Romantic Art Collection

Paolo and Francesca da Rimini, 1863 (oil on canvas)
989657 Paolo and Francesca da Rimini, 1863 (oil on canvas) by Dore, Gustave (1832-83); 280.6x193.6 cm; Private Collection; (add.info.: Paolo and Francesca da Rimini. Gustave Dore (1832-1883)

The Lamb, 1789 (hand-coloured relief-etching, watercolour)
985824 The Lamb, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: The Lamb. Plate 7 from Songs of Innocence)

A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand
651793 A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand; Possibly a Study for The Richmond Water-Walk, (black chalk and stump)

Oliver Cromwell, 1867 (oil on canvas)
985100 Oliver Cromwell, 1867 (oil on canvas) by Leutze, Emanuel Gottlieb (1816-68); 145.1x107 cm; Private Collection; (add.info.: Oliver Cromwell. Emanuel Gottlieb Leutze (1816-1868). Oil on canvas

Winchelsea from the Rye Road, (pencil and watercolour)
651975 Winchelsea from the Rye Road, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 12.7x19.9 cm; Private Collection; (add.info.: Winchelsea from the Rye Road)

Andromeda, 1869 (oil on canvas)
989658 Andromeda, 1869 (oil on canvas) by Dore, Gustave (1832-83); 255.2x171.5 cm; Private Collection; (add.info.: Andromeda. Gustave Dore (1832-1883). Oil on canvas. Signed and dated 1869

The Nymphs in Homers Odyssey; Die Nymphen aus Homers Odyssee
658599 The Nymphs in Homers Odyssey; Die Nymphen aus Homers Odyssee, 1856 (oil on panel) by Waldmuller, Ferdinand Georg (1793-1865); 82x66 cm; Private Collection; (add.info)

Martha Hess as Silence (recto), (pencil and white chalk on buff paper)
824148 Martha Hess as Silence (recto), (pencil and white chalk on buff paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 54.5x33 cm; Private Collection; (add.info)

Together Through Storms
Taudalpoi

Lovers In Space
Taudalpoi

A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper)
658726 A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper) by Gericault, Theodore (1791-1824); 12.6x19.8 cm; Private Collection; (add.info.: A Male Nude Pulled by Another Male)

An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil)
651822 An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil, pen and brown ink, grey wash) by Fuseli, Henry (Fussli)

Sapphic Love, (pencil and pen and brown ink)
651806 Sapphic Love, (pencil and pen and brown ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 17.2x12.4 cm; Private Collection; (add.info.: Sapphic Love)

The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas)
659687 The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas) by Tidemand, Adolph (1814-76); 95x79 cm; Private Collection; (add.info)

A Fishmarket on the Beach, c. 1802-04 (oil on canvas)
1765066 A Fishmarket on the Beach, c.1802-04 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 44.5x59 cm; Private Collection; (add.info.: A Fishmarket on the Beach)

Wasatch Mountains (oil on canvas)
1764681 Wasatch Mountains (oil on canvas) by Bierstadt, Albert (1830-1902); 76.8x112.4 cm; Private Collection; (add.info.: Wasatch Mountains. Albert Bierstadt (1830-1902). Oil on canvas

A Passing Shower in the Yellowstone Canyon, 1903 (oil on canvas)
1767684 A Passing Shower in the Yellowstone Canyon, 1903 (oil on canvas) by Moran, Thomas (1837-1926); 40.6x50.8 cm; Private Collection; (add.info.: A Passing Shower in the Yellowstone Canyon)

A Side Canyon, Grand Canyon of Arizona, 1915 (oil on canvas)
1767631 A Side Canyon, Grand Canyon of Arizona, 1915 (oil on canvas) by Moran, Thomas (1837-1926); 31.1x25.4 cm; Private Collection; (add.info.: A Side Canyon, Grand Canyon of Arizona)

Green River of Wyoming, 1878 (oil on canvas)
1767630 Green River of Wyoming, 1878 (oil on canvas) by Moran, Thomas (1837-1926); 63.5x121.9 cm; Private Collection; (add.info.: Green River of Wyoming. Thomas Moran (1837-1926). Oil on canvas

Grand Canal, Venice, 1901 (oil on canvas)
1767360 Grand Canal, Venice, 1901 (oil on canvas) by Moran, Thomas (1837-1926); 50.8x76.2 cm; Private Collection; (add.info.: Grand Canal, Venice. Thomas Moran (1837-1926). Oil on canvas

