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The King of Brobdingnag and Gulliver, after 1804 (engraving)
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The King of Brobdingnag and Gulliver, after 1804 (engraving)
904679 The King of Brobdingnag and Gulliver, after 1804 (engraving) by Gillray, James (1757-1815); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: King George III of Great Britain and members of his family watching Napoleon, First Consul of France, maneuvering his little boat in a cistern.
Gillray belittles Napoleon and the threat of French invasion using a scene from Gulliver's Travels.)
Media ID 33069266
© Bridgeman Images
Art Fine Art Bonaparte Bonaparte 1769 1821 Bonaparte Family Building Interior Courtier Courtiers Emperor Napoleon I Family Of Bonaparte George 3 George William Frederick Gillray James 1757 1815 House Of Hanover James Gillray Military Strategy Napoleon 1st Napoleon Empereur Napoleon I Napoleon I 1769 1821 Napoleon I 1st 1st Bonaparte 1769 1821 Napoleon I Of France Napoleon Ist Napoleon Ist Of France Napoleonic Battle Napoleonic Conquest Napoleonic War Napoleonic Wars Napoleonic Wars 1804 1815 Royal Guard Royal Guardes Sail Boat Sail Boats Sailboat Sailboats Sailing Boat Sailing Ship Sailing Vessel Sat Down Ships Sail Spears War Strategy 19e Siecle 19th Century Britisch Britisch Egnland Gravure Engraving Means Of Conveyance Room Interior Uk United Kingdom
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The King of Brobdingnag and Gulliver
EDITORS COMMENTS
is a captivating engraving by James Gillray, depicting an intriguing juxtaposition between two iconic figures from different worlds. In this 19th-century artwork, we witness King George III of Great Britain and his family observing Napoleon, the First Consul of France, maneuvering a tiny boat in a cistern. Gillray cleverly draws inspiration from Jonathan Swift's "Gulliver's Travels" using the scene to satirize Napoleon and downplay the threat of French invasion. By portraying Napoleon as miniature compared to the British monarch, Gillray emphasizes his insignificance and mocks his ambitions. The composition showcases Gillray's exceptional talent for political caricature. The intricate details in the engraving bring life to each character present in this historical moment. We can almost feel the tension between these powerful figures as they observe one another with curiosity and skepticism. This artwork not only serves as a commentary on European politics during that time but also highlights Gillray's ability to convey complex ideas through visual storytelling. It reminds us of the power art possesses in capturing significant moments in history while offering social critique. Displayed at Musee de la Ville de Paris, Musee Carnavalet, Paris, France, this print continues to captivate viewers with its wit and artistic brilliance. It stands as a testament to both Gillray's mastery as an artist and his contribution to political satire during one of Europe's most transformative periods.
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