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Premium Framed Print : Tragopan Satyrus, Crimson Horned Pheasant, is a pheasant found in the Himalayan reaches

Tragopan Satyrus, Crimson Horned Pheasant, is a pheasant found in the Himalayan reaches



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Liszt Collection

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Tragopan Satyrus, Crimson Horned Pheasant, is a pheasant found in the Himalayan reaches

Tragopan Satyrus, Crimson Horned Pheasant, is a pheasant found in the Himalayan reaches of India, Tibet, Nepal and Bhutan. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould. John Gould was working as a taxidermist, he was known as the bird-stuffer, by the Zoological Society. Goulds fascination with birds from the east began in the late 1820s when a collection of birds from the Himalayan mountains arrived at the Societys museum and Gould conceived the idea of publishing a volume of imperial folio sized hand-coloured lithographs of the eighty species, with figures of a hundred birds. Elizabeth Gould made the drawings and transferred them to the large lithographic stones. They are called Gould plates

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12657148

© Quint Lox Limited

1830s 1831 1832 Animal Behaviour Animal Marking Animal Pattern Artist British Artist European Asian Background Bizarre Books And Manuscripts Books Manuscripts British Artist Close Up Closeup Colour Early 19th Century Early Nineteenth Century English Art English Artist European Artist Exotic Full Length Gould Hand Colored Hand Coloring Himalayan Himalayas Liszt Cultural Institute Natural History Gould Tailed Tibet


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.5cm x 39.6cm (10" x 15.6")

Estimated Product Size is 48.2cm x 58.4cm (19" x 23")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases the Tragopan Satyrus, also known as the Crimson Horned Pheasant, a stunning bird found in the majestic Himalayan reaches of India, Tibet, Nepal, and Bhutan. The engraving was created in 1831 by Elizabeth Gould and John Gould, who was renowned as a taxidermist and affectionately called "the bird-stuffer" by the Zoological Society. John Gould's fascination with birds from the East ignited when a collection of avian specimens from the Himalayas arrived at the Societys museum in the late 1820s. Inspired by this encounter, he conceived an extraordinary idea to publish an imperial folio-sized volume featuring hand-colored lithographs of eighty species and figures of one hundred birds. Elizabeth Gould played a crucial role in bringing these illustrations to life. She meticulously made drawings that were then transferred onto large lithographic stones. These remarkable works are now famously referred to as "Gould plates". The image captures not only the beauty but also highlights various aspects such as animal behavior, markings, patterns on its exotic plumage. It provides us with a glimpse into early nineteenth-century natural history exploration through art. Displayed against a vibrant background with intricate details showcasing every feather and nuance of color expertly hand-colored during production; this artwork is truly mesmerizing. Its full-length depiction allows viewers to appreciate every aspect of this unique creature's appearance. This print serves as both an artistic masterpiece and valuable documentation for those interested in British art history or European artists' contributions to natural history studies during this era.

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