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James Gillray Collection (page 9)

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form

929 items

Background imageJames Gillray Collection: A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795

A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795
NCO190486 A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: John Bull Bother d, or The Geese alarming the Capitol

John Bull Bother d, or The Geese alarming the Capitol
NCO190470 John Bull Bother d, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint) by Gillray

Background imageJames Gillray Collection: The Wine Duty, or The Triumph of Bacchus and Silenus with John Bulls Remonstrance

The Wine Duty, or The Triumph of Bacchus and Silenus with John Bulls Remonstrance
NCO190469 The Wine Duty, or The Triumph of Bacchus and Silenus with John Bulls Remonstrance, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Hanging and Drowning, or Fatal Effects of the French Defeat

Hanging and Drowning, or Fatal Effects of the French Defeat
NCO190466 Hanging and Drowning, or Fatal Effects of the French Defeat, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: And catch the living Manners as they rise, published by Hannah Humphrey

And catch the living Manners as they rise, published by Hannah Humphrey
NCO191293 And catch the living Manners as they rise, published by Hannah Humphrey (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: High Change in Bond Street, or La Politesse du Grande Monde

High Change in Bond Street, or La Politesse du Grande Monde
NCO191285 High Change in Bond Street, or La Politesse du Grande Monde, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Maniac Ravings, or Little Boney in a strong Fit, 1805 (hand-coloured etching)

Maniac Ravings, or Little Boney in a strong Fit, 1805 (hand-coloured etching)
NCO191279 Maniac Ravings, or Little Boney in a strong Fit, 1805 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802

Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802
NCO191277 Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Exit Liberte a la Francois! or Buonaparte closing the Farce of Egalite at St

Exit Liberte a la Francois! or Buonaparte closing the Farce of Egalite at St
NCO191272 Exit Liberte a la Francois! or Buonaparte closing the Farce of Egalite at St. Cloud near Paris, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: A March to the Bank, published by S. W. Fores in 1787 (hand-coloured etching)

A March to the Bank, published by S. W. Fores in 1787 (hand-coloured etching)
NCO190403 A March to the Bank, published by S.W. Fores in 1787 (hand-coloured etching) by Gillray, James (1757-1815); 42.4x54.5 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in

Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in
NCO191240 Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of

Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of
NCO190199 Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of Promise, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The State Tinkers, published by William Humphrey in 1780 (etching)

The State Tinkers, published by William Humphrey in 1780 (etching)
NCO191225 The State Tinkers, published by William Humphrey in 1780 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: John Bull and the Sinking Fund or A Pretty Scheme for Reducing Taxes

John Bull and the Sinking Fund or A Pretty Scheme for Reducing Taxes
NCO191209 John Bull and the Sinking Fund or A Pretty Scheme for Reducing Taxes and Paying off the National Debt, published by Hannah Humphrey in 1807 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Portrait of a Man, published by Hannah Humphrey in 1803 (hand-coloured etching)

Portrait of a Man, published by Hannah Humphrey in 1803 (hand-coloured etching)
NCO190115 Portrait of a Man, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)

A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO190100 A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Noble Sans-Culotte, published by Hannah Humphrey in 1794 (etching)

The Noble Sans-Culotte, published by Hannah Humphrey in 1794 (etching)
NCO189758 The Noble Sans-Culotte, published by Hannah Humphrey in 1794 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: End of the Irish Invasion, or The Destruction of the French Armada

End of the Irish Invasion, or The Destruction of the French Armada
NCO189757 End of the Irish Invasion, or The Destruction of the French Armada, published by Hannah Humphrey in 1797 (hand-coloured etching & aquatint) by Gillray

Background imageJames Gillray Collection: The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching)

The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching)
NCO189703 The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching) by Gillray, James (1757-1815); 24.6x34.9 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Old Wisdom: Blinking at the Stars, published in 1782 (etching)

Old Wisdom: Blinking at the Stars, published in 1782 (etching)
NCO193407 Old Wisdom: Blinking at the Stars, published in 1782 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Plate 4 from The Rakes Progress at the University

Plate 4 from The Rakes Progress at the University
NCO193199 Plate 4 from The Rakes Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Plate 2 from The Rakes Progress at University

Plate 2 from The Rakes Progress at University
NCO193197 Plate 2 from The Rakes Progress at University, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The Leadenhall Volunteer, drest in his Shawl, published by Hannah Humphrey in 1797

The Leadenhall Volunteer, drest in his Shawl, published by Hannah Humphrey in 1797
NCO193134 The Leadenhall Volunteer, drest in his Shawl, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Eruption of the Mountain, or The Horrors of the Bocca del Inferno

The Eruption of the Mountain, or The Horrors of the Bocca del Inferno
NCO191756 The Eruption of the Mountain, or The Horrors of the Bocca del Inferno published by Hannah Humphrey in 1794 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The Caneing in Conduit Street, published by Hannah Humphrey in 1796

