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Premium Framed Print : Ethnography and Art Embroidery Museum, Harem building, Summer Residential Palace
Framed Photos from EyeUbiquitous
Ethnography and Art Embroidery Museum, Harem building, Summer Residential Palace
Uzbekistan, Bukhara, Ethnography and Art Embroidery Museum, Harem building, Summer Residential Palace, Sitorai Mohi Hossa Bukhara
Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments
Media ID 20101442
© Mel Longhurst / Eye Ubiquitous
Abode Architectural Asian Attraction Bokhara Boukara Boukhara Buchara Buhara Bukara Bukhara Bukhoro Buxoro Dwelling Emir Folk Historic History Home Horizontal House Islam Islamic Mg9967 Mg9970a Mg9975a Museum Other Keywords|mg9967 Other Keywords|mg9970a Other Keywords|mg9975a Outside Ouzbek Ouzbekistan Ozbek Ozbekistan Ozbekiston Palace Pavilion Residence Residential Road Silk Summer Usbek Usbekistan Uzbek Uzbekistan Uzbekiston Wall White Whitewashed Amir Bukharan Divan Ethnographic Ethnography Harem Mahi Muzeum
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 26.4cm (15.6" x 10.4")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print by Mel Longhurst showcases the stunning Ethnography and Art Embroidery Museum in Bukhara, Uzbekistan. The focal point of the image is the Harem building, which stands as a testament to the rich history and architectural beauty of this ancient city. The Harem building, part of the Summer Residential Palace known as Sitorai Mohi Hossa, exudes an air of grandeur with its intricate blue tilework and ornate design. Its horizontal structure stretches elegantly along the road, inviting visitors to explore its historical significance. As one gazes at this photograph, they are transported back in time to when emirs and amirs resided within these walls. The museum itself serves as a window into Uzbekistan's cultural heritage, showcasing ethnographic artifacts and art embroidery that reflect the country's vibrant traditions. The blend of Islamic influences can be seen throughout the architecture, emphasizing both religious devotion and artistic expression. This fusion creates a harmonious atmosphere that captivates all who visit. Beyond being an attraction for tourists from around the world, this print captures not only a moment frozen in time but also tells a story of resilience and preservation. It reminds us of our shared human history while celebrating Bukhara's unique identity. Mel Longhurst has masterfully captured both the exterior beauty and historical significance of this remarkable building through her lens. Her work invites viewers to appreciate not just its physicality but also its cultural importance within Uzbekistan's narrative.
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