Cozens Collection

Weeping Willow
Plate 30 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Leo Cozens and May Cunliffe with 1924 Sunbeam Grand Prix car. Creator: Unknown
Leo Cozens and May Cunliffe with 1924 Sunbeam Grand Prix car

Larch Fir
Plate 14 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Pollard Weeping Willow
Plate 31 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Pinus sylvestris, scotch fir
Plate 15 from The Shape, Skeleton and Foliage of Thirty two species of Trees, 1786 by A. Cozens. Originally issued in 1771

Quercus, oak
Plate 21 from The Shape, Skeleton and Foliage of Thirty two species of Trees, 1786 by A. Cozens. Originally issued in 1771

1st Baron Cozens-Hardy
Herbert Hardy Cozens-Hardy, 1st Baron Cozens-Hardy (1838 - 1920). British politician and Master of the Rolls from 1907 - 1918."

London from Greenwich Hill, (pencil and watercolour)
651976 London from Greenwich Hill, (pencil and watercolour) by Cozens, John Robert (1752-99); 45.7x62.1 cm; Private Collection; (add.info.: London from Greenwich Hill. John Robert Cozens (1752-1797)

The Fallen Tree, ca. 1785. Creator: Alexander Cozens
The Fallen Tree, ca. 1785

Storm Over A Lake, 1800-1811. Creator: Attributed to Joseph Barber
Storm Over A Lake, 1800-1811. Attributed to Joseph Barber, nnown to have traveled in Wales, a likely locale for this mountain lake. Formerly attributed to John Robert Cozens

View of the Villa Lante on the Janiculum in Rome, 1782-83. Creator: John Robert Cozens
View of the Villa Lante on the Janiculum in Rome, 1782-83

On the Gulf of Salerno near Vietri, September 1782 or later. Creator: John Robert Cozens
On the Gulf of Salerno near Vietri, September 1782 or later

Near Florence, (c1900). Creator: Unknown
Near Florence, (c1900). Italian landscape at sunset, print after Florence from a Wood near the Cascine, painting made in the late 18th century by John Robert Cozens

Sunbeam of LV Cozens, Monte Carlo Rally, 1929. Artist: Bill Brunell
Sunbeam 2916 cc. Vehicle Reg. No. UK6219. Event Entry No: 22. Driver: Cozens, L.V. Finished: 15th out of 24. Place: Monte Carlo Rally. Date: 23-27.1.29

Villa at Frascati, c1780, (1923). Artist: John Robert Cozens
Villa at Frascati, c1780, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

The Lake and Town of Nemi, 1778. Artist: John Robert Cozens
The Lake and Town of Nemi, 1778. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Villa Negroni, 18th century. Artist: John Robert Cozens
The Villa Negroni, 18th century. From The Studio Volume 70, [London Offices of the Studio, London, 1917]

An Alpine Valley, 18th century. Artist: John Robert Cozens
An Alpine Valley, 18th century. From The Studio Volume 70, [London Offices of the Studio, London, 1917]

Tivoli Villa Maecenas part Cascatelle late 18th century
Artokoloro

View Villa Lante Janiculum Rome 1782-83 Watercolor
Artokoloro

Capo di Bove Tomb of Caecilia Metella, Appian Way, Rome
Capo di Bove (Tomb of Caecilia Metella, Appian Way, Rome). Cozens, John Robert 1752 - 1797

John Robert Cozens (British, 1752 - 1799), Monte Circeo at Sunset, 1780s, watercolor on paper; laid down on original presentation mount

John Robert Cozens, Cetara on the Gulf of Salerno, British, 1752 - 1799, 1790, watercolor over graphite on wove paper

Quercus, pollard oak
Plate 22 from The Shape, Skeleton and Foliage of Thirty two species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Ulmus procera, elm
Plate 11 from The Shape, Skeleton and Foliage of Thirty two species of Trees, 1786 by A. Cozens. Originally issued in 1771

Fraxinus excelsior, ash

Spruce or Norway Fir
Plate 16 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Aspen
Plate 1 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Pollard Aspen
Plate 2 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Lopped Elm
Plate 12 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Cedar
Plate 9 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Palm
Plate 23 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Cypress tree
Plate 10 from The Shape, skeleton and foliage of 32 species of Trees (1786). The series was originally issued in 1771

Italian Pine
Plate 24 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Pollard Willow
Plate 29 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

Yew
Plate 32 from The Shape, Skeleton and Foliage of Thirty Two Species of Trees, 1786 by A. Cozens. The series was originally issued in 1771

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Cozens, a name that echoes through time, encompassing various realms of art and history. From the roaring engines of the 1924 Sunbeam Grand Prix car to the delicate branches of the Weeping Willow, Cozens leaves an indelible mark. In the world of motorsport, Leo Cozens and May Cunliffe take center stage as they pose proudly beside their powerful machine. The sleek curves and raw power of this vintage beauty are a testament to human ingenuity. Nature's embrace is captured in the enchanting Larch Fir and Pollard Weeping Willow. These majestic trees stand tall, their branches gracefully swaying in harmony with the wind. A symphony played by nature itself. The Pinus sylvestris or Scotch Fir stands proud amidst its surroundings. Its rugged exterior tells tales of resilience against harsh climates, reminding us to stay strong even in adversity. As we wander deeper into history, we encounter Quercus - oak trees that have witnessed centuries pass by. Their sturdy trunks symbolize endurance while their sprawling canopies provide shelter for countless creatures. Baron Cozens-Hardy emerges from London's Greenwich Hill like a figure out of a painting - his presence commanding attention as he surveys the city below. His legacy etched into both law and society. Artistic brilliance finds its home within Alexander Cozens' "The Fallen Tree. " This masterpiece captures nature's fleeting moments with every brushstroke - reminding us to appreciate life's transient beauty. Joseph Barber paints "Storm Over A Lake, " capturing nature's fury on canvas. The tempestuous waves crash against each other under darkened skies - a reminder that even storms hold their own kind of captivating allure. John Robert Cozens transports us across continents with his masterpieces: "View of Villa Lante on Janiculum" evokes visions of ancient Rome while "On the Gulf Salerno near Vietri" immerses us in the breathtaking beauty of Italy's coastline.