Premium Framed Print : Haematornis Undulatus, Hawk. Birds from the Himalaya Mountains, engraving 1831 by
Framed Photos from Liszt Collection
Haematornis Undulatus, Hawk. Birds from the Himalaya Mountains, engraving 1831 by
Haematornis Undulatus, Hawk. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould. John Gould was working as a taxidermist, he was known as the bird-stuffer, by the Zoological Society. Goulds fascination with birds from the east began in the late 1820s when a collection of birds from the Himalayan mountains arrived at the Societys museum and Gould conceived the idea of publishing a volume of imperial folio sized hand-coloured lithographs of the eighty species, with figures of a hundred birds. Elizabeth Gould made the drawings and transferred them to the large lithographic stones. They are called Gould plates
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12657122
© Quint Lox Limited
1830s 1831 1832 Animal Behaviour Animal Marking Animal Pattern Artist British Artist European Asian Background Bizarre Books And Manuscripts Books Manuscripts British Artist Close Up Closeup Colour Early 19th Century Early Nineteenth Century English Art English Artist European Artist Exotic Full Length Gould Hand Colored Hand Coloring Hawk Himalayan Himalayas Liszt Cultural Institute Natural History Gould Tailed
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.6cm x 39.6cm (10.1" x 15.6")
Estimated Product Size is 48.2cm x 58.4cm (19" x 23")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the exquisite beauty of "Haematornis Undulatus, Hawk" a bird native to the majestic Himalaya Mountains. Engraved in 1831 by Elizabeth Gould and John Gould, this piece is a testament to their remarkable collaboration as artists and naturalists. John Gould, affectionately known as the bird-stuffer, initially developed an infatuation with Eastern birds when a collection from the Himalayas arrived at the Zoological Society's museum in the late 1820s. Inspired by these avian wonders, he conceived the idea of creating an imperial folio-sized volume featuring hand-colored lithographs of eighty species and figures of one hundred birds. Elizabeth Gould played a pivotal role in bringing this vision to life. With her exceptional talent for drawing, she meticulously transferred her illustrations onto large lithographic stones. These iconic works are now famously referred to as "Gould plates". The print captures every intricate detail of this Asian hawk's exotic appearance – its striking tail feathers and unique markings are brought to life through vibrant colors that were carefully applied by hand. Dating back to the early 19th century, this illustration holds historical significance within British art and European natural history collections. It serves as a reminder of our fascination with animals' behavior and patterns throughout time. Displayed against a captivating background, this close-up view allows us to appreciate both the bizarre yet mesmerizing qualities that make up nature's creations. Quint Lox has masterfully captured not only its visual allure but also its cultural importance through his lens at Liszt Cultural Institute.
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