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Premium Framed Print : Helvetia divided into its 13 Cantons and its allies, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection

Helvetia divided into its 13 Cantons and its allies, engraving by G. Zuliani taken from Tome III of the 'Newest Atlas' published in Venice in 1781 by Antonio Zatta, Private Collection



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Helvetia divided into its 13 Cantons and its allies, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection

Helvetia divided into its 13 Cantons and its allies, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1781. Artist:Zuliani G

Alinari
PDP-A-ZATTA3-0026

Media ID 33189691

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19cm (9.6" x 7.5")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Helvetia divided into its 13 Cantons and its allies". Created by the talented artist G. Zuliani, this masterpiece was featured in Tome III of the renowned "Newest Atlas" published in Venice in 1781 by Antonio Zatta. The image takes us back to the enchanting world of the eighteenth century, where Renaissance-Baroque styles flourished. It offers a glimpse into Europe's rich history, specifically Switzerland during this period. The intricate details and precision of Zuliani's work highlight his mastery as an engraver. The print portrays Helvetia, symbolizing Switzerland, divided into its thirteen cantons and their allies. Through this allegorical representation, we are reminded of the complex territorial dynamics that shaped modern nations throughout history. As we delve deeper into the artwork, it becomes apparent that it is not merely a geographical or topographical map but rather a powerful instrument for storytelling and documentation. It serves as a visual testament to Switzerland's past and provides valuable insights into its people, territories, and historical significance. The photograph itself was taken in 2009 from a private collection based in Florence. Its pristine condition allows us to appreciate every stroke made by Zuliani over two centuries ago. This remarkable piece captures our attention with its timeless beauty and evokes curiosity about Switzerland's vibrant past. It stands as both an artistic achievement within renaissance-baroque styles and periods while also serving as a means of communication between generations—bridging gaps through artistry that transcends time itself.

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