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Metal Print : Ethnography and Art Embroidery Museum, Harem building, Summer Residential Palace

Ethnography and Art Embroidery Museum, Harem building, Summer Residential Palace



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Ethnography and Art Embroidery Museum, Harem building, Summer Residential Palace

Uzbekistan, Bukhara, Ethnography and Art Embroidery Museum, Harem building, Summer Residential Palace, Sitorai Mohi Hossa Bukhara

Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments

Media ID 20101442

© Mel Longhurst / Eye Ubiquitous

Abode Architectural Asian Attraction Bokhara Boukara Boukhara Buchara Buhara Bukara Bukhara Bukhoro Buxoro Dwelling Emir Folk Historic History Home Horizontal House Islam Islamic Mg9967 Mg9970a Mg9975a Museum Other Keywords|mg9967 Other Keywords|mg9970a Other Keywords|mg9975a Outside Ouzbek Ouzbekistan Ozbek Ozbekistan Ozbekiston Palace Pavilion Residence Residential Road Silk Summer Usbek Usbekistan Uzbek Uzbekistan Uzbekiston Wall White Whitewashed Amir Bukharan Divan Ethnographic Ethnography Harem Mahi Muzeum


15"x10" (38x25cm) Metal Print

Bring the vibrant history and intricate artistry of the Ethnography and Art Embroidery Museum in Bukhara, Uzbekistan, into your home with our stunning Metal Prints. This exclusive image captures the breathtaking Harem building and Summer Residential Palace of Sitorai Mohi Hossa, beautifully depicted by Mel Longhurst of EyeUbiquitous. Our Metal Prints showcase the rich ethnographic and artistic heritage of this ancient city, with the details of the embroidery and architectural elements brought to life through the unique properties of the metal print medium. Elevate your interior decor with this captivating piece of world culture.

Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 38.1cm x 25.4cm (15" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> EyeUbiquitous > Architecture

> Animals > Fishes > M > Mahi Mahi

> Architecture > Palaces

> Architecture > Styles > Islamic Architecture

> Asia > Uzbekistan > Bukhara

> Asia > Uzbekistan > Related Images


EDITORS COMMENTS
This print by Mel Longhurst showcases the stunning Ethnography and Art Embroidery Museum in Bukhara, Uzbekistan. The focal point of the image is the Harem building, which stands as a testament to the rich history and architectural beauty of this ancient city. The Harem building, part of the Summer Residential Palace known as Sitorai Mohi Hossa, exudes an air of grandeur with its intricate blue tilework and ornate design. Its horizontal structure stretches elegantly along the road, inviting visitors to explore its historical significance. As one gazes at this photograph, they are transported back in time to when emirs and amirs resided within these walls. The museum itself serves as a window into Uzbekistan's cultural heritage, showcasing ethnographic artifacts and art embroidery that reflect the country's vibrant traditions. The blend of Islamic influences can be seen throughout the architecture, emphasizing both religious devotion and artistic expression. This fusion creates a harmonious atmosphere that captivates all who visit. Beyond being an attraction for tourists from around the world, this print captures not only a moment frozen in time but also tells a story of resilience and preservation. It reminds us of our shared human history while celebrating Bukhara's unique identity. Mel Longhurst has masterfully captured both the exterior beauty and historical significance of this remarkable building through her lens. Her work invites viewers to appreciate not just its physicality but also its cultural importance within Uzbekistan's narrative.

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