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Postcard : Ballet Dancer Robert Helpmann as Hamlet
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Ballet Dancer Robert Helpmann as Hamlet
Ballet Dancer Robert Helpmann (1909-1986) as Hamlet - London, New Theatre - Old Vic Production. Date: circa 1942
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Media ID 19601461
© Mary Evans / Grenville Collins Postcard Collection
Adaptation Alas Ballet Dancer Denmark Hamlet Helpmann Oct19 Performance Performers Poor Role Shakespeare Skull Tragic Yorick
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this photograph, Australian-born ballet dancer Robert Helpmann (1909-1986) takes on the iconic role of Shakespeare's tragic prince, Hamlet, in a bold and innovative adaptation of the classic play. The image, captured during the Old Vic Production at London's New Theatre around 1942, showcases Helpmann's extraordinary talent and versatility as a performer. Dressed in the somber attire of the Danish prince, Helpmann holds the skull of Yorick, the jester, with a pensive and melancholic expression. The prop skull, a poignant reminder of mortality and the fleeting nature of life, adds an air of solemnity to the scene. Helpmann's portrayal of Hamlet, a complex character known for his introspection and indecision, is brought to life through the language of dance. The 1940s, a time of great turmoil and change, saw a surge in experimental adaptations of Shakespeare's works for the stage. Helpmann's dance-theater interpretation of Hamlet, which combined the elegance and grace of ballet with the depth and complexity of Shakespeare's text, was a groundbreaking achievement. The production, which received critical acclaim, showcased Helpmann's unique ability to captivate audiences through movement and emotion. This photograph, with its striking composition and evocative imagery, