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Premium Framed Print : Paying the Indians for the Cherokee Strip. Frederic Remington

Paying the Indians for the Cherokee Strip. Frederic Remington



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Paying the Indians for the Cherokee Strip. Frederic Remington

7286242 Paying the Indians for the Cherokee Strip. Frederic Remington. by Remington, Frederic (1861-1909) (after); Private Collection; (add.info.: Paying the Indians for the Cherokee Strip. Scenes Around the Government Paymasters Quarters. After a work by American artist Frederic Sackrider Remington, 1861-1909. The Strip is also known as the Cherokee Outlet.); Photo © Ken Welsh. All rights reserved 2022

Media ID 25904218

© Ken Welsh. All rights reserved 2022 / Bridgeman Images

Aborogines American Native Indians Cultural Indigenous Peoples Of The Americas Indigineous Mauri Native America Native American Indian Native American Indians Native Americans Inhabitant


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 26.5cm (15.6" x 10.4")

Estimated Product Size is 58.4cm x 48.2cm (23" x 19")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Frederic (after) Remington

> Fine Art Finder > Artists > Henry Thomas (after) Alken

> Arts > Artists > R > Frederic Remington

> Arts > Artists > Related Images

> North America > United States of America > Related Images


EDITORS COMMENTS
The captivating print titled "Paying the Indians for the Cherokee Strip" by Frederic Remington transports viewers to a significant moment in American history. Depicting scenes around the Government Paymasters Quarters, this artwork beautifully captures the essence of a pivotal event after a work by renowned American artist Frederic Sackrider Remington. Remington's attention to detail and mastery of his craft are evident in every brushstroke, as he brings to life the atmosphere surrounding this historical transaction. The Cherokee Strip, also known as the Cherokee Outlet, holds deep cultural significance and represents an important chapter in Native American history. This photograph serves as a visual gateway into 19th-century North America, showcasing its rich heritage and diverse cultures. It reminds us of our collective responsibility to honor and respect indigenous peoples' contributions throughout history. Through this image, we witness the intersection of artistry and storytelling. The composition invites viewers to reflect on themes such as culture, identity, and land rights while appreciating Remington's artistic prowess. As we delve into this mesmerizing artwork captured by Ken Welsh with utmost precision and care, we are reminded that art has the power to transcend time and evoke emotions within us all. This print is not just an object but rather a portal through which we can explore different facets of our shared human experience.

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