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Tote Bag : HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective. (Whoever makes a design, without the knowledge of perspective, will be liable to such absurdities as are shown in this print). Steel engraving, c1860, after a painting, 1753, by William Hogarth
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HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective. (Whoever makes a design, without the knowledge of perspective, will be liable to such absurdities as are shown in this print). Steel engraving, c1860, after a painting, 1753, by William Hogarth
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Media ID 7517493
1753 Arch Barrel Bridge Cattle Covered Wagon False Fishing Rod Hill Hogarth Rural Sail Boat Satire Sheep Shotgun Sign Swan Tricorn Window Gun Shot Will I Am
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
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EDITORS COMMENTS
This print titled "HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective" takes us back to the 18th century, showcasing a steel engraving created around 1860 by William Hogarth. The original painting dates back to 1753 and serves as a satirical commentary on the consequences of creating designs without proper knowledge of perspective. The image itself is filled with intricate details that draw the viewer's attention. A sign, bridge, and window frame the scene, while various elements such as a barrel, arch, cattle, swan, fishing rod, tricorn hat-wearing man with a shotgun in hand named Will I Am (a clever play on words), sheep grazing peacefully in the background add depth to this rural setting. The artist skillfully depicts an English countryside landscape complete with rolling hills and a meandering river where sailboats gracefully glide along its surface. A covered wagon can be seen crossing a nearby bridge further emphasizing the historical context of this piece. Hogarth's mastery lies not only in his ability to create visually stunning imagery but also in his use of satire to convey deeper messages about artistry and perspective. Through this print, he warns against producing designs without understanding perspective principles by highlighting absurdities that may arise from such ignorance. Overall, this print offers viewers an opportunity to appreciate Hogarth's artistic genius while reflecting upon timeless lessons about the importance of knowledge and skill in any creative endeavor.
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