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Premium Framed Print : With Lord Dufferin in Burma - The Viceroy at Mandalay returning Buddist Images, 1886. Creator: Unknown

With Lord Dufferin in Burma - The Viceroy at Mandalay returning Buddist Images, 1886. Creator: Unknown



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With Lord Dufferin in Burma - The Viceroy at Mandalay returning Buddist Images, 1886. Creator: Unknown

With Lord Dufferin in Burma - The Viceroy at Mandalay returning Buddist Images to the Archbishop and Priest's, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

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Media ID 36257007

© The Print Collector/Heritage Images

Annexation Blackwood Frederick Temple Buddhist Buddhists Burma Burmese Dufferin And Ava Marquess Of Dufferin And Ava Marquis Of Dufferin Lord Earl Of Dufferin Fred Villiers Frederic Villiers Frederick Temple Blackwood Frederick Villiers Idol Idols Lord Dufferin Mandalay Mandalay Division Burma Marquis Of Dufferin And Ava Monk Monks Return Returning Stolen Viceroy Viceroy Of India Villiers Fred Villiers Frederic Villiers Frederick British Empire


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 26.2cm (15.6" x 10.3")

Estimated Product Size is 58.4cm x 48.2cm (23" x 19")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Animals > Insects > Butterflies > Viceroy

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> Asia > Myanmar > Related Images

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With Lord Dufferin in Burma - The Viceroy at Mandalay Returning Buddhist Images

EDITORS COMMENTS
is a captivating photograph from the late 19th century, depicting a significant moment in the history of British colonial rule in Burma. The image, created by an unknown photographer, was first published in "The Graphic: An Illustrated Weekly Newspaper" in 1886. The photograph captures Lord Dufferin, the 1st Marquess of Dufferin and Ava, the Viceroy and Governor-General of India, as he returns Buddhist images to the Archbishop and Priests in Mandalay, Burma. The images were taken from the Shwedagon Pagoda during the British annexation of Burma in 1885. The Buddhist relics were considered sacred to the Burmese people, and their removal was a contentious issue that fueled anti-British sentiment. Lord Dufferin, dressed in formal colonial attire, stands in the center of the image, surrounded by Burmese figures in traditional clothing. He is seen handing over the Buddhist images to the Archbishop and Priests, signifying the return of the relics to the religious leaders. The image is a poignant reminder of the complex relationship between the British Empire and the colonized peoples, as well as the role of religion in colonial politics. The photograph is a valuable historical document, providing insight into the colonial era and the cultural exchange that took place between the British and the Burmese people. The image is also a testament to the artistic skills of the unknown photographer, who captured the moment with great detail and sensitivity. Overall, "With Lord Dufferin in Burma: The Viceroy at Mandalay Returning Buddhist Images" is a powerful and evocative image that continues to fascinate historians, artists, and scholars alike.

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