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1753 Collection

"1753: A Satirical Journey through Art, History, and Perspective" Step into the world of 1753

Background image1753 Collection: HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective. (Whoever makes a design)

HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective. (Whoever makes a design, without the knowledge of perspective)
HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective. (Whoever makes a design, without the knowledge of perspective, will be liable to such absurdities as are shown in this print)

Background image1753 Collection: Organ - Tippoos Tiger

Organ - Tippoos Tiger
The unusual organ Tippoos Tiger, constructed to the order of Tippoo Sahib (1753- 1799), Sultan of Mysore, and represents the mauling of an East India Company Officer

Background image1753 Collection: Bewicks Workshop

Bewicks Workshop
The exterior of Thomas Bewicks workshop, Newcastle-upon-Tyne. Date: 1753 - 1828

Background image1753 Collection: TIPU SULTAN (1749?-1799)

TIPU SULTAN (1749?-1799)
TIPU SULTAN (TIPPU SAHIP) Sultan of Mysore Son of Hyder Ali - fought against Marathas - pictured here at Pollilur in 1780 defeating British under Baille

Background image1753 Collection: Peter Burrowes

Peter Burrowes
PETER BURROWES Irish statesman Date: 1753 - 1841

Background image1753 Collection: Josef Stalin

Josef Stalin
1929: Soviet statesman and Premier Josef Stalin (1879 - 1953). (Photo by Hulton Archive/Getty Images)

Background image1753 Collection: Thomas Bewick at Work

Thomas Bewick at Work
THOMAS BEWICK The eminent engraver and his assistants making woodcuts of stuffed birds

Background image1753 Collection: Bewicks Birthplace

Bewicks Birthplace
Thomas Bewicks birthplace in the village of Cherryburn, near Ovingham, about 12 miles west of Newcastle. Date: 1753

Background image1753 Collection: Neville Hall, Ulverston

Neville Hall, Ulverston

Background image1753 Collection: Hans Sloane / W Holl Eng

Hans Sloane / W Holl Eng
SIR HANS SLOANE British physician and naturalist

Background image1753 Collection: Ducks Resting Sunshine 1753 Oil canvas 25 1 / 2 x 31 3 / 4

Ducks Resting Sunshine 1753 Oil canvas 25 1 / 2 x 31 3 / 4
Artokoloro

Background image1753 Collection: The canal in St James's Park, Buckingham House

The canal in St James's Park, Buckingham House
6266251 The canal in St James's Park, Buckingham House; (add.info.: A view of the canal in St. James's Park, Buckingham House, &c. taken from the parade, London, England)

Background image1753 Collection: Dublin, Ireland in the 18th century

Dublin, Ireland in the 18th century
6266231 Dublin, Ireland in the 18th century; (add.info.: A Prospect of the Parliament House in College Green, Dublin, Ireland. From an engraving dated 1753.); Photo © Ken Welsh

Background image1753 Collection: Custom house, Tower of London, River Thames 18th century

Custom house, Tower of London, River Thames 18th century
6266220 Custom house, Tower of London, River Thames 18th century; (add.info.: A view of the Custom House with part of The Tower, taken from ye river Thames, London)

Background image1753 Collection: Edinburgh, Scotland in the 18th century (engraving)

Edinburgh, Scotland in the 18th century (engraving)
6266329 Edinburgh, Scotland in the 18th century (engraving); (add.info.: East view of the city of Edinburgh. After a work dated 1753 by Paul Sandby. Later colourization)

Background image1753 Collection: London, 1753

London, 1753
6266244 London, 1753; (add.info.: A View of the Tower, with the Bridge and Part of the City of London, from the River. From an engraving by J.M. Muller dated 1753 after a work by Jacob Maurer)

Background image1753 Collection: Dublin, Ireland in the 18th century

Dublin, Ireland in the 18th century
6116566 Dublin, Ireland in the 18th century; (add.info.: A Prospect of the Parliament House in College Green, Dublin, Ireland. From an engraving dated 1753.); Photo © Ken Welsh

Background image1753 Collection: Edinburgh, Scotland in the 18th century (engraving)

Edinburgh, Scotland in the 18th century (engraving)
6266328 Edinburgh, Scotland in the 18th century (engraving); (add.info.: East view of the city of Edinburgh. After a work dated 1753 by Paul Sandby. Later colourization)

Background image1753 Collection: East View of Stirling Castle, Scotland

East View of Stirling Castle, Scotland
6266250 East View of Stirling Castle, Scotland; (add.info.: East View of Stirling Castle, Scotland. After a print dated 1753, published by Robert Sayer. Later colourization.); Photo © Ken Welsh

Background image1753 Collection: A north view of London in the 18th century

A north view of London in the 18th century
6266255 A north view of London in the 18th century; (add.info.: A north view of London. After a print dated 1753 from a work by Caneletto. Published by Robert Sayer)

