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Premium Framed Print : Vinago Militaris. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould

Vinago Militaris. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould



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Vinago Militaris. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould

Vinago Militaris. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould. John Gould was working as a taxidermist, he was known as the bird-stuffer, by the Zoological Society. Goulds fascination with birds from the east began in the late 1820s when a collection of birds from the Himalayan mountains arrived at the Societys museum and Gould conceived the idea of publishing a volume of imperial folio sized hand-coloured lithographs of the eighty species, with figures of a hundred birds. Elizabeth Gould made the drawings and transferred them to the large lithographic stones. They are called Gould plates

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12657146

© Quint Lox Limited

1830s 1831 1832 Animal Behaviour Animal Marking Animal Pattern Artist British Artist European Asian Background Bizarre Books And Manuscripts Books Manuscripts British Artist Close Up Closeup Colour Early 19th Century Early Nineteenth Century English Art English Artist European Artist Exotic Full Length Gould Hand Colored Hand Coloring Himalayan Himalayas Liszt Cultural Institute Natural History Gould Tailed


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 39.6cm (10" x 15.6")

Estimated Product Size is 48.2cm x 58.4cm (19" x 23")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


Vinago Militaris - A Glimpse into the Exotic Himalayan Avian World

EDITORS COMMENTS
. This print showcases an enchanting engraving from 1831 by Elizabeth Gould and John Gould, titled "Vinago Militaris. Birds from the Himalaya Mountains". The duo's collaboration birthed a remarkable collection of imperial folio-sized hand-colored lithographs, capturing the essence of eighty species with figures of a hundred birds. John Gould, renowned as the bird-stuffer by the Zoological Society, developed an unwavering fascination for avian creatures from the East during his tenure. His infatuation took flight in the late 1820s when he encountered a trove of birds hailing from the majestic Himalayan mountains at the society's museum. This encounter sparked his visionary idea to publish this magnificent volume. Elizabeth Gould played a pivotal role in bringing these extraordinary illustrations to life. With her deft hand and artistic prowess, she meticulously crafted each drawing before transferring them onto large lithographic stones—now famously known as "Gould plates". The vibrancy and attention to detail evident in this engraving transport viewers to distant lands brimming with natural wonders. The Vinago Militaris bird takes center stage—a mesmerizing creature adorned with exotic plumage and an elegant tail that captivates all who behold it. This photograph not only captures a moment frozen in time but also serves as a testament to British artistry during England's early nineteenth-century cultural renaissance. It offers us an intimate glimpse into nature's beauty while showcasing humanity's desire to explore and document our world's diverse fauna. Let this image serve as a reminder of both Elizabeth and John Gould’s invaluable contributions to natural history preservation through their stunning artwork—an enduring legacy that continues to inspire awe even two centuries later.

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