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Greetings Card : The modern Ophelia, or The Doomed one, 1845 (lithograph)
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The modern Ophelia, or The Doomed one, 1845 (lithograph)
XJF2920770 The modern Ophelia, or The Doomed one, 1845 (lithograph) by Doyle, Richard (1824-83); Private Collection; (add.info.: Anthony Ashley Cooper (1801-85) seventh earl of Shaftesbury, at this time Lord Ashley supported repeal of the Corn Laws and sponsored two Lunacy Acts.); English, out of copyright
Media ID 12815305
© www.bridgemanimages.com
7th Earl Of Shaftesbury Anthony Ashley Cooper Corn Corn Laws Free Trade House Of Commons Insanity Lord Ashley Lord Shaftesbury Lunacy Madness Member Ophelia Parliament Philanthropist Philanthropy Reform Reformer Repeal Tory
Greetings Card Large (A4)
Breathtakingly beautiful, our Media Storehouse collection of greeting cards features the iconic image of "The Modern Ophelia, or The Doomed One" by Richard Doyle. Inspired by John Everett Millais' famous painting, this captivating lithograph from Bridgeman Images transports you to the heart of Shakespeare's tragic tale. Perfect for expressing deep emotions, our Ophelia cards are a thoughtful and artistic choice for any special occasion.
Create your own large greetings card. Size when folded is A4 (21x30cm or 8.3x11.7 inches)
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Image Size (if not cropped) is 21cm x 29.7cm (8.3" x 11.7")
Estimated Product Size is 42cm x 29.7cm (16.5" x 11.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
The Modern Ophelia, or The Doomed One
EDITORS COMMENTS
is a thought-provoking lithograph created by Richard Doyle in 1845. This image captures the essence of political and social turmoil during that era. The print depicts Anthony Ashley Cooper, the seventh Earl of Shaftesbury, as a modern-day Ophelia from Shakespeare's tragedy "Hamlet". In this satirical artwork, Lord Ashley symbolizes the struggles faced by reformers and philanthropists who fought for change in England. At the time, he supported repealing the Corn Laws and sponsored two Lunacy Acts to address mental health issues. Doyle's caricature cleverly merges politics with literature as he portrays Lord Ashley submerged in water surrounded by corn stalks. This composition alludes to both trade policies related to corn laws and Ophelia's tragic fate in Shakespeare's play. The artist skillfully conveys Lord Ashley's dedication to his cause through his depiction of madness and insanity. By associating him with Ophelia, Doyle highlights the challenges faced by politicians like Lord Ashley when advocating for reform within Parliament. This lithograph serves as a powerful reminder of the complexities inherent in political activism during this period. It invites viewers to reflect on how societal pressures can impact individuals fighting for change while also shedding light on timeless themes such as power dynamics, mental health advocacy, and political satire. Overall, "The Modern Ophelia" remains an enduring piece of art that continues to resonate with audiences today due to its poignant
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