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Tote Bag : Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint)
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Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint)
986398 Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint) by Fielding, Thales (1793-1837); 28.6x46 cm; Private Collection; (add.info.: Rouen, seen from Bon-Secours; Rouen, vue prise de la cote de Bon-Secours. From Excursion sur les cotes et dans les ports de Normandie, by Noel-Jacques Lefebvre-Durufle (1792-1877). After a painting by Richard Parkes Bonington 1802-1828), engraved by Thales Fielding (1793-1837). Hand-coloured aquatint. Published in Paris, 1823-1826. 28.6 x 46 cm.); Photo eChristies Images; English, out of copyright
Media ID 23687672
© Christie's Images / Bridgeman Images
1820s 1823 1826 Aquatint Early 19th Century Early Nineteenth Century Elevated Elevated View English Art English Artist Etching Excursion Fielding Hand Colored Hand Coloring Hand Coloured Hand Colouring Hand Tinted Handcolored Haute Normandie Hillside Hilly Normandie Outing Prints Richard Parkes Bonington Romantic Art Romantic Era Romanticism Rooftop Rooftops Rouen Seine Maritime Trip Artist British Bon Secours Bonington British Artist Natural Space Richard Parkes Thales Fielding
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EDITORS COMMENTS
This hand-coloured aquatint print, titled "Rouen, seen from Bon-Secours, 1823-1826" transports us back to the enchanting countryside of nineteenth-century Normandy. The artist Thales Fielding beautifully captures the elevated view of Rouen as seen from Bon-Secours, showcasing a picturesque landscape that is both tranquil and awe-inspiring. The scene depicts a hilly terrain with a meandering river cutting through the natural space. The rooftops of buildings in Rouen can be spotted in the distance, adding a touch of urbanity to this otherwise rural setting. The hand colouring technique employed by Fielding enhances the charm and vibrancy of this artwork. As we delve into this early nineteenth-century masterpiece, we are reminded of the romantic era it belongs to. It evokes feelings of nostalgia and wanderlust as we imagine ourselves embarking on an outing amidst lush greenery and serene waters. The presence of two figures - one male and one female - adds a human element to the composition, hinting at their journey or perhaps simply enjoying each other's company while taking in the breathtaking view. This print not only showcases British artistry but also pays homage to Richard Parkes Bonington's original painting upon which it is based. Its timeless beauty continues to captivate viewers today, serving as a testament to Europe's rich artistic heritage.
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