Rembrandt Harmensz Van Rijn Collection

The Return of the Prodigal Son, c1668. Artist: Rembrandt Harmensz van Rijn
The Return of the Prodigal Son, c1668

The Night Watch, 1642. Artist: Rembrandt Harmensz van Rijn
The Night Watch, 1642. The Company of Frans Banning Cocq and Willem van Ruytenburch. Rembrandt van Rhijn (1606-1669). Found in the collection of the Rijksmuseum, Amsterdam

Aristotle with a Bust of Homer, 1653. Creator: Rembrandt Harmensz van Rijn
Aristotle with a Bust of Homer, 1653

The Anatomy Lesson of Dr Nicolaes Tulp, 1632. Artist: Rembrandt Harmensz van Rijn
The Anatomy Lesson of Dr Nicolaes Tulp, 1632. Rembrandt van Rhijn (1606-1669). Found in the collection of the The Mauritshuis, The Hague

Portrait of Aechje Claesdr, 1634, (1904). Artist: Rembrandt Harmensz van Rijn
Portrait of Aechje Claesdr, 1634. This portrait is also sometimes known as Portrait of an Old Lady. Aechje Claesdr was the widow of the Rotterdam brewer, Jan Dammaszn

Half-Naked Woman by a Stove, 1658. Artist: Rembrandt Harmensz van Rijn
Half-Naked Woman by a Stove, 1658. Rembrandt van Rhijn (1606-1669). Found in the collection of the State Hermitage, St. Petersburg

Landscape with two cottages, c1650-1655, (1943). Creator: Rembrandt Harmensz van Rijn
Landscape with two cottages, c1650-1655, (1943). Drawing in the Kupferstichkabinett, Staatlichen Museen, Berlin. From " Europaische Handzeichnungen"

Female Nude, 17th century. Artist: Rembrandt Harmensz van Rijn
Female Nude, 17th century. From the Museum of Fine Art, Budapest

Self-Portrait, 1659. Creator: Rembrandt Harmensz van Rijn
Self-Portrait, 1659. Painted the year after his house and other possessions had been auctioned to satisfy his creditors

Rembrandt (1606-1669) as a Young Man. Creator: Unknown
Rembrandt (1606-1669) as a Young Man. (Dutch, ca. 1630-35)

Man drawing at window, mid 17th century, (1943). Creator: Rembrandt Harmensz van Rijn
Man drawing at window, mid 17th century, (1943). Young man writing or drawing next to a window giving onto the IJ, (Amsterdams waterfront). Drawing in the Louvre Museum, Paris

Seated Syndic: Jacob van Loon, c. 1661-1662, (1943). Creator: Rembrandt Harmensz van Rijn
Seated Syndic: Jacob van Loon, c.1661-1662, (1943). Portrait of Dutch draper Jacob van Loon (1595-1674). Study for The Sampling Officials of the Amsterdam Drapers Guild, (known as The Syndics )

St Jerome reading in a landscape, 1649, (1943). Creator: Rembrandt Harmensz van Rijn
St Jerome reading in a landscape, 1649, (1943). The saint with his attribute, the lion. Drawing in the Hamburger Kunsthalle, Hamburg, Germany

Deposition from the Cross, c1650?, (1943). Creator: Rembrandt Harmensz van Rijn
Deposition from the Cross, c1650?, (1943). The body of Christ is lifted down from the cross. Drawing in the Kupferstichkabinett, Staatlichen Museen, Berlin

The Sacrifice of Isaac, 1636, (1914). Creator: Rembrandt Harmensz van Rijn
The Sacrifice of Isaac, 1636, (1914). God ordered Abraham to sacrifice his son Isaac as a test of his faith (Genesis, XXII: 1-13)

Seated Female Nude, 1658. Artist: Rembrandt Harmensz van Rijn
Seated Female Nude, 1658. From a private collection

The Prophet Jeremiah Mourning over the Destruction of Jerusalem, 1630. Artist: Rembrandt Harmensz van Rijn
The Prophet Jeremiah Mourning over the Destruction of Jerusalem, 1630. From the Rijksmuseum, Amsterdam

