Rembrandt Harmenszoon Van Rijn Collection

The Return of the Prodigal Son, c1668. Artist: Rembrandt Harmensz van Rijn
The Return of the Prodigal Son, c1668

The Night Watch, 1642. Artist: Rembrandt Harmensz van Rijn
The Night Watch, 1642. The Company of Frans Banning Cocq and Willem van Ruytenburch. Rembrandt van Rhijn (1606-1669). Found in the collection of the Rijksmuseum, Amsterdam

Aristotle with a Bust of Homer, 1653. Creator: Rembrandt Harmensz van Rijn
Aristotle with a Bust of Homer, 1653

The Anatomy Lesson of Dr Nicolaes Tulp, 1632. Artist: Rembrandt Harmensz van Rijn
The Anatomy Lesson of Dr Nicolaes Tulp, 1632. Rembrandt van Rhijn (1606-1669). Found in the collection of the The Mauritshuis, The Hague

A Man in Armour, 1655 (oil on canvas)
GLS2946 A Man in Armour, 1655 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 137.5x104.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Portrait of Aechje Claesdr, 1634, (1904). Artist: Rembrandt Harmensz van Rijn
Portrait of Aechje Claesdr, 1634. This portrait is also sometimes known as Portrait of an Old Lady. Aechje Claesdr was the widow of the Rotterdam brewer, Jan Dammaszn

Half-Naked Woman by a Stove, 1658. Artist: Rembrandt Harmensz van Rijn
Half-Naked Woman by a Stove, 1658. Rembrandt van Rhijn (1606-1669). Found in the collection of the State Hermitage, St. Petersburg

Landscape with two cottages, c1650-1655, (1943). Creator: Rembrandt Harmensz van Rijn
Landscape with two cottages, c1650-1655, (1943). Drawing in the Kupferstichkabinett, Staatlichen Museen, Berlin. From " Europaische Handzeichnungen"

Female Nude, 17th century. Artist: Rembrandt Harmensz van Rijn
Female Nude, 17th century. From the Museum of Fine Art, Budapest

Mercury kills Argus, 17th century (drawing)
3125033 Mercury kills Argus, 17th century (drawing) by Rembrandt Harmensz. van Rijn (1606-69); (add.info.: Mercury kills Argus. On the left the cow)

Studies of the head of Saskia and others, 1636 (etching)
NGW405348 Studies of the head of Saskia and others, 1636 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 15.6x13.2 cm; National Museum Wales; (add.info)

Old Man Seated (The Drunken Lot?), c.1630-33 (pen, chalk & ink on paper)
7443769 Old Man Seated (The Drunken Lot?), c.1630-33 (pen, chalk & ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Rembrandt)

Self portrait in velvet cap and plume, 1638 (etching)
NGW405347 Self portrait in velvet cap and plume, 1638 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 13.7x10.5 cm; National Museum Wales; National Museums & Galleries of Wales

Self-Portrait, 1659. Creator: Rembrandt Harmensz van Rijn
Self-Portrait, 1659. Painted the year after his house and other possessions had been auctioned to satisfy his creditors

Rembrandt (1606-1669) as a Young Man. Creator: Unknown
Rembrandt (1606-1669) as a Young Man. (Dutch, ca. 1630-35)

Man drawing at window, mid 17th century, (1943). Creator: Rembrandt Harmensz van Rijn
Man drawing at window, mid 17th century, (1943). Young man writing or drawing next to a window giving onto the IJ, (Amsterdams waterfront). Drawing in the Louvre Museum, Paris

Seated Syndic: Jacob van Loon, c. 1661-1662, (1943). Creator: Rembrandt Harmensz van Rijn
Seated Syndic: Jacob van Loon, c.1661-1662, (1943). Portrait of Dutch draper Jacob van Loon (1595-1674). Study for The Sampling Officials of the Amsterdam Drapers Guild, (known as The Syndics )

St Jerome reading in a landscape, 1649, (1943). Creator: Rembrandt Harmensz van Rijn
St Jerome reading in a landscape, 1649, (1943). The saint with his attribute, the lion. Drawing in the Hamburger Kunsthalle, Hamburg, Germany

Deposition from the Cross, c1650?, (1943). Creator: Rembrandt Harmensz van Rijn
Deposition from the Cross, c1650?, (1943). The body of Christ is lifted down from the cross. Drawing in the Kupferstichkabinett, Staatlichen Museen, Berlin

The Sacrifice of Isaac, 1636, (1914). Creator: Rembrandt Harmensz van Rijn
The Sacrifice of Isaac, 1636, (1914). God ordered Abraham to sacrifice his son Isaac as a test of his faith (Genesis, XXII: 1-13)

Seated Female Nude, 1658. Artist: Rembrandt Harmensz van Rijn
Seated Female Nude, 1658. From a private collection

The Prophet Jeremiah Mourning over the Destruction of Jerusalem, 1630. Artist: Rembrandt Harmensz van Rijn
The Prophet Jeremiah Mourning over the Destruction of Jerusalem, 1630. From the Rijksmuseum, Amsterdam

The Sacrifice of Isaac, 1635. Artist: Rembrandt Harmensz van Rijn
The Sacrifice of Isaac, 1635. God ordered Abraham to sacrifice his son Isaac as a test of his faith (Genesis, XXII: 1-13)

Rembrandt As Apostle Paul Self Portrait Rembrandt Van Rijn
Rembrandt as the Apostle Paul. Rembrandt Harmenszoon van Rijn, 1606-1669. Dutch artist. After a print by Charles Turner from the self portrait by Rembrandt

