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James Gillray Collection (page 2)

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form

929 items

Background imageJames Gillray Collection: A Sphere projecting against a Plane, pub. 1792 (hand coloured engraving)

A Sphere projecting against a Plane, pub. 1792 (hand coloured engraving)
3025378 A Sphere projecting against a Plane, pub. 1792 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: William Pitt the Younger (1759-1806); Albinia

Background imageJames Gillray Collection: The Famous Battle Between Richard Humphreys and Daniel Mendoza, January 9th 1788, pub

The Famous Battle Between Richard Humphreys and Daniel Mendoza, January 9th 1788, pub
3025368 The Famous Battle Between Richard Humphreys and Daniel Mendoza, January 9th 1788, pub. 1788 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: The King of Brobdingnag and Gulliver (Plate 2d) published by Hannah Humphrey in 1804

The King of Brobdingnag and Gulliver (Plate 2d) published by Hannah Humphrey in 1804
NCO190174 The King of Brobdingnag and Gulliver (Plate 2d) published by Hannah Humphrey in 1804 (etching with engraving & w/c on paper) by Gillray

Background imageJames Gillray Collection: Horrors of the Irish Union: Botheration of Poor Pat, or A Whisper across the Channel

Horrors of the Irish Union: Botheration of Poor Pat, or A Whisper across the Channel
NCO191290 Horrors of the Irish Union: Botheration of Poor Pat, or A Whisper across the Channel, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The Giant Factotum amusing himself, published by Hannah Humphrey in 1797

The Giant Factotum amusing himself, published by Hannah Humphrey in 1797
NCO190489 The Giant Factotum amusing himself, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Mr James Gillray, from a portrait by himself, c1800. Artist: James Gillray

Mr James Gillray, from a portrait by himself, c1800. Artist: James Gillray
Mr James Gillray, from a portrait by himself, c1800. Self-portrait of British satirical cartoonist Gillray (1756-1815). Engraving after a miniature

Background imageJames Gillray Collection: Returning from Brookss, 1784 (colour etching)

Returning from Brookss, 1784 (colour etching)
XCF290978 Returning from Brooks s, 1784 (colour etching) by Gillray, James (1757-1815); Private Collection; (add.info.: the Prince of Wales)

Background imageJames Gillray Collection: L assemblee Nationale Or Grand Cooperation Meeting At St. Anns Hill

L assemblee Nationale Or Grand Cooperation Meeting At St. Anns Hill. Respectfully Dedicated To The Admirers Of A Broad-bottom d Administration, Gillray, James, 1756-1815, Artist

Background imageJames Gillray Collection: Comfort of a Bed of Roses, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey

Comfort of a Bed of Roses, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey, 1806, Charles Fox, in bed with his wife, having a nightmare

Background imageJames Gillray Collection: The hand-writing upon the wall, Gillray, James, 1756 1815, artist, London, 1803, Napoleon

The hand-writing upon the wall, Gillray, James, 1756 1815, artist, London, 1803, Napoleon, Josephine, French soldiers and women seated at feast with dishes Bank of England, St

Background imageJames Gillray Collection: Advantages of wearing muslin dresses!, Gillray, James, 1756-1815, engraver, [London] : H

Advantages of wearing muslin dresses!, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey, 1802, a fat lady, sitting with a man and woman at a tea table

Background imageJames Gillray Collection: The death of Admiral Horatio Nelson (1758-1805) at the time of victory

The death of Admiral Horatio Nelson (1758-1805) at the time of victory
MMM5481869 The death of Admiral Horatio Nelson (1758-1805) at the time of victory by Gillray, James (1757-1815); National Maritime Museum, London

Background imageJames Gillray Collection: Illustration by Andre Gill (17 October 1840-1 May 1885), French caricaturist

Illustration by Andre Gill (17 October 1840-1 May 1885), French caricaturist. 19th century (engraving)
5669280 Illustration by Andre Gill (17 October 1840-1 May 1885), French caricaturist. 19th century (engraving); (add.info.: Born Louis-Alexandre Gosset de Guines at Paris)

Background imageJames Gillray Collection: Design for the navy pillar 'Britannia Victorious' Etching from 1800, by James Gillray (1757-1815)

Design for the navy pillar 'Britannia Victorious' Etching from 1800, by James Gillray (1757-1815)
MMM5485401 Design for the navy pillar 'Britannia Victorious' Etching from 1800, by James Gillray (1757-1815). by Gillray, James (1757-1815); National Maritime Museum, London

Background imageJames Gillray Collection: The Pic-Nic Orchestra. James Gillray cartoon of 1802

The Pic-Nic Orchestra. James Gillray cartoon of 1802
530235 The Pic-Nic Orchestra. James Gillray cartoon of 1802; Universal History Archive/UIG

