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Native America Collection

"Exploring the Rich Heritage of Native America: A Glimpse into the Past" Step back in time and immerse yourself in the captivating world of Native America

Background imageNative America Collection: An Eskimo muskrat hunter paddling through the marsh, Kotzebue, Alaska, c. 1929 (b/w photo)

An Eskimo muskrat hunter paddling through the marsh, Kotzebue, Alaska, c. 1929 (b/w photo)
7315335 An Eskimo muskrat hunter paddling through the marsh, Kotzebue, Alaska, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info)

Background imageNative America Collection: The Last of His Race (The Vanishing American), 1908 (oil on composition board)

The Last of His Race (The Vanishing American), 1908 (oil on composition board)
3247995 The Last of His Race (The Vanishing American), 1908 (oil on composition board) by Remington, Frederic (1861-1909); 45.7x31.5 cm; Yale University Art Gallery, New Haven, CT, USA; American

Background imageNative America Collection: Tarascos Indians, inhabitants of the state of Michoacan. Mexico, 19th century, Chromolithography

Tarascos Indians, inhabitants of the state of Michoacan. Mexico, 19th century, Chromolithography
AIS5388724 Tarascos Indians, inhabitants of the state of Michoacan. Mexico, 19th century, Chromolithography.

Background imageNative America Collection: Unidentified Seminole 1831 (Oil on canvas)

Unidentified Seminole 1831 (Oil on canvas)
8766613 Unidentified Seminole 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imageNative America Collection: Timpoochee Barnard (Creek) 1831 (Oil on canvas)

Timpoochee Barnard (Creek) 1831 (Oil on canvas)
8766612 Timpoochee Barnard (Creek) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imageNative America Collection: 'Fort Rupert, Beaver Harbour, Vancouver's Island, July 23rd 1851 [Canada]', 1851 (watercolour)

'Fort Rupert, Beaver Harbour, Vancouver's Island, July 23rd 1851 [Canada]', 1851 (watercolour)
7295636 'Fort Rupert, Beaver Harbour, Vancouver's Island, July 23rd 1851 [Canada]', 1851 (watercolour) by Fanshawe

Background imageNative America Collection: A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk)

A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk, cotton, wool)
7295423 A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk, cotton, wool, glass beads, deer skin); 4x27x12 cm; National Maritime Museum, London

Background imageNative America Collection: George Catlin's North American Indian Portfolio

George Catlin's North American Indian Portfolio
7301606 George Catlin's North American Indian Portfolio; Private Collection; (add.info.: Attacking the Grizzly Bear. Mounted Indians attack a bear with lances and an axe)

Background imageNative America Collection: Captain Nathaniel Portlock (1747?-1817), c.1788 (oil on canvas)

Captain Nathaniel Portlock (1747?-1817), c.1788 (oil on canvas)
7338023 Captain Nathaniel Portlock (1747?-1817), c.1788 (oil on canvas) by British School, (18th Century); 76.2x63.5 cm; National Maritime Museum, London

Background imageNative America Collection: Osage tribe members in France. (print)

Osage tribe members in France. (print)
7419893 Osage tribe members in France. (print); (add.info.: In 1827 six members of the Osage tribe journeyed to France. The three shown in this 1827 print by L)

Background imageNative America Collection: North America Red skin Indian, 1861 (engraving)

North America Red skin Indian, 1861 (engraving)
6947879 North America Red skin Indian, 1861 (engraving); Private Collection; (add.info.: North America Red skin Indian. Human races)

Background imageNative America Collection: The Spanish in America burning an Indian village (litho)

The Spanish in America burning an Indian village (litho)
PNP344509 The Spanish in America burning an Indian village (litho) by American School; Private Collection; Peter Newark American Pictures.

Background imageNative America Collection: War Shirt, 1830-40 (deer hide, ermine tails, glass pony beads, hair, porcupine quills)

War Shirt, 1830-40 (deer hide, ermine tails, glass pony beads, hair, porcupine quills, and trade cloth)
5862026 War Shirt, 1830-40 (deer hide, ermine tails, glass pony beads, hair, porcupine quills, and trade cloth) by Native American, (19th century); The Art Institute of Chicago, IL

Background imageNative America Collection: Hunter and Indian Guide, 1869 (oil on canvas)

Hunter and Indian Guide, 1869 (oil on canvas)
XOS5882164 Hunter and Indian Guide, 1869 (oil on canvas) by Woodhouse, C.L. (19th century); 64.5x78.1 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by C. L. Woodhouse).

Background imageNative America Collection: Sioux warriors in flight (engraving)

Sioux warriors in flight (engraving)
8631225 Sioux warriors in flight (engraving) by Feller, Frank (1848-1908) (after); Private Collection; (add.info.: Sioux warriors in flight during a Native American uprising)

Background imageNative America Collection: Illustration for Hiawatha by Longfellow (colour litho)

Illustration for Hiawatha by Longfellow (colour litho)
8648516 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info.: " 'Take my bait, O King of Fishes)

Background imageNative America Collection: Illustration for Hiawatha by Longfellow (colour litho)

Illustration for Hiawatha by Longfellow (colour litho)
8648514 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info)

Background imageNative America Collection: Illustration for Hiawatha by Longfellow (colour litho)

Illustration for Hiawatha by Longfellow (colour litho)
8648511 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info.: "Westward, westward)

Background imageNative America Collection: Illustration for Hiawatha by Longfellow (colour litho)

Illustration for Hiawatha by Longfellow (colour litho)
8648509 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info)

Background imageNative America Collection: Gold prospectors, New Granada, Colombia (litho)

Gold prospectors, New Granada, Colombia (litho)
8663750 Gold prospectors, New Granada, Colombia (litho) by French School, (19th century) (after); Private Collection; (add.info.: Gold prospectors, New Granada, Colombia)

Background imageNative America Collection: Coffee, tea and cocoa (engraving)

Coffee, tea and cocoa (engraving)
8663837 Coffee, tea and cocoa (engraving) by French School, (17th century) (after); Private Collection; (add.info.: Coffee, tea and cocoa and their countries of origin)

Background imageNative America Collection: Initiation Rites of young warriors of the Mandan tribe, 1850

Initiation Rites of young warriors of the Mandan tribe, 1850
3479503 Initiation Rites of young warriors of the Mandan tribe, 1850; (add.info.: Initiation Rites of young warriors of the Mandan tribe Ohio and Mississippi)

Background imageNative America Collection: Couplets in indigenous Copan language of Indians in Guatemala. 1540's (manuscript)

Couplets in indigenous Copan language of Indians in Guatemala. 1540's (manuscript)
3521796 Couplets in indigenous Copan language of Indians in Guatemala. 1540's (manuscript); (add.info.: Couplets in indigenous Copan language of Indians in Guatemala. 1540's)

Background imageNative America Collection: Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico

Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette
FLO4605373 Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author

Background imageNative America Collection: hilkat woman weaving blanket, Alaska 1910 (photo)

hilkat woman weaving blanket, Alaska 1910 (photo)
682811 hilkat woman weaving blanket, Alaska 1910 (photo); (add.info.: The pattern, a painted board, was designed by the men and represented clan or lineage crests)

Background imageNative America Collection: Hiawatha and Minne.Ha.Ha, 1870 (engraving)

Hiawatha and Minne.Ha.Ha, 1870 (engraving)
1575615 Hiawatha and Minne.Ha.Ha, 1870 (engraving); (add.info.: Engraving depicts two Native American's, Hiawatha and Minne.Ha.Ha. Hiawatha is seen smoking through a long pipe)

Background imageNative America Collection: Coosa-Tustunnuggee (Creek) 1831 (Oil on canvas)

Coosa-Tustunnuggee (Creek) 1831 (Oil on canvas)
8766623 Coosa-Tustunnuggee (Creek) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imageNative America Collection: Push-Ma-Ta-Ha (Choctaw) 1831 (Oil on canvas)

