Poster Print : Lopped Elm
Poster Prints from Mary Evans Picture Library
Lopped Elm
Plate 12 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8610008
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10713844
1786 18th Century Alexander Cozens Cozens Eudicot Eurosid Fabidae Rosales Rosid Ulmus Angiospermae Dicot Dicotyledon Magnoliophyta Ulmaceae
A2 (59.4 x 42cm) Poster Print
"Introducing the Media Storehouse range of Poster Prints featuring the captivating image of "Lopped Elm" by Rights Managed from Mary Evans Prints Online. This stunning print is taken from Plate 12 of "The Shape, Skeleton and Foliage of Thirty Two Species of Trees," a series originally published in 1771 by artist and botanist, A. Cozens. With intricate detail and beautiful coloring, this poster print brings the natural world into your home or office. A timeless addition to any space, this print not only showcases the beauty of the elm tree but also the artistry of the past. Order yours today and bring history and nature together in your living space."
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 42cm x 52.2cm (16.5" x 20.6")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Plate 12 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, published in 1786 by Alexander Cozens, presents a detailed and meticulously rendered illustration of a Lopped Elm (Ulmus spp.). This historic botanical print is part of a series that was originally issued in 1771, making it an invaluable resource for the study of 18th century botany. The Lopped Elm, a member of the Ulmaceae family, is an angiosperm, a type of flowering plant, and more specifically, an eudicot, or a flowering plant with two embryonic seed leaves (cotyledons). This particular specimen has been lopped, likely due to pruning or damage, resulting in the unusual appearance of its branches. Cozens, a renowned botanical illustrator of his time, expertly captured the intricacies of the Elm's anatomy, from its skeletal structure to its foliage. The tree's skeleton, or the framework of its branches and twigs, is depicted in precise detail, revealing the complex arrangement of its vascular system. The foliage, on the other hand, is shown in a more abstracted form, with the leaves reduced to simple shapes to emphasize their overall structure and arrangement. The Lopped Elm belongs to the Rosales order, a group of flowering plants characterized by their simple leaves and flowers with five sepals and five petals. It is also a member of the Rosid clade, a large group of eudicots, and the Fabidae family, which includes legumes and other plants with a symbiotic relationship with nitrogen-fixing bacteria. This beautiful and historic botanical illustration not only serves as a testament to Cozens' skill as an artist, but also provides valuable insights into the botanical knowledge of the 18th century. It is a must-have for any botanical collection and a reminder of the rich history of plant study and illustration.
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