Background image1753 Collection: Custom House and Essex Bridge, Dublin, 1753

Custom House and Essex Bridge, Dublin, 1753
6266232 Custom House and Essex Bridge, Dublin, 1753; (add.info.: A Prospect of the Custom House and Essex Bridge, Dublin. After an engraving dated 1753 by Remigius Parr after a work by Joseph Tudor)

Background image1753 Collection: London, 1753

London, 1753
6116591 London, 1753; (add.info.: A View of the Tower, with the Bridge and Part of the City of London, from the River. From an engraving by J.M. Muller dated 1753 after a work by Jacob Maurer)

Background image1753 Collection: Silkworm farm, showing interior of rearing house or Magnangerie

Silkworm farm, showing interior of rearing house or Magnangerie
536059 Silkworm farm, showing interior of rearing house or Magnangerie; (add.info.: Silkworm farm, showing interior of rearing house or Magnangerie and collection of mulberry leaves (1)

Background image1753 Collection: Parade of St James Park, London 18th century

Parade of St James Park, London 18th century
6266249 Parade of St James Park, London 18th century by Canaletto, Antonio (1697-1768) (after); (add.info.: A view of the Parade of St)

Background image1753 Collection: Battle of Clavijo, 1753-1762, by Andres Gines de Aguirre

Battle of Clavijo, 1753-1762, by Andres Gines de Aguirre
Battle of Clavijo (844). According to tradition, the King of Asturias Ramiro I, with the help of the Apostle Santiago, who appeared to him riding a white horse

Background image1753 Collection: St Philip's Church, Charleston, South Carolina, USA

St Philip's Church, Charleston, South Carolina, USA
St Philip's Church, 142 Church Street, Charleston, South Carolina, USA Date: 1753

Background image1753 Collection: Invercauld Bridge, Braemar

Invercauld Bridge, Braemar
An etching of Invercauld Bridge, in Braemar, Aberdeenshire, Scotland. The bridge was built by Major William Caulfeild in 1753 as part of the military road from Perthshire through the mountains to

Background image1753 Collection: View of London from Islington of West End. Date: 1753

View of London from Islington of West End. Date: 1753

Background image1753 Collection: View of London from Islington of the City and East End. Date: 1753

View of London from Islington of the City and East End. Date: 1753

Background image1753 Collection: Custom House and Essex Bridge, Dublin, 1753

Custom House and Essex Bridge, Dublin, 1753
6116575 Custom House and Essex Bridge, Dublin, 1753 by Parr, Remigius (fl.1736-51) (after); (add.info.: A Prospect of the Custom House and Essex Bridge, Dublin)

Background image1753 Collection: Madrid and the Palacio Real from the West Bank of the Manzanares, 1752-53 (oil on canvas)

Madrid and the Palacio Real from the West Bank of the Manzanares, 1752-53 (oil on canvas)
990109 Madrid and the Palacio Real from the West Bank of the Manzanares, 1752-53 (oil on canvas) by Joli, Antonio (1700-77); 150x224.5 cm; Private Collection; (add.info)

Background image1753 Collection: Ancienne statue de la Vierge, detruite en 1753, Porte de la Vierge (engraving)

Ancienne statue de la Vierge, detruite en 1753, Porte de la Vierge (engraving)
963420 Ancienne statue de la Vierge, detruite en 1753, Porte de la Vierge (engraving) by French School, (19th century); Private Collection; (add.info.: Ancienne statue de la Vierge, detruite en 1753)

Background image1753 Collection: A perspective view of Temple Bar, London, in 1753 (engraving)

A perspective view of Temple Bar, London, in 1753 (engraving)
585072 A perspective view of Temple Bar, London, in 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: A perspective view of Temple Bar, London)

Background image1753 Collection: Anthony Madox, the surprising English posture master (engraving)

Anthony Madox, the surprising English posture master (engraving)
586398 Anthony Madox, the surprising English posture master (engraving) by English School, (18th century); Private Collection; (add.info.: Anthony Madox, the surprising English posture master)

Background image1753 Collection: East View of Stirling Castle, Scotland

East View of Stirling Castle, Scotland
6118774 East View of Stirling Castle, Scotland by Unknown artist, (18th century); (add.info.: East View of Stirling Castle, Scotland. After a print dated 1753, published by Robert Sayer)

Background image1753 Collection: Northumberland House, Charing Cross, 18th century

Northumberland House, Charing Cross, 18th century
6118767 Northumberland House, Charing Cross, 18th century by Bowles, Thomas (c.1712-53) (after); (add.info.: A view of Northumberland House, Charing Cross, 18th century)

Background image1753 Collection: The New River Head, from a view published in 1753 (engraving)