Sick woman in a bed, maybe Saskia, wife of the painter, 1640 (pen, brush & gouache)
7414366 Sick woman in a bed, maybe Saskia, wife of the painter, 1640 (pen, brush & gouache) by Rembrandt Harmensz. van Rijn (1606-69); 16.5x14.5 cm; Musee de la Ville de Paris, Musee du Petit-Palais

The Carcass of an Ox, late 1630s (oil on panel)
GLS30302 The Carcass of an Ox, late 1630s (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 73.3x51.7 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; (add.info.: by Harmensz)

Self Portrait, 1632 (oil on panel)
GLS219815 Self Portrait, 1632 (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 63.5x46.3 cm; Burrell Collection, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Portrait of Jan Uytenbogaert, 1635 (etching)
7393428 Portrait of Jan Uytenbogaert, 1635 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 22, 4 x 18, 6 cm; Fondation Glenat, Grenoble

Head of a man facing (presumed portrait of the artist's father), 1630 (Etching)
7393427 Head of a man facing (presumed portrait of the artist's father), 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 7 x 6 cm; Fondation Glenat, Grenoble

Portrait of Rembrandt's mother, 1631 (etching)
7393411 Portrait of Rembrandt's mother, 1631 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 6, 5 cm; Fondation Glenat, Grenoble

Woman reading, 1634 (Etching)
7393408 Woman reading, 1634 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 12, 2 x 10, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Jan Cornelis Sylvius, 1633 (Etching)
7393392 Jan Cornelis Sylvius, 1633 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16, 5 x 13, 9 cm; Fondation Glenat, Grenoble, France; (add.info.: Jan Cornelis Sylvius (1564-1638)

Polish figure, 1635 (Etching)
7393377 Polish figure, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The peasant with a high hat leaning on a stick, 1639 (Etching)
7393375 The peasant with a high hat leaning on a stick, 1639 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 8, 2 x 4, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Rat Stinker, 1632 (Etching)
7393372 The Rat Stinker, 1632 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14 x 12, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Christ Preaching, also known as The Little Tomb, 1652 (Etching)
7393366 Christ Preaching, also known as The Little Tomb, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16, 5 x 21, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Piedra gloriosa o of the statue of Nebuchadnezzar, 1655 (Etching)
7393361 Piedra gloriosa o of the statue of Nebuchadnezzar, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 1 x 7 cm; Fondation Glenat, Grenoble

The descent from the cross to the torch, 1654 (Etching)
7393349 The descent from the cross to the torch, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21, 3 x 16, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Child in profile, 1641 (Etching)
7393404 Child in profile, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 3 x 6, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

First oriental head, 1635 (Etching)
7393397 First oriental head, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 1 x 12, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Lieven Willemsz van Coppenol, 1658 (Etching)
7393396 Lieven Willemsz van Coppenol, 1658 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 25, 9 x 19 cm; Fondation Glenat, Grenoble

Jan Antonides van der Linden, 1655 (Etching)
7393388 Jan Antonides van der Linden, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17, 2 x 10, 5 cm; Fondation Glenat, Grenoble

Old man holding his hand to his hat, 1639 (Etching)
7393386 Old man holding his hand to his hat, 1639 (Etching) by Schmidt, Georg (1712-1775) & Le Sueur, Blaise Nicolas (1714-1783); 13, 8 x 11, 5 cm; Fondation Glenat, Grenoble

Old man holding his hand to his hat, 1638 (Etching)
7393385 Old man holding his hand to his hat, 1638 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13, 8 x 11, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Shepherd and his Family, 1644 (Etching)
7393383 The Shepherd and his Family, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 6, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Standing peasants, 1630 (Etching)
7393379 Standing peasants, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 8, 6 x 4, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Persian, 1632 (Etching)
7393378 The Persian, 1632 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 12 x 8, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

All Professionally Made to Order for Quick Shipping

Rembrandt Harmenszoon van Rijn, a Dutch artist of the 17th century, left an indelible mark on the world of art with his masterful creations. From his iconic painting "The Night Watch" to his intimate self-portraits, Rembrandt's work continues to captivate audiences even today. In "The Return of the Prodigal Son, " painted around 1668, Rembrandt portrays a powerful narrative of forgiveness and redemption. The emotional depth in this piece is palpable as he skillfully captures the moment when a wayward son returns home seeking solace. Another notable masterpiece by Rembrandt is "Aristotle with a Bust of Homer, " completed in 1653. This thought-provoking painting showcases Aristotle contemplating the legacy left behind by Homer, symbolizing the eternal connection between philosophy and literature. Through portraits like "Portrait of Aechje Claesdr" from 1634 or his own self-portraits such as "Self Portrait at the Age of 63" created in 1669, Rembrandt reveals not only technical brilliance but also an ability to convey profound introspection and vulnerability. "The Anatomy Lesson of Dr Nicolaes Tulp, " painted in 1632, demonstrates Rembrandt's fascination with human anatomy and scientific exploration. This groundbreaking artwork depicts Dr Tulp conducting an autopsy while surrounded by attentive students—an early example of medical illustration combined with artistic mastery. Rembrandt's versatility shines through various genres as well. In pieces like "Sick woman in a bed" or "Half-Naked Woman by a Stove, " he delves into capturing intimate scenes that evoke empathy and curiosity about human experiences beyond traditional portraiture or historical narratives. Not limited to people-centric subjects alone, Rembrandt also excelled at landscapes such as "Landscape with two cottages. " With meticulous attention to detail and atmospheric effects, he transports viewers to serene countryside settings, showcasing his ability to capture the beauty of nature.