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Premium Framed Print : Doubting Thomas, 1634. Artist: Rembrandt Harmensz van Rijn
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Doubting Thomas, 1634. Artist: Rembrandt Harmensz van Rijn
Doubting Thomas, 1634. Picture illustrating episode related in the in St Johns Gospel (Ch20, vs19-29) where the Apostle Thomas puts his hand in the wound in the risen Saviours side as he doubts what he is seeing. From the Pushkin Museum, Moscow, Russia
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Media ID 14868380
© Art Media / Heritage-Images
Apostle Bible Scene Cross Curiosity Disciple Displaying Doubt Doubtful Doubting Thomas Eyewitness Faith Friend Hand Illuminate Illuminated Illumination Illustration And Painting Inspiration Lit Up Mate Men And Women Mid 17th Century Miracle Miraculous Pictures Reacting Rembrandt Harmensz Van Rijn Rembrandt Harmenszoon Van Rijn Rembrant Van Rijn Resurrection Risen Saint Thomas Saint Thomas The Apostle Savior Saviour Shining Spirituality St Thomas St Thomas The Apostle Togetherness Viewing Wound Wounded Illustrating Sceptical Scepticism
31"x27" (79x69cm) Premium Frame
FSC real wood frame with double mounted 24x20 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 31x27 inches (787x685mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 57.7cm x 59.9cm (22.7" x 23.6")
Estimated Product Size is 68.5cm x 78.7cm (27" x 31")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Rembrandt Harmensz van Rijn's iconic painting, "Doubting Thomas" created in 1634. The artwork beautifully illustrates a significant episode from the New Testament found in St John's Gospel (Ch20, vs19-29). In this scene, the Apostle Thomas is depicted expressing his skepticism and doubt regarding the resurrection of Jesus Christ. The composition captures the intense moment when Thomas reaches out to touch the wound on Jesus' side, seeking tangible proof of what he sees before him. Rembrandt skillfully portrays Thomas' curiosity and uncertainty through his expressive facial features and body language. The painting not only explores themes of doubt but also delves into faith and spirituality. It serves as an inspiration for believers who may question their own convictions at times. Through this biblical narrative, viewers are reminded that doubts can be resolved by seeking truth with an open mind. Rembrandt's masterful use of light adds depth and emotion to the painting. The illuminated figures stand against a dark background, emphasizing their significance within the composition. This technique draws attention to Jesus' wounds while symbolizing enlightenment and divine presence. Displayed prominently at Moscow's Pushkin Museum, this print invites contemplation on themes such as friendship, togetherness, and religious devotion. As one gazes upon it, they are transported back in time to witness firsthand an eyewitness account of Saint Thomas encountering his risen Savior. Overall, this remarkable artwork by Rembrandt Harmensz van Rijn continues to captivate audiences with its profound portrayal of doubt transformed into unwavering faith through personal experience with divinity.
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