The New River Head, from a view published in 1753 (engraving)
3636347 The New River Head, from a view published in 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: The New River Head, from a view published in 1753)

Background image1753 Collection: The Old Custom House, from a view by Maurer, published in 1753 (engraving)

The Old Custom House, from a view by Maurer, published in 1753 (engraving)
3636279 The Old Custom House, from a view by Maurer, published in 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: The Old Custom House, from a view by Maurer)

Background image1753 Collection: Sketches at Aldridges Horse Repository, St Martin s-Lane (engraving)

Sketches at Aldridges Horse Repository, St Martin s-Lane (engraving)
1624456 Sketches at Aldridges Horse Repository, St Martin s-Lane (engraving) by Watkins, Frank (fl.1859-94); Private Collection; (add.info.: Sketches at Aldridges Horse Repository, St Martin s-Lane)

Background image1753 Collection: London from Islington, west end, from a view by Canaletti, published in 1753 (engraving)

London from Islington, west end, from a view by Canaletti, published in 1753 (engraving)
3636350 London from Islington, west end, from a view by Canaletti, published in 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: London from Islington, west end)

Background image1753 Collection: Whitehall, looking towards the Holbein Gateway, from a view by Maurer, 1753 (engraving)

Whitehall, looking towards the Holbein Gateway, from a view by Maurer, 1753 (engraving)
3636578 Whitehall, looking towards the Holbein Gateway, from a view by Maurer, 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: Whitehall)

Background image1753 Collection: Privy purse in 1753 alongside the privy purse in 1773 (engraving)

Privy purse in 1753 alongside the privy purse in 1773 (engraving)
614491 Privy purse in 1753 alongside the privy purse in 1773 (engraving) by English School, (19th century); Private Collection; (add.info.: Privy purse in 1753 alongside the privy purse in 1773)

Background image1753 Collection: Parade of St, James Park, London, 18th century

Parade of St, James Park, London, 18th century
6118770 Parade of St, James Park, London, 18th century by Bowles, Thomas (c.1712-53) (after); (add.info.: A view of the Parade of St)

Background image1753 Collection: The Rialto Bridge, venice, from the North, 1753 (oil on canvas)

The Rialto Bridge, venice, from the North, 1753 (oil on canvas)
827830 The Rialto Bridge, venice, from the North, 1753 (oil on canvas) by Venetian School, (18th century); 186.7x306 cm; Private Collection; (add.info.: The Rialto Bridge, venice, from the North)

Background image1753 Collection: The Inauguration of Leicester Square (engraving)

The Inauguration of Leicester Square (engraving)
1052962 The Inauguration of Leicester Square (engraving) by English School, (19th century); Private Collection; (add.info.: The Inauguration of Leicester Square)

Background image1753 Collection: Magnificent Bridge with Loggia, 1753-1837 (etching and engraving)

Magnificent Bridge with Loggia, 1753-1837 (etching and engraving)
986173 Magnificent Bridge with Loggia, 1753-1837 (etching and engraving) by Piranesi, Giovanni Battista (1720-78); about 40x60 cm; Private Collection; (add.info)



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"1753: A Satirical Journey through Art, History, and Perspective" Step into the world of 1753, where William Hogarth's satirical masterpiece challenges our understanding of perspective. In this steel engraving from c1860, Hogarth cleverly mocks those who dare to create designs without the knowledge of perspective, exposing their absurdities for all to see. As we delve deeper into this captivating era, we encounter Tippoos Tiger - an organ that mesmerizes with its melodic tunes. Bewick's Workshop comes alive with the meticulous craftsmanship of Thomas Bewick himself as he passionately carves intricate details onto woodblocks. The enigmatic Tipu Sultan captures our attention next. Known for his fierce resistance against British colonization in India during the late 18th century, Tipu Sultan's legacy is shrouded in both admiration and controversy. Peter Burrowes emerges as a prominent figure amidst these historical events. His contributions to horology revolutionize timekeeping mechanisms and leave an indelible mark on society. Meanwhile, Josef Stalin looms large on the global stage. The controversial Soviet leader shapes history with his iron fist and leaves a lasting impact on countless lives. Thomas Bewick continues to captivate us as he diligently works at his craft. His artistic prowess shines through every stroke as he immortalizes nature's beauty in stunning detail. Charlotte Buff adds a touch of romance to this narrative. As one half of Goethe's inspiration for "The Sorrows of Young Werther, " she embodies passion and longing within her very being. We journey further back in time to Bewick's Birthplace – a place that nurtured his talent and set him on a path towards greatness. Neville Hall stands tall in Ulverston, bearing witness to centuries gone by while preserving history within its walls. Hans Sloane takes center stage alongside W Holl Eng – their collaboration capturing moments frozen in time through artistry beyond compare.