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Poster Print : Printers mark of Johann Frobens (c. 1460 -1527) showing two hands holding

Printers mark of Johann Frobens (c. 1460 -1527) showing two hands holding



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Printers mark of Johann Frobens (c. 1460 -1527) showing two hands holding

5615734 Printers mark of Johann Frobens (c.1460 -1527) showing two hands holding the caduceus from the 1518 third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543) by Holbein the Younger, Hans (1497/8-1543); Private Collection; (add.info.: Photograph of printers mark from a 1518 third edition published in Basel by Froben.); Photo eAF Fotografie; German, out of copyright

Media ID 23583948

© AF Fotografie / Bridgeman Images

1518 Basel Best Seller Brand Branding Brands Caduceus Cartouche Classic Fictional Froben Hans Holbein The Younger Humanist Johann Froben Johannes Froben Latin Logo More No Place Novel Philosophy Printing Printing House Publishing Putti Serpents Sir Thomas More Third Edition Thomas More Title Page Trade Mark Trademark Utopia Utopian Utopie Cherubim Cherubs Snakes


A2 (59.4 x 42cm) Poster Print

Bring the rich history of printing to your walls with Media Storehouse's exquisite range of Poster Prints. This captivating piece features the printers mark of Johann Frobens, a renowned printer active from around 1460 to 1527. The image showcases two hands holding the caduceus, a symbol of healing and renewal, from the third edition of Utopia by Sir Thomas More, first published in 1516. This stunning print, sourced from Bridgeman Images through Fine Art Finder, is a testament to the enduring legacy of the printing press and the intriguing stories it has brought to life over the centuries. Elevate your home or office décor with this timeless and thought-provoking addition.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 42cm x 55cm (16.5" x 21.7")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Hans Holbein the Younger

> Animals > Mammals > Muridae > House Mouse

> Animals > Reptiles > Snakes > Bird Snake

> Arts > Art Movements > Renaissance Art

> Arts > Artists > H > Hans Holbein the Younger

> Arts > Artists > H > Thomas Hand

> Arts > Literature > Illustration

> Arts > Literature

> Europe > Germany > Posters

> Europe > Germany > Related Images

> Europe > Switzerland > Basel


EDITORS COMMENTS
This print showcases the printers mark of Johann Frobens, a prominent figure in the world of printing during the Renaissance period. The mark features two hands delicately holding the caduceus, symbolizing commerce and trade. This particular printers mark was used in the 1518 third edition of "Utopia" by Sir Thomas More, a groundbreaking novel first published in 1516. The woodcut illustration was skillfully crafted by Hans Holbein the Younger, known for his exceptional talent as an artist. The image is adorned with intricate details such as decorative borders, putti (cherubs), and a bird perched on top. It exudes an air of elegance and sophistication that perfectly complements More's thought-provoking work. The inclusion of this printers mark not only adds aesthetic value to the book but also serves as a form of branding for Frobens' printing house. It signifies authenticity and quality craftsmanship, distinguishing it from other publishers at that time. Overall, this print offers us a glimpse into history - both literary and artistic - showcasing how different elements came together to create masterpieces during the Renaissance era. It reminds us of the importance placed on visual representation even in early forms of publishing and highlights key figures like Frobens who played significant roles in shaping our cultural heritage through their dedication to their craft.

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