Push-Ma-Ta-Ha (Choctaw) 1831 (Oil on canvas)
8766610 Push-Ma-Ta-Ha (Choctaw) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imageNative America Collection: Yaha Hajo, Mad Wolf (Creek) 1836 (Oil on canvas)

Yaha Hajo, Mad Wolf (Creek) 1836 (Oil on canvas)
8766605 Yaha Hajo, Mad Wolf (Creek) 1836 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imageNative America Collection: Encampment of Native Americans, a family seated near a teepee, 19th century (engraving)

Encampment of Native Americans, a family seated near a teepee, 19th century (engraving)
AIS5336606 Encampment of Native Americans, a family seated near a teepee, 19th century (engraving); (add.info.: A family settled near a teepee)

Background imageNative America Collection: Cherokkee indian warrior, 1861 (engraving)

Cherokkee indian warrior, 1861 (engraving)
6947878 Cherokkee indian warrior, 1861 (engraving); Private Collection; (add.info.: Cherokkee indian warrior. North America.Human races.From the artwork by Chenu " Encyclopedie d' Histoire)

Background imageNative America Collection: Native indian from California, 1861 (engraving)

Native indian from California, 1861 (engraving)
6947875 Native indian from California, 1861 (engraving); Private Collection; (add.info.: Native indian from California.Human races. Artwork " Encyclopedie d' Histoire Naturelle by Chenu)

Background imageNative America Collection: Vincent de Valverde, and the Inca emperor Atahualpa, 1880 (engraving)

Vincent de Valverde, and the Inca emperor Atahualpa, 1880 (engraving)
7241695 Vincent de Valverde, and the Inca emperor Atahualpa, 1880 (engraving); Private Collection; (add.info.: Spanish Dominican and missionary Vincent de Valverde (1498-1541)

Background imageNative America Collection: Clay balls, c.1910 (print)

Clay balls, c.1910 (print)
7293346 Clay balls, c.1910 (print); (add.info.: Food and beverage. Indian people of South America (Otomanguean people?) eating cooked clay from the Orinoco river

Background imageNative America Collection: 'Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada]', 1851 (watercolour)

'Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada]', 1851 (watercolour)
7295633 'Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada]', 1851 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 12.6x17.8 cm; National Maritime Museum

Background imageNative America Collection: A view of the Indians of Terra del Fuego in their hut (without title), 1760-69 (engraving & etching)

A view of the Indians of Terra del Fuego in their hut (without title), 1760-69 (engraving & etching)
7295777 A view of the Indians of Terra del Fuego in their hut (without title), 1760-69 (engraving & etching) by Bartolozzi, Francesco (1727-1815); 23.6x30.5 cm; National Maritime Museum, London

Background imageNative America Collection: Image series Conquest of Mexico, The Night of Affliction, 1 July 1520, Liebig painting

Image series Conquest of Mexico, The Night of Affliction, 1 July 1520, Liebig painting
7277895 Image series Conquest of Mexico, The Night of Affliction, 1 July 1520, Liebig painting; Private Collection; (add.info.: Image series Conquest of Mexico, The Night of Affliction, 1 July 1520)

Background imageNative America Collection: Zapotec Indians converting to Christianity, Mexico, 16th century (woodcut)

Zapotec Indians converting to Christianity, Mexico, 16th century (woodcut)
3521794 Zapotec Indians converting to Christianity, Mexico, 16th century (woodcut); (add.info.: Spanish woodcut); Universal History Archive/UIG.

