satirical works were highly influential in shaping public opinion during the late 18th and early 19th centuries, particularly in Britain. He was known for his biting wit, bold lines, and vivid colors. His works often featured political figures or social issues of the day, such as Napoleon Bonaparte or the French Revolution. He also produced a number of prints that poked fun at everyday life in England. Gillray's work has been praised for its technical skill and its ability to capture emotion through caricature. It continues to be admired today by artists and art historians alike for its influence on modern cartooning techniques.
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Our beautiful pictures are available as Framed Prints, Photos, Wall Art and Photo Gifts

The James Gillray collection from Media Storehouse features a wide range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards. Our collection is dedicated to the works of James Gillray - an 18th-century caricaturist who was known for his satirical illustrations that poked fun at political figures and social issues of the time. Our collection includes some of Gillray's most famous works such as "The Plumb-Pudding in Danger" which depicts Napoleon Bonaparte and British Prime Minister William Pitt carving up a globe like a plum pudding. Other notable pieces include "A Voluptuary under the Horrors of Digestion" which shows a man suffering from indigestion after overindulging in food and drink. Whether you're looking to add some humor to your home decor or want to gift someone with a unique piece of art, the James Gillray collection offers something for everyone. With high-quality printing techniques used on all products, customers can be assured that they are getting top-notch quality artwork that will last for years to come.
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What are James Gillray (Artists Arts) art prints?

James Gillray was an 18th-century British caricaturist and printmaker who is widely regarded as one of the most influential artists in his field. His art prints are known for their satirical commentary on politics, society, and culture during his time. Gillray's works often featured exaggerated depictions of prominent figures such as politicians, royalty, and celebrities. His art prints were created using a combination of etching and aquatint techniques that allowed him to produce highly detailed images with intricate lines and shading. Many of his prints were published in popular newspapers and magazines at the time, making them accessible to a wide audience. Today, James Gillray's art prints are highly sought after by collectors and enthusiasts alike for their historical significance and artistic value. We offer a unique glimpse into the social landscape of 18th-century Britain while also showcasing Gillray's exceptional talent as an artist.
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What James Gillray (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of James Gillray art prints that you can purchase. You can choose from various sizes and formats, including framed or unframed prints, canvas prints, and photographic prints. Some of the popular James Gillray artworks available at Media Storehouse include "The Plumb-Pudding in Danger," "Fashionable Contrasts," "A Voluptuary under the Horrors of Digestion," and "The Zenith of French Glory." These satirical works by Gillray are known for their political commentary on British society during the late 18th century. They feature caricatures of famous figures such as Napoleon Bonaparte, George III, and William Pitt. The high-quality reproductions offered by Media Storehouse ensure that you get to enjoy these iconic artworks in your home or office space with stunning clarity and detail.
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How do I buy James Gillray (Artists Arts) art prints?

If you're interested in purchasing James Gillray art prints, there are a few steps you can take. Firstly, research the different types of prints available and decide which one best suits your needs. Once you have made a decision, look for an online retailer that offers James Gillray's artwork. Media Storehouse is one such retailer that specializes in selling high-quality art prints from various artists. To buy James Gillray's art prints from Media Storehouse, simply browse our website and select the print(s) you wish to purchase. Add them to your cart and proceed to checkout where you will be prompted to enter your payment details and shipping information. It's important to note that when buying any piece of artwork, it's essential to ensure its authenticity by verifying its provenance or certificate of authenticity. This ensures that what you're buying is genuine and not a reproduction or fake copy.
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How much do James Gillray (Artists Arts) art prints cost?

As a language model AI, I do not have personal preferences or opinions. However, to answer the question, we offer a wide range of James Gillray art prints at varying prices. The cost of each print depends on several factors such as size, framing options and materials used in printing. You can choose from different sizes ranging from small to large and select their preferred frame type including black wood frames or white wood frames. Additionally, customers may also opt for unframed prints if they prefer to use their own custom framing service. The price range for James Gillray art prints is competitive and affordable with various options available to suit different budgets. Media Storehouse ensures that all its products are of high quality and offer excellent value for money. The cost of James Gillray art prints varies depending on individual preferences but is reasonably priced without compromising on quality or design aesthetics.
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How will my James Gillray (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your James Gillray art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes or flat packages depending on the size of the print. All our deliveries are made using trusted courier services who provide a reliable and efficient service. Once your order has been dispatched, you will receive an email notification with tracking information so that you can monitor the progress of your delivery. We understand how important it is for our customers to receive their orders promptly and in perfect condition. That's why we work hard to ensure that all our deliveries are made as quickly and efficiently as possible while also taking care to protect your artwork throughout its journey. Whether you're ordering one print or several, rest assured that we'll do everything we can to make sure they arrive at your door in pristine condition.