Background imageJames Gillray Collection: Phaeton alarm'd, 1808 (etching)

Phaeton alarm'd, 1808 (etching)
7340077 Phaeton alarm'd, 1808 (etching) by Gillray, James (1757-1815); 34.2x37.7 cm; National Maritime Museum, London, UK; (add.info.: Creator)

Background imageJames Gillray Collection: The destruction of the French warships or Little Boney (Napoleon Bonaparte)

The destruction of the French warships or Little Boney (Napoleon Bonaparte)
MMM5481988 The destruction of the French warships or Little Boney (Napoleon Bonaparte, 1769-1821) and his friend Talley (Charles Maurice de Talleyrand, 1754-1838) in great joy by Gillray

Background imageJames Gillray Collection: Emma, Lady Hamilton, in a classical pose, dancing and poised on her right foot, 1794 (engraving)

Emma, Lady Hamilton, in a classical pose, dancing and poised on her right foot, 1794 (engraving)
7341633 Emma, Lady Hamilton, in a classical pose, dancing and poised on her right foot, 1794 (engraving) by Rehberg, Frederich (1758-1835) (after); 26.4x20.6 cm; National Maritime Museum, London

Background imageJames Gillray Collection: Monuments of Truth and Honour

Monuments of Truth and Honour
2911078 Monuments of Truth and Honour; (add.info.: 1807 Pen and ink with red chalk illustration titled 'Monuments of Truth and Honour' by James Gillray (1756-1815)

Background imageJames Gillray Collection: Napoleon Bonaparte (1769-1821) leaving Egypt

Napoleon Bonaparte (1769-1821) leaving Egypt
MMM5481949 Napoleon Bonaparte (1769-1821) leaving Egypt by Gillray, James (1757-1815); National Maritime Museum, London, UK; (add.info.: Napoleon Bonaparte (1769-1821) leaving Egypt

Background imageJames Gillray Collection: Dido's despair, caricature making fun of Horatio Nelson and Lady Emma Hamilton's relationship

Dido's despair, caricature making fun of Horatio Nelson and Lady Emma Hamilton's relationship, 1801 (engraving)
MMM5481908 Dido's despair, caricature making fun of Horatio Nelson and Lady Emma Hamilton's relationship, 1801 (engraving) by Gillray, James (1757-1815); National Maritime Museum, London

Background imageJames Gillray Collection: The Union Club, 1801. Creator: Unknown

The Union Club, 1801. Creator: Unknown
The Union Club, 1801

Background imageJames Gillray Collection: The Lovable Rake, 1813. Creator: James Gillray

The Lovable Rake, 1813. Creator: James Gillray
The Lovable Rake, 1813. L'Aimable Roue'. Possibly by James Gillray

Background imageJames Gillray Collection: Bloodletting. Blood-letting. (print)

Bloodletting. Blood-letting. (print)
7419979 Bloodletting. Blood-letting. (print) by Gillray, James (1757-1815) (after); (add.info.: Breathing a Vein. Bloodletting was a standard practice from antiquity until the late 19th century)

Background imageJames Gillray Collection: The Sick Prince, published by S.W. Fores in 1787 (etching)

The Sick Prince, published by S.W. Fores in 1787 (etching)
NCO193114 The Sick Prince, published by S.W. Fores in 1787 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: George)

Background imageJames Gillray Collection: There's more ways than one or Coalition Expedients, published by Hannah Humphrey in 1788

There's more ways than one or Coalition Expedients, published by Hannah Humphrey in 1788 (hand-coloured etching)
NCO191248 There's more ways than one or Coalition Expedients, published by Hannah Humphrey in 1788 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Market Day, published by S.W. Fores in 1788 (hand-coloured etching)

Market Day, published by S.W. Fores in 1788 (hand-coloured etching)
NCO190431 Market Day, published by S.W. Fores in 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: A Ward of Chancery, published by S.W. Fores (etching)

A Ward of Chancery, published by S.W. Fores (etching)
NCO193113 A Ward of Chancery, published by S.W. Fores (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: George)

Background imageJames Gillray Collection: 191213

191213

Background imageJames Gillray Collection: The King of Brobdingnag and Gulliver, after 1804 (engraving)

The King of Brobdingnag and Gulliver, after 1804 (engraving)
904679 The King of Brobdingnag and Gulliver, after 1804 (engraving) by Gillray, James (1757-1815); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageJames Gillray Collection: The Westminster Hunt, published by 1788 (hand-coloured etching)

The Westminster Hunt, published by 1788 (hand-coloured etching)
NCO191200 The Westminster Hunt, published by 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Prince at Grass and The Prince in Clover, published by S.W

The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching)
NCO193109 The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub

Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub
2962526 Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub. 1785 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: Napoleon and King George III as Gulliver and the King of Brobdingnag, July 1803

Napoleon and King George III as Gulliver and the King of Brobdingnag, July 1803. Artist: James Gillray
Napoleon and King George III as Gulliver and the King of Brobdingnag, July 1803. James Gillray cartoon representing George III and Napoleon Bonaparte as characters from Gullivers Travels

Background imageJames Gillray Collection: Income Tax, 1798

Income Tax, 1798. John Bull scratches his head at William Pitts (1759-1806) introduction of Income Tax. Pitt is shown as an angel playing a harp. Hand-coloured cartoon in the style of Gillray

Background imageJames Gillray Collection: Union Club James Gillray Acts Of Union 1800 Parliaments

Union Club James Gillray Acts Of Union 1800 Parliaments
The Union Club. An 1801 satire by James Gillray on the effects of the Acts of Union 1800 when the Parliaments of Great Britain and Ireland merged to form the Parliament of the United Kingdom

Background imageJames Gillray Collection: Cartoon, The Valley of the Shadow of Death

Cartoon, The Valley of the Shadow of Death, by James Gillray. Depicting Napoleon (ironically in the role of John Bunyan's pilgrim, Christian) having to confront an array of problems

Background imageJames Gillray Collection: Cartoon, More Pigs than Teats

Cartoon, More Pigs than Teats, or, the new Litter of hungry Grunters Sucking John Bull's Old Sow to death, by James Gillray

Background imageJames Gillray Collection: Cartoon, Sin, Death, and the Devil

Cartoon, Sin, Death, and the Devil, Vide Milton, by James Gillray. A parody of a scene from John Milton's epic poem, Paradise Lost, showing Prime Minister William Pitt (left) as Death

Background imageJames Gillray Collection: The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III of

The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III of Great Britain viewing a
528661 The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III of Great Britain viewing a miniscule Napoleon through a spy-glass

Background imageJames Gillray Collection: A Phantasmagoria: Scene - Conjuring up an Armed Skeleton, pub. 1803 (hand coloured engraving)

A Phantasmagoria: Scene - Conjuring up an Armed Skeleton, pub. 1803 (hand coloured engraving)
3025914 A Phantasmagoria: Scene - Conjuring up an Armed Skeleton, pub. 1803 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Henry Addington (1757-1844)

Background imageJames Gillray Collection: Nature display d, shewing the Effect of the change of the Seasons on the Ladies Garden, pub

Nature display d, shewing the Effect of the change of the Seasons on the Ladies Garden, pub
3051735 Nature display d, shewing the Effect of the change of the Seasons on the Ladies Garden, pub. 1797 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: Proof of the Refined Feelings of an Amiable Character, Lately a Candidate for a Certain Ancient City

Proof of the Refined Feelings of an Amiable Character, Lately a Candidate for a Certain Ancient City
7148307 Proof of the Refined Feelings of an Amiable Character, Lately a Candidate for a Certain Ancient City, satire depicting an election candidate assaulting a woman canvasser for soliciting votes

Background imageJames Gillray Collection: The Spanish Bull Fight or the Corsican Matador in Danger, pub. 1805 (hand coloured engraving)

The Spanish Bull Fight or the Corsican Matador in Danger, pub. 1805 (hand coloured engraving)
3035658 The Spanish Bull Fight or the Corsican Matador in Danger, pub. 1805 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Lord Longbow, the Alarmist, discovering the Miseries of Ireland, pub. 1798 (hand coloured engraving)

Lord Longbow, the Alarmist, discovering the Miseries of Ireland, pub. 1798 (hand coloured engraving)
2966817 Lord Longbow, the Alarmist, discovering the Miseries of Ireland, pub. 1798 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: La Bonnet Rouge or John Bull evading the Hat Tax, pub. 1797 (handn coloured engraving)

La Bonnet Rouge or John Bull evading the Hat Tax, pub. 1797 (handn coloured engraving)
2966816 La Bonnet Rouge or John Bull evading the Hat Tax, pub. 1797 (handn coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: The Surrender of Amsterdam or The Duke of Brunswick in a Bustle, pub. 1787 (hand coloured engraving)

The Surrender of Amsterdam or The Duke of Brunswick in a Bustle, pub. 1787 (hand coloured engraving)
2966794 The Surrender of Amsterdam or The Duke of Brunswick in a Bustle, pub. 1787 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Hercules Reposing, pub. 1799 (hand coloured engaving)

Hercules Reposing, pub. 1799 (hand coloured engaving)
2966826 Hercules Reposing, pub. 1799 (hand coloured engaving) by Gillray, James (1757-1815); Private Collection; (add.info)