Prometheus Freed by Hercules, 1781-1785 (oil on canvas)
1766412 Prometheus Freed by Hercules, 1781-1785 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 63x75 cm; Private Collection; (add.info.: Prometheus Freed by Hercules)

Aufsteigender (indian ink on paper)
1766395 Aufsteigender (indian ink on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 29.4x16.6 cm; Private Collection; (add.info.: Aufsteigender)

Self-portrait of the Artist (oil on canvas)
1772157 Self-portrait of the Artist (oil on canvas) by Watson, George Spencer (1869-1934); 76.2x63.5 cm; Private Collection; (add.info.: Self-portrait of the Artist)

Welcomed Attention (oil on canvas)
1769865 Welcomed Attention (oil on canvas) by Andreotti, Federigo (1847-1930); 154.9x110.5 cm; Private Collection; (add.info.: Welcomed Attention. Frederico Andreotti (1847-1930). Oil on canvas

The Sleeping Fish Seller, (pen and black ink on paper)
989696 The Sleeping Fish Seller, (pen and black ink on paper) by Gericault, Theodore (1791-1824); 25.6x34.8 cm; Private Collection; (add.info)

Entertaining the Baby, (oil on canvas)
989297 Entertaining the Baby, (oil on canvas) by Zampighi, Eugenio (1859-1944); 71.1x90.2 cm; Private Collection; (add.info.: Entertaining the Baby. Eugenio Zampighi (1859-1944). Oil on canvas

The Recital, (oil on canvas)
989283 The Recital, (oil on canvas) by Andreotti, Federigo (1847-1930); 62.2x83.2 cm; Private Collection; (add.info.: The Recital. Federigo Andreotti (1847-1930). Oil on canvas

Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint)
986398 Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint) by Fielding, Thales (1793-1837); 28.6x46 cm; Private Collection; (add.info.: Rouen, seen from Bon-Secours; Rouen)

Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed
986379 Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed plate) by Blake, William (1757-1827); 19x13.5 cm; Private Collection; (add.info.: Title page)

Woods by a River, 1886 (oil on canvas)
651001 Woods by a River, 1886 (oil on canvas) by Moran, Thomas (1837-1926); 35.6x25.5. cm; Private Collection; (add.info.: Woods by a River. Thomas Moran (1837-1926). Oil on canvas

Seven Miles to Salem, 1863 (oil on canvas)
650860 Seven Miles to Salem, 1863 (oil on canvas) by Durrie, George Henry (1820-63); 66x91.4 cm; Private Collection; (add.info.: Seven Miles to Salem. George Henry Durrie (1822-1863). Oil on canvas

Coastal View, Newport, 1861 (oil on board)
650787 Coastal View, Newport, 1861 (oil on board) by Bierstadt, Albert (1830-1902); 22.2x35.6 cm; Private Collection; (add.info.: Coastal View, Newport. Albert Bierstadt (1830-1902)

Rowing out of a Cove, 1878 (oil on canvas)
650675 Rowing out of a Cove, 1878 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 30.6x50.1 cm; Private Collection; (add.info.: Rowing out of a Cove. Jasper Francis Cropsey (1823-1900)

On the Wawayanda Lake, New Jersey, 1873 (oil on canvas)
650673 On the Wawayanda Lake, New Jersey, 1873 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 36x61 cm; Private Collection; (add.info.: On the Wawayanda Lake, New Jersey)

A Wagon Train on the Plains, Platte River, (oil on canvas laid on masonite)
650608 A Wagon Train on the Plains, Platte River, (oil on canvas laid on masonite) by Whittredge, Thomas Worthington (1820-1910); 26.7x54.5 cm; Private Collection; (add.info)

Winter in Switzerland, 1860 (oil on canvas)
650605 Winter in Switzerland, 1860 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 39.2x61.4 cm; Private Collection; (add.info.: Winter in Switzerland. Jasper Francis Cropsey (1823-1900)

Portrait of Miss Frances Warren, kneeling full-length in a wooded park
990204 Portrait of Miss Frances Warren, kneeling full-length in a wooded park, wearing a blue dress and holding a lamb, (oil on canvas) by Wright of Derby

Dundas of Dundas seated, three-quarter length wearing a Charcoal Dress, (oil on canvas)
990185 Dundas of Dundas seated, three-quarter length wearing a Charcoal Dress, (oil on canvas) by Raeburn, Henry (1756-1823); 90.2x70.2 cm; Private Collection; (add.info.: Portrait of Mrs)

Portrait of General James Stuart standing three-quarter length
990061 Portrait of General James Stuart standing three-quarter length, wearing a red uniform with gold frogging, (oil on canvas) by Lawrence

La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash)
990038 La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.6x14.6 cm; Private Collection; (add.info.: La Bouillie)

Flirtation, (oil on canvas)
989904 Flirtation, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 71.8x52.7 cm; Private Collection; (add.info.: Flirtation. Joseph Frederic Charles Soulacroix (1825-1879)

Teatime Tales, (oil on canvas)
989854 Teatime Tales, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 99x75.9 cm; Private Collection; (add.info.: Teatime Tales. Joseph Frederic Charles Soulacroix (1825-1879)

Trappers in Yosemite Mountains, 1899 (oil on canvas)
985485 Trappers in Yosemite Mountains, 1899 (oil on canvas) by Hill, Thomas (1829-1908); 50.2x76.3 cm; Private Collection; (add.info.: Trappers in Yosemite Mountains. Thomas Hill (1829-1908)

Storm Among the Alps, c. 1856 (oil on canvas)
985358 Storm Among the Alps, c.1856 (oil on canvas) by Bierstadt, Albert (1830-1902); 73x50.8 cm; Private Collection; (add.info.: Storm Among the Alps. Albert Bierstadt (1830-1902). Oil on canvas

Venice, 1889 (oil on canvas)
985239 Venice, 1889 (oil on canvas) by Moran, Thomas (1837-1926); 76x127.2 cm; Private Collection; (add.info.: Venice. Thomas Moran (1837-1926). Oil on canvas. Signed and dated 1889

On the Ramapo River, 1888 (oil on canvas)
985118 On the Ramapo River, 1888 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 61x50.8 cm; Private Collection; (add.info.: On the Ramapo River. Jasper Francis Cropsey (1823-1900)

Vues de Bresil, c. 1829-1835 (woodblock print in colours)
990891 Vues de Bresil, c.1829-1835 (woodblock print in colours) by Rugendas, Johann Moritz (1802-58) (after); 185x652 cm; Private Collection; (add.info.: Vues de Bresil)

Chester Cathedral, 1853 (oil on canvas)
658325 Chester Cathedral, 1853 (oil on canvas) by Niemann, Edmund John (1813-76); 137.1x106.7 cm; Private Collection; (add.info.: Chester Cathedral. Edmund John Niemann (1813-1876). Oil on canvas

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"Capturing the Essence of Love: Exploring Romantic Art" A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand: In this enchanting masterpiece, love blossoms amidst nature's embrace. Paolo and Francesca da Rimini, 1863 (oil on canvas): Witness the eternal passion that transcends time and tragedy in this poignant portrayal of forbidden love. Andromeda, 1869 (oil on canvas): Unveiling vulnerability and devotion, this painting portrays a tale of rescue where love conquers all obstacles. The Lamb, 1789 (hand-coloured relief-etching, watercolour): Delicate strokes depict innocence intertwined with affection - a timeless symbol of pure love. Winchelsea from the Rye Road (pencil and watercolour): Amidst picturesque landscapes lies an ode to romance; two souls find solace in each other's company against nature's backdrop. Lovers In Space: Journey through celestial realms as these ethereal beings intertwine their destinies amidst stars' twinkling witness – a cosmic celebration of love's boundless possibilities. The Nymphs in Homer's Odyssey; Die Nymphen aus Homers Odyssee: Immerse yourself in mythical tales where desire dances among nymphs – an artistic tribute to passion woven within ancient legends. Together Through Storms: Weathering life's tempestuous trials hand-in-hand becomes an enduring testament to unwavering commitment depicted through brushstrokes that embody resilience and unity. The Massacre of the Innocents (pencil, pen and brown ink, brown wash): Amidst chaos unfolds heart-wrenching scenes; yet even amid darkness prevails compassion for innocent lives lost – reminding us that empathy is at the core of humanity’s capacity for love. King Charles I taking Leave of his Family before his Execution (oil on canvas).