The Caneing in Conduit Street, published by Hannah Humphrey in 1796
NCO191729 The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Push-Pin, published by Hannah Humphrey in 1797 (hand-coloured etching)

Push-Pin, published by Hannah Humphrey in 1797 (hand-coloured etching)
NCO191725 Push-Pin, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Background imageJames Gillray Collection: Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan

Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan
NCO191711 Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: True Reform of Parliament, i. e. Patriots lighting a Revolutionary Bonfire in New Palace

True Reform of Parliament, i. e. Patriots lighting a Revolutionary Bonfire in New Palace
NCO190495 True Reform of Parliament, i.e. Patriots lighting a Revolutionary Bonfire in New Palace Yard, published by Hannah Humphrey in 1809 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Le Debarquement du Chevalier John Bull et de sa famille a Boulogne sur Mer

Le Debarquement du Chevalier John Bull et de sa famille a Boulogne sur Mer
NCO190461 Le Debarquement du Chevalier John Bull et de sa famille a Boulogne sur Mer, or The Landing of Sir John Bull & his Family at Bologne sur Mer

Background imageJames Gillray Collection: Discipline a la Kenyon, published by Hannah Humphrey in 1797 (hand-coloured etching)

Discipline a la Kenyon, published by Hannah Humphrey in 1797 (hand-coloured etching)
NCO190454 Discipline a la Kenyon, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Political Mathemematicians Shaking the Broadbottom d Hemisphere

Political Mathemematicians Shaking the Broadbottom d Hemisphere
NCO190444 Political Mathemematicians Shaking the Broadbottom d Hemisphere, published by Hannah Humphrey in 1807 (etching & engraving) by Gillray

Background imageJames Gillray Collection: The Republican Rattle-Snake fascinating the Bedford Squirrel

The Republican Rattle-Snake fascinating the Bedford Squirrel
NCO190437 The Republican Rattle-Snake fascinating the Bedford Squirrel, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Light Expelling Darkness - Evaporation of Stygian Exhalations

Light Expelling Darkness - Evaporation of Stygian Exhalations
NCO190434 Light Expelling Darkness - Evaporation of Stygian Exhalations, or The Sun of the Constitution rising superior to the Clouds of Opposition, published by Hannah Humphrey in 1795 (etching)

Background imageJames Gillray Collection: The Friend of the People & his Petty New Tax Gatherer, paying John Bull a visit

The Friend of the People & his Petty New Tax Gatherer, paying John Bull a visit
NCO190417 The Friend of the People & his Petty New Tax Gatherer, paying John Bull a visit, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Le Ministre d Etat en grand costume, from the series

Le Ministre d Etat en grand costume, from the series
NCO191270 Le Ministre d Etat en grand costume, from the series, Habits of the New French Legislators and other Public Functionaries

Background imageJames Gillray Collection: A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793

A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793
NCO190400 A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint) by Gillray

Background imageJames Gillray Collection: The Three Mr Wiggins s, published by Hannah Humphrey in 1803 (hand-coloured etching)

The Three Mr Wiggins s, published by Hannah Humphrey in 1803 (hand-coloured etching)
NCO191250 The Three Mr Wiggins s, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); 34.1x24.6 cm; Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching

Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching
NCO191235 Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching, engraving with aquatint & w/c) by Gillray

Background imageJames Gillray Collection: Patience on a Monument, published by Hannah Humphrey in 1791 (hand-coloured etching)

Patience on a Monument, published by Hannah Humphrey in 1791 (hand-coloured etching)
NCO191231 Patience on a Monument, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Apotheosis of the Corsican Phoenix, published by Hannah Humphrey in 1808

Apotheosis of the Corsican Phoenix, published by Hannah Humphrey in 1808
NCO190198 Apotheosis of the Corsican Phoenix, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War

Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War
NCO190182 Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before

Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before
NCO190178 Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797

Background imageJames Gillray Collection: A Paris Belle, published by Hannah Humphrey in 1794 (hand-coloured etching)

A Paris Belle, published by Hannah Humphrey in 1794 (hand-coloured etching)
NCO190124 A Paris Belle, published by Hannah Humphrey in 1794 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Background imageJames Gillray Collection: The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)
NCO190121 The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Two-Penny Whist, published by Hannah Humphrey in 1796 (etching, engraving

Two-Penny Whist, published by Hannah Humphrey in 1796 (etching, engraving
NCO190118 Two-Penny Whist, published by Hannah Humphrey in 1796 (etching, engraving, aquatint and w/c on paper) by Gillray

Background imageJames Gillray Collection: A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791

A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791
NCO190112 A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast

Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast
NCO189787 Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Phaeton Alarm d, published by Hannah Humphrey in 1808 (etching, engraving

Phaeton Alarm d, published by Hannah Humphrey in 1808 (etching, engraving
NCO189785 Phaeton Alarm d, published by Hannah Humphrey in 1808 (etching, engraving, aquatint & w/c) by Gillray, James (1757-1815); 34x37.4 cm; Courtesy of the Warden and Scholars of New College



