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Premium Framed Print : The modern Ophelia, or The Doomed one, 1845 (lithograph)
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The modern Ophelia, or The Doomed one, 1845 (lithograph)
XJF2920770 The modern Ophelia, or The Doomed one, 1845 (lithograph) by Doyle, Richard (1824-83); Private Collection; (add.info.: Anthony Ashley Cooper (1801-85) seventh earl of Shaftesbury, at this time Lord Ashley supported repeal of the Corn Laws and sponsored two Lunacy Acts.); English, out of copyright
Media ID 12815305
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7th Earl Of Shaftesbury Anthony Ashley Cooper Corn Corn Laws Free Trade House Of Commons Insanity Lord Ashley Lord Shaftesbury Lunacy Madness Member Ophelia Parliament Philanthropist Philanthropy Reform Reformer Repeal Tory
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.4cm x 24.4cm (7.6" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
The Modern Ophelia, or The Doomed One
EDITORS COMMENTS
is a thought-provoking lithograph created by Richard Doyle in 1845. This image captures the essence of political and social turmoil during that era. The print depicts Anthony Ashley Cooper, the seventh Earl of Shaftesbury, as a modern-day Ophelia from Shakespeare's tragedy "Hamlet". In this satirical artwork, Lord Ashley symbolizes the struggles faced by reformers and philanthropists who fought for change in England. At the time, he supported repealing the Corn Laws and sponsored two Lunacy Acts to address mental health issues. Doyle's caricature cleverly merges politics with literature as he portrays Lord Ashley submerged in water surrounded by corn stalks. This composition alludes to both trade policies related to corn laws and Ophelia's tragic fate in Shakespeare's play. The artist skillfully conveys Lord Ashley's dedication to his cause through his depiction of madness and insanity. By associating him with Ophelia, Doyle highlights the challenges faced by politicians like Lord Ashley when advocating for reform within Parliament. This lithograph serves as a powerful reminder of the complexities inherent in political activism during this period. It invites viewers to reflect on how societal pressures can impact individuals fighting for change while also shedding light on timeless themes such as power dynamics, mental health advocacy, and political satire. Overall, "The Modern Ophelia" remains an enduring piece of art that continues to resonate with audiences today due to its poignant
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