Premium Framed Print : Vanellus Goensis, Plover or Northern Lapwing
Framed Photos from Liszt Collection
Vanellus Goensis, Plover or Northern Lapwing
Vanellus Goensis, Plover or Northern Lapwing. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould. John Gould was working as a taxidermist, he was known as the bird-stuffer, by the Zoological Society. Goulds fascination with birds from the east began in the late 1820s when a collection of birds from the Himalayan mountains arrived at the Societys museum and Gould conceived the idea of publishing a volume of imperial folio sized hand-coloured lithographs of the eighty species, with figures of a hundred birds. Elizabeth Gould made the drawings and transferred them to the large lithographic stones. They are called Gould plates
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12657178
© Quint Lox Limited
1830s 1831 1832 Animal Behaviour Animal Marking Animal Pattern Artist British Artist European Asian Background Bizarre Books And Manuscripts Books Manuscripts British Artist Close Up Closeup Colour Early 19th Century Early Nineteenth Century English Art English Artist European Artist Exotic Full Length Gould Hand Colored Hand Coloring Himalayan Himalayas Liszt Cultural Institute Natural History Gould Northern Lapwing Plover Tailed
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.1cm x 39.6cm (9.9" x 15.6")
Estimated Product Size is 48.2cm x 58.4cm (19" x 23")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
Vanellus Goensis, Plover or Northern Lapwing - A Glimpse into the Himalayan Avian World
EDITORS COMMENTS
. This print showcases an exquisite engraving from 1831 by Elizabeth Gould and John Gould, renowned for their contributions to ornithology. The image features a Vanellus Goensis, commonly known as the Plover or Northern Lapwing, native to the majestic Himalaya Mountains. John Gould's fascination with Eastern birds was ignited when a collection of avian specimens arrived at the Zoological Society's museum in the late 1820s. Inspired by this encounter, he embarked on a monumental project: publishing an imperial folio-sized volume of hand-colored lithographs depicting eighty species and one hundred birds. Elizabeth Gould played a pivotal role in bringing these illustrations to life. With her artistic prowess, she meticulously crafted intricate drawings that were then transferred onto large lithographic stones—a testament to her talent and dedication. The resulting plates are truly awe-inspiring. This particular engraving captures the essence of this exotic bird—its elegant tail feathers gracefully fanned out against a vibrant backdrop. The attention to detail is remarkable; every feather seems painstakingly rendered with precision and care. As we gaze upon this artwork from another era, we are transported back to the early nineteenth century—an era marked by exploration and discovery. It serves as a reminder of our enduring fascination with nature's wonders and our ongoing quest to understand its diverse inhabitants. Quint Lox has skillfully captured this piece from Liszt Collection—a treasure trove celebrating British artistry—and invites us all into an enchanting world where beauty meets scientific inquiry.
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