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Antique Framed Print : El Rufian viudo llamado Trampagos. Short farce by Cervantes
Framed Photos from Mary Evans Picture Library
El Rufian viudo llamado Trampagos. Short farce by Cervantes
Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Ruffian widower named Trampagos (El Rufian viudo llamado Trampagos). Engraving. 1868. Private collection
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Media ID 14322671
© Thaliastock / Mary Evans
1868 Cervantes Dramatic Farce Miguel Named Private Quarrel Rogue Ruffian Widower Scoundrel Short
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 20.2cm (9.6" x 8")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
El Rufian viudo llamado Trampagos
EDITORS COMMENTS
(The Ruffian Widower named Trampagos) is a short farce by the renowned Spanish writer Miguel de Cervantes, hailing from the Golden Age of Spanish literature. This engraving, created in 1868, depicts a scene from the play that showcases the comical antics of the central character, Trampagos. Trampagos, a ruffian and scoundrel, is portrayed in the image as a burly man with a scruffy beard and a menacing expression. He is shown in the midst of a heated quarrel with a group of women, all of whom are clustered around him, pointing fingers and shouting. The widower's widow, who stands at the center of the scene, looks on in disbelief and exasperation. Cervantes, known for his sharp wit and keen observation of human nature, penned this farce as an entremes, a short theatrical piece meant to provide comic relief between more serious acts in a play. In "El Rufian viudo llamado Trampagos," the author explores the theme of a man's insatiable appetite for women and the chaos that ensues when he is unable to control his desires. The play's title character, Trampagos, is a rogue and a ruffian, a man who delights in causing trouble and stirring up quarrels. In this scene, he has managed to anger a group of women, each of whom believes herself to be the rightful object of his affections. The resulting chaos is a testament to the power of Cervantes' storytelling and his ability to bring the human condition to life through humor and satire. This engraving, a visual representation of the play's action, serves as a reminder of the enduring appeal of Cervantes' work and the lasting impact of his contributions to the literary world. As a historical artifact, it offers a glimpse into the theatrical traditions of 17th-century Spain and the enduring popularity of farce as a form of entertainment.
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