Background imageNative America Collection: Native american shaman, c.1850 (illustration)

Native american shaman, c.1850 (illustration)
8698416 Native american shaman, c.1850 (illustration) by Eastman, Seth (1808-1875); (add.info.: Paranormal. Native american shaman)

Background imageNative America Collection: William Penn, c.1820 (engraving)

William Penn, c.1820 (engraving)
8698407 William Penn, c.1820 (engraving) by Italian School, (19th century); (add.info.: History. USA. The quaker William Penn with native americans, Pennsylvania)

Background imageNative America Collection: Portrait of an Osage Chief. (print)

Portrait of an Osage Chief. (print)
7419895 Portrait of an Osage Chief. (print); (add.info.: Portrait of an Osage Chief. After a print published in 1838.); Photo © Ken Welsh. All rights reserved 2024.

Background imageNative America Collection: Pocahontas saves John Smith (print)

Pocahontas saves John Smith (print)
7419971 Pocahontas saves John Smith (print); Photo © Ken Welsh. All rights reserved 2024.

Background imageNative America Collection: Osage tribe members in France. (print)

Osage tribe members in France. (print)
7419892 Osage tribe members in France. (print); (add.info.: In 1827 six members of the Osage tribe journeyed to France. Identified by the letter beneath their names, they were A Kihegashugah)

Background imageNative America Collection: Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool

Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool
UIG5425959 Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool, which was used to produce fire. Dated 19th Century; UIG.

Background imageNative America Collection: The Medicine Teepee, 1903 (oil on canvas)

The Medicine Teepee, 1903 (oil on canvas)
1767645 The Medicine Teepee, 1903 (oil on canvas) by Sharp, Joseph Henry (1859-1953); 55.9x101.6 cm; Private Collection; (add.info.: The Medicine Teepee. Joseph Henry Sharp (1859-1953)

Background imageNative America Collection: Californian Aborigines (engraving)

Californian Aborigines (engraving)
8632412 Californian Aborigines (engraving) by English School, (19th century); Private Collection; (add.info.: Californian Aborigines)

Background imageNative America Collection: Walter Trier's crazy costumes: Arizona, USA (colour litho)

Walter Trier's crazy costumes: Arizona, USA (colour litho)
8646573 Walter Trier's crazy costumes: Arizona, USA (colour litho) by Trier, Walter (1890-1951); Private Collection; (add.info.: Arizona, USA)

Background imageNative America Collection: Victoria, cigar box label (chromolitho)

Victoria, cigar box label (chromolitho)
8677713 Victoria, cigar box label (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Victoria, cigar box label.); Look and Learn / Barbara Loe Collection.



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"Exploring the Rich Heritage of Native America: A Glimpse into the Past" Step back in time and immerse yourself in the captivating world of Native America. From the icy marshes of Kotzebue, Alaska to the vibrant landscapes of Mesoamerica, this collection offers a window into the lives and cultures that shaped this diverse continent. In an enchanting black and white photograph, we witness an Eskimo muskrat hunter gracefully paddling through a serene marsh. The image transports us to a simpler time when survival depended on intimate knowledge of nature's rhythms. "The Last of His Race (The Vanishing American)" is a haunting oil painting that serves as a poignant reminder of the struggles faced by indigenous peoples throughout history. It captures both resilience and sorrow, urging us to reflect on their vanishing way of life. Delve deeper into Mesoamerican art with Waldeck's original artwork. Box after box reveals intricate prints showcasing ancient civilizations' beauty and complexity. "Portrait of Black Hawk and Na-Be-Ghi-Zeik" stands out among them, immortalizing two figures who played significant roles in shaping their communities. As we journey further through Waldeck's collection, we encounter depictions like "Leaving home for Carlisle Indian School. " This chromolitho print depicts young Native Americans embarking on an uncertain future while holding onto their cultural identity amidst assimilation pressures. Goddess Teoyaomqui emerges from another watercolor masterpiece—a symbol of divinity intertwined with sacrificial rituals etched deep within Mesoamerican culture. Meanwhile, Maya heroes are brought to life in vivid hues—reminders that these nations possessed great leaders whose legacies continue to inspire today. "Duel on the Champion Stone" takes us right into the heart-pounding action—an intense battle fought for honor or supremacy. Through brushstrokes alone, we feel our hearts race alongside those brave warriors locked in combat.