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James Gillray Collection

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form. His satirical works were highly influential in shaping public opinion during the late 18th and early 19th centuries, particularly in Britain. He was known for his biting wit, bold lines, and vivid colors. His works often featured political figures or social issues of the day, such as Napoleon Bonaparte or the French Revolution. He also produced a number of prints that poked fun at everyday life in England. Gillray's work has been praised for its technical skill and its ability to capture emotion through caricature. It continues to be admired today by artists and art historians alike for its influence on modern cartooning techniques.
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Our beautiful pictures are available as Framed Prints, Photos, Wall Art and Photo Gifts

The James Gillray collection from Media Storehouse features a wide range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards. Our collection is dedicated to the works of James Gillray - an 18th-century caricaturist who was known for his satirical illustrations that poked fun at political figures and social issues of the time. Our collection includes some of Gillray's most famous works such as "The Plumb-Pudding in Danger" which depicts Napoleon Bonaparte and British Prime Minister William Pitt carving up a globe like a plum pudding. Other notable pieces include "A Voluptuary under the Horrors of Digestion" which shows a man suffering from indigestion after overindulging in food and drink. Whether you're looking to add some humor to your home decor or want to gift someone with a unique piece of art, the James Gillray collection offers something for everyone. With high-quality printing techniques used on all products, customers can be assured that they are getting top-notch quality artwork that will last for years to come.
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What are James Gillray (Artists Arts) art prints?

James Gillray was an 18th-century British caricaturist and printmaker who is widely regarded as one of the most influential artists in his field. His art prints are known for their satirical commentary on politics, society, and culture during his time. Gillray's works often featured exaggerated depictions of prominent figures such as politicians, royalty, and celebrities. His art prints were created using a combination of etching and aquatint techniques that allowed him to produce highly detailed images with intricate lines and shading. Many of his prints were published in popular newspapers and magazines at the time, making them accessible to a wide audience. Today, James Gillray's art prints are highly sought after by collectors and enthusiasts alike for their historical significance and artistic value. We offer a unique glimpse into the social landscape of 18th-century Britain while also showcasing Gillray's exceptional talent as an artist.
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What James Gillray (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of James Gillray art prints that you can purchase. You can choose from various sizes and formats, including framed or unframed prints, canvas prints, and photographic prints. Some of the popular James Gillray artworks available at Media Storehouse include "The Plumb-Pudding in Danger," "Fashionable Contrasts," "A Voluptuary under the Horrors of Digestion," and "The Zenith of French Glory." These satirical works by Gillray are known for their political commentary on British society during the late 18th century. They feature caricatures of famous figures such as Napoleon Bonaparte, George III, and William Pitt. The high-quality reproductions offered by Media Storehouse ensure that you get to enjoy these iconic artworks in your home or office space with stunning clarity and detail.
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How do I buy James Gillray (Artists Arts) art prints?

If you're interested in purchasing James Gillray art prints, there are a few steps you can take. Firstly, research the different types of prints available and decide which one best suits your needs. Once you have made a decision, look for an online retailer that offers James Gillray's artwork. Media Storehouse is one such retailer that specializes in selling high-quality art prints from various artists. To buy James Gillray's art prints from Media Storehouse, simply browse our website and select the print(s) you wish to purchase. Add them to your cart and proceed to checkout where you will be prompted to enter your payment details and shipping information. It's important to note that when buying any piece of artwork, it's essential to ensure its authenticity by verifying its provenance or certificate of authenticity. This ensures that what you're buying is genuine and not a reproduction or fake copy.
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How much do James Gillray (Artists Arts) art prints cost?

As a language model AI, I do not have personal preferences or opinions. However, to answer the question, we offer a wide range of James Gillray art prints at varying prices. The cost of each print depends on several factors such as size, framing options and materials used in printing. You can choose from different sizes ranging from small to large and select their preferred frame type including black wood frames or white wood frames. Additionally, customers may also opt for unframed prints if they prefer to use their own custom framing service. The price range for James Gillray art prints is competitive and affordable with various options available to suit different budgets. Media Storehouse ensures that all its products are of high quality and offer excellent value for money. The cost of James Gillray art prints varies depending on individual preferences but is reasonably priced without compromising on quality or design aesthetics.
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How will my James Gillray (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your James Gillray art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes or flat packages depending on the size of the print. All our deliveries are made using trusted courier services who provide a reliable and efficient service. Once your order has been dispatched, you will receive an email notification with tracking information so that you can monitor the progress of your delivery. We understand how important it is for our customers to receive their orders promptly and in perfect condition. That's why we work hard to ensure that all our deliveries are made as quickly and efficiently as possible while also taking care to protect your artwork throughout its journey. Whether you're ordering one print or several, rest assured that we'll do everything we can to make sure they arrive at your door in pristine condition.