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Premium Framed Print : The tomb of Leonardo Bruni (c1369-1444), Basilica of Santa Croce, Florence, 1882

The tomb of Leonardo Bruni (c1369-1444), Basilica of Santa Croce, Florence, 1882



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The tomb of Leonardo Bruni (c1369-1444), Basilica of Santa Croce, Florence, 1882

The tomb of Leonardo Bruni (c1369-1444), Basilica of Santa Croce, Florence, 1882. Leonardo Bruni (or Leonardo Aretino) was a leading humanist, historian and a chancellor of Florence. He has been called the first modern historian. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Heritage Images features heritage image collections

Media ID 14942301

© The Print Collector / Heritage-Images

Basilica Bruni Chancellor Charles Yriarte Florence Historian Humanism Humanist Leonardo Santa Croce Tuscany Yriarte Leonardo Bruni Mausoleum Print Collector7


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.2cm x 39.6cm (9.9" x 15.6")

Estimated Product Size is 48.2cm x 58.4cm (19" x 23")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > Santa Cruz Mouse

> Arts > Artists > W > Charles White

> Arts > Minimalist artwork > Monochrome artwork > Modern art

> Arts > Modern art pieces

> Europe > Italy > Florence

> Europe > Italy > Related Images

> Europe > Italy > Tuscany > Florence

> Europe > Italy > Tuscany > Related Images

> Europe > United Kingdom > England > London > Related Images

> Historic > Medieval architecture > Cathedrals and churches > Church history


The Tomb of Leonardo Bruni - A Testament to Renaissance Humanism and Historical Legacy

EDITORS COMMENTS
. This print captures the solemn beauty of the tomb of Leonardo Bruni, located in the Basilica of Santa Croce in Florence. Dating back to 1882, this image showcases a remarkable mausoleum that pays homage to one of Italy's most influential figures. Leonardo Bruni, also known as Leonardo Aretino, was not only a chancellor but also a leading humanist and historian during the 14th and 15th centuries. Often referred to as the first modern historian, his contributions shaped our understanding of history and laid the groundwork for future scholars. The photograph highlights both the architectural grandeur of Santa Croce Cathedral Basilica and its religious significance within Tuscany. The monochrome palette adds an air of timelessness, emphasizing how Bruni's legacy transcends centuries. As we gaze upon this print, we are reminded not only of Bruni's intellectual prowess but also his lasting impact on Italian culture. This image serves as a powerful testament to his life's work—a symbol that historical knowledge is essential for progress. Preserved through Charles Yriarte's publication "Florence" this photograph allows us to connect with history on multiple levels—through artistry, architecture, religion, and scholarship. It invites us into an era where humanism flourished amidst religious fervor—an era that continues to inspire countless individuals today. In contemplating this image, we are transported

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