The Sacrifice of Isaac, 1635. Artist: Rembrandt Harmensz van Rijn
The Sacrifice of Isaac, 1635. God ordered Abraham to sacrifice his son Isaac as a test of his faith (Genesis, XXII: 1-13)

Jacobs Farewell to Benjamin, 1650 / 60. Creator: Unknown
Jacobs Farewell to Benjamin, 1650/60. [In the Old Testament, Benjamin was the last-born of Jacobs thirteen children]. Follower of Rembrandt

The Raising of Lazarus, 1630 / 35. Creator: Unknown
The Raising of Lazarus, 1630/35. Follower of Rembrandt

Young Man in a Turban, c. 1650. Creator: Unknown
Young Man in a Turban, c. 1650. Follower of Rembrandt

Old Man with a Gold Chain, 1631. Creator: Rembrandt Harmensz van Rijn
Old Man with a Gold Chain, 1631

Young Woman at an Open Half-Door, 1645. Creators: Rembrandt Harmensz van Rijn
Young Woman at an Open Half-Door, 1645

Self-Portrait in a slant fur cap: Bust, ca 1631. Creator: Rembrandt van Rhijn (1606-1669)
Self-Portrait in a slant fur cap: Bust, ca 1631. Found in the Collection of the Rijksmuseum, Amsterdam

Self-Portrait, Leaning Forward, Listening, 1628. Creator: Rembrandt van Rhijn (1606-1669)
Self-Portrait, Leaning Forward, Listening, 1628. Found in the Collection of the Rijksmuseum, Amsterdam

Self portrait with an architectural background, ca 1639. Found in the Collection of the Musee du Louvre, Paris

Self-Portrait, ca 1626-1629. Creator: Rembrandt van Rhijn (1606-1669)
Self-Portrait, ca 1626-1629. Found in the Collection of the Rijksmuseum, Amsterdam

Self-Portrait, ca 1627. Creator: Rembrandt van Rhijn (1606-1669)
Self-Portrait, ca 1627. Found in the Collection of the Rijksmuseum, Amsterdam

Self-Portrait with Open Mouth, 1630. Creator: Rembrandt van Rhijn (1606-1669)
Self-Portrait with Open Mouth, 1630. Found in the Collection of the Rijksmuseum, Amsterdam

Self-portrait with plumed beret, after 1634. Creator: Rembrandt van Rhijn (1606-1669)
Self-portrait with plumed beret, after 1634. Found in the Collection of the Rijksmuseum, Amsterdam

Self-portrait with long bushy hair: head only, ca 1631. Creator
Self-portrait with long bushy hair: head only, ca 1631. Found in the Collection of the Rijksmuseum, Amsterdam

Self-portrait scowling, ca 1631. Creator: Rembrandt van Rhijn (1606-1669)
Self-portrait scowling, ca 1631. Found in the Collection of the Rijksmuseum, Amsterdam

Self-portrait with cap pulled forward, c. 1630. Creator: Rembrandt van Rhijn (1606-1669)
Self-portrait with cap pulled forward, c.1630. Found in the Collection of the Rijksmuseum, Amsterdam

Self-portrait in a soft hat and embroidered cloak, 1634. Found in the Collection of the Rijksmuseum, Amsterdam

Self-portrait in a soft hat and embroidered cloak, 1631. Found in the Collection of the Rijksmuseum, Amsterdam

Self-Portrait in Cap and Dark Cloak: Bust, ca 1631. Creator
Self-Portrait in Cap and Dark Cloak: Bust, ca 1631. Found in the Collection of the Rijksmuseum, Amsterdam

The Woman with the Arrow (Venus and Cupid?), 1661 (etching, drypoint and burin)
1767115 The Woman with the Arrow (Venus and Cupid?), 1661 (etching, drypoint and burin) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; (add.info)

Christ Crucified Between the Two Thieves - The Three Crosses, c
659433 Christ Crucified Between the Two Thieves - The Three Crosses, c.1653-1661 (drypoint with engraving) by Rembrandt Harmensz

