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Premium Framed Print : HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective. (Whoever makes a design, without the knowledge of perspective, will be liable to such absurdities as are shown in this print). Steel engraving, c1860, after a painting, 1753, by William Hogarth

HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective. (Whoever makes a design, without the knowledge of perspective, will be liable to such absurdities as are shown in this print). Steel engraving, c1860, after a painting, 1753, by William Hogarth



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HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective. (Whoever makes a design, without the knowledge of perspective, will be liable to such absurdities as are shown in this print). Steel engraving, c1860, after a painting, 1753, by William Hogarth

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7517493

1753 Arch Barrel Bridge Cattle Covered Wagon False Fishing Rod Hill Hogarth Rural Sail Boat Satire Sheep Shotgun Sign Swan Tricorn Window Gun Shot Will I Am


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 20.3cm x 24.4cm (8" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Cattle > Related Images

> Animals > Mammals > Bovidae > Cattle

> Animals > Mammals > Bovidae > Sheep

> Arts > Artists > H > William Hogarth

> Arts > Artists > William Hogarth

> Europe > United Kingdom > England > London > Art > William Hogarth

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Rivers

> Popular Themes > Sheep

> Popular Themes > William Hogarth


EDITORS COMMENTS
This print titled "HOGARTH: FALSE PERSPECTIVE. Satire on False Perspective" takes us back to the 18th century, showcasing a steel engraving created around 1860 by William Hogarth. The original painting dates back to 1753 and serves as a satirical commentary on the consequences of creating designs without proper knowledge of perspective. The image itself is filled with intricate details that draw the viewer's attention. A sign, bridge, and window frame the scene, while various elements such as a barrel, arch, cattle, swan, fishing rod, tricorn hat-wearing man with a shotgun in hand named Will I Am (a clever play on words), sheep grazing peacefully in the background add depth to this rural setting. The artist skillfully depicts an English countryside landscape complete with rolling hills and a meandering river where sailboats gracefully glide along its surface. A covered wagon can be seen crossing a nearby bridge further emphasizing the historical context of this piece. Hogarth's mastery lies not only in his ability to create visually stunning imagery but also in his use of satire to convey deeper messages about artistry and perspective. Through this print, he warns against producing designs without understanding perspective principles by highlighting absurdities that may arise from such ignorance. Overall, this print offers viewers an opportunity to appreciate Hogarth's artistic genius while reflecting upon timeless lessons about the importance of knowledge and skill in any creative endeavor.

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