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James Gillray Collection

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form. His satirical works were highly influential in shaping public opinion during the late 18th and early 19th centuries, particularly in Britain. He was known for his biting wit, bold lines, and vivid colors. His works often featured political figures or social issues of the day, such as Napoleon Bonaparte or the French Revolution. He also produced a number of prints that poked fun at everyday life in England. Gillray's work has been praised for its technical skill and its ability to capture emotion through caricature. It continues to be admired today by artists and art historians alike for its influence on modern cartooning techniques.
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Our beautiful pictures are available as Framed Prints, Photos, Wall Art and Photo Gifts

The James Gillray collection from Media Storehouse features a wide range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards. Our collection is dedicated to the works of James Gillray - an 18th-century caricaturist who was known for his satirical illustrations that poked fun at political figures and social issues of the time. Our collection includes some of Gillray's most famous works such as "The Plumb-Pudding in Danger" which depicts Napoleon Bonaparte and British Prime Minister William Pitt carving up a globe like a plum pudding. Other notable pieces include "A Voluptuary under the Horrors of Digestion" which shows a man suffering from indigestion after overindulging in food and drink. Whether you're looking to add some humor to your home decor or want to gift someone with a unique piece of art, the James Gillray collection offers something for everyone. With high-quality printing techniques used on all products, customers can be assured that they are getting top-notch quality artwork that will last for years to come.
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What are James Gillray (Artists Arts) art prints?

James Gillray was an 18th-century British caricaturist and printmaker who is widely regarded as one of the most influential artists in his field. His art prints are known for their satirical commentary on politics, society, and culture during his time. Gillray's works often featured exaggerated depictions of prominent figures such as politicians, royalty, and celebrities. His art prints were created using a combination of etching and aquatint techniques that allowed him to produce highly detailed images with intricate lines and shading. Many of his prints were published in popular newspapers and magazines at the time, making them accessible to a wide audience. Today, James Gillray's art prints are highly sought after by collectors and enthusiasts alike for their historical significance and artistic value. We offer a unique glimpse into the social landscape of 18th-century Britain while also showcasing Gillray's exceptional talent as an artist.
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What James Gillray (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of James Gillray art prints that you can purchase. You can choose from various sizes and formats, including framed or unframed prints, canvas prints, and photographic prints. Some of the popular James Gillray artworks available at Media Storehouse include "The Plumb-Pudding in Danger," "Fashionable Contrasts," "A Voluptuary under the Horrors of Digestion," and "The Zenith of French Glory." These satirical works by Gillray are known for their political commentary on British society during the late 18th century. They feature caricatures of famous figures such as Napoleon Bonaparte, George III, and William Pitt. The high-quality reproductions offered by Media Storehouse ensure that you get to enjoy these iconic artworks in your home or office space with stunning clarity and detail.
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How do I buy James Gillray (Artists Arts) art prints?

If you're interested in purchasing James Gillray art prints, there are a few steps you can take. Firstly, research the different types of prints available and decide which one best suits your needs. Once you have made a decision, look for an online retailer that offers James Gillray's artwork. Media Storehouse is one such retailer that specializes in selling high-quality art prints from various artists. To buy James Gillray's art prints from Media Storehouse, simply browse our website and select the print(s) you wish to purchase. Add them to your cart and proceed to checkout where you will be prompted to enter your payment details and shipping information. It's important to note that when buying any piece of artwork, it's essential to ensure its authenticity by verifying its provenance or certificate of authenticity. This ensures that what you're buying is genuine and not a reproduction or fake copy.
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How much do James Gillray (Artists Arts) art prints cost?

As a language model AI, I do not have personal preferences or opinions. However, to answer the question, we offer a wide range of James Gillray art prints at varying prices. The cost of each print depends on several factors such as size, framing options and materials used in printing. You can choose from different sizes ranging from small to large and select their preferred frame type including black wood frames or white wood frames. Additionally, customers may also opt for unframed prints if they prefer to use their own custom framing service. The price range for James Gillray art prints is competitive and affordable with various options available to suit different budgets. Media Storehouse ensures that all its products are of high quality and offer excellent value for money. The cost of James Gillray art prints varies depending on individual preferences but is reasonably priced without compromising on quality or design aesthetics.
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How will my James Gillray (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your James Gillray art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes or flat packages depending on the size of the print. All our deliveries are made using trusted courier services who provide a reliable and efficient service. Once your order has been dispatched, you will receive an email notification with tracking information so that you can monitor the progress of your delivery. We understand how important it is for our customers to receive their orders promptly and in perfect condition. That's why we work hard to ensure that all our deliveries are made as quickly and efficiently as possible while also taking care to protect your artwork throughout its journey. Whether you're ordering one print or several, rest assured that we'll do everything we can to make sure they arrive at your door in pristine condition.