An Inn by a Roadside, (pen and brown ink, brown wash on pale grey preparation)
659186 An Inn by a Roadside, (pen and brown ink, brown wash on pale grey preparation) by Rembrandt Harmensz. van Rijn (1606-69); 98x22.7 cm; Private Collection; (add.info.: An Inn by a Roadside)

Study of a Writer, Seated, Pausing in Thought, (pen and brown ink)
659176 Study of a Writer, Seated, Pausing in Thought, (pen and brown ink) by Rembrandt Harmensz. van Rijn (1606-69); 6.3x7.2 cm; Private Collection; (add.info.: Study of a Writer, Seated)

Portrait of a Lady, aged 62, perhaps Aeltje Pietersdr. Uylenburgh
991411 Portrait of a Lady, aged 62, perhaps Aeltje Pietersdr. Uylenburgh, wife of Johannes Cornelisz. Sylvius, half length in black costume. 1632 (oil on panel) by Rembrandt Harmensz

View on the Amstel at the Omval, on the Left the Ringvaart of the Diermermeer (recto)
659187 View on the Amstel at the Omval, on the Left the Ringvaart of the Diermermeer (recto), (pen and brown ink, grey wash on grey preparation) by Rembrandt Harmensz

A Bearded Old Man, wearing a brown Coat and russet Hat, 1651 (oil on canvas)
990149 A Bearded Old Man, wearing a brown Coat and russet Hat, 1651 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 77.5x66.7 cm; Private Collection; (add.info.: A Bearded Old Man)

Issac Blessing Jacob, c. 1640 (oil on canvas)
659397 Issac Blessing Jacob, c.1640 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69) (school of); 128.3x165.7 cm; Private Collection; (add.info.: Issac Blessing Jacob)

Boy Leaning over a Lower Door, 1763, published 1765. Creator: Cornelis Ploos van Amstel
Boy Leaning over a Lower Door, 1763, published 1765

Woman Leaning over a Lower Door, 1761, published 1765. Creator: Cornelis Ploos van Amstel
Woman Leaning over a Lower Door, 1761, published 1765

St. Jerome, ca. 1872-1879. Creator: William Merritt Chase
St. Jerome, ca. 1872-1879

Die Opferung Isaacs (The Sacrifice of Isaac), 1920. Creator: Lovis Corinth
Die Opferung Isaacs (The Sacrifice of Isaac), 1920

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Rembrandt Harmensz van Rijn, a renowned Dutch painter of the 17th century, left an indelible mark on the art world with his exceptional talent and masterful brushstrokes. His works continue to captivate audiences even today. One of his most famous paintings, "The Return of the Prodigal Son, " created in 1668, showcases Rembrandt's ability to convey deep emotions through his subjects. The painting depicts a poignant scene from the biblical parable, where a father welcomes back his wayward son with open arms. In "Aristotle with a Bust of Homer" (1653), Rembrandt pays homage to two great thinkers. The painting shows Aristotle contemplating a bust of Homer, symbolizing the connection between philosophy and literature. "Portrait of Aechje Claesdr" (1634) is an exquisite example of Rembrandt's skill in capturing human likeness. This portrait portrays Aechje Claesdr with remarkable detail and sensitivity. "The Night Watch" (1642) stands as one of Rembrandt's most iconic works. This grand-scale group portrait showcases members of Amsterdam's civic guard in dynamic poses and dramatic lighting, highlighting Rembrandt's mastery in creating depth and atmosphere. In "The Anatomy Lesson of Dr Nicolaes Tulp" (1632), Rembrandt demonstrates his fascination with anatomy by depicting Dr Nicolaes Tulp conducting an anatomical dissection. The painting not only captures scientific accuracy but also reveals Rembrandt's ability to infuse life into every figure portrayed. While known for his portraits and historical scenes, Rembrandt also excelled at landscapes. "Landscape with two cottages" (c1650-1655) exemplifies this aspect of his work, showcasing serene countryside scenery bathed in soft light. Rembrandt was not limited to traditional subject matters; he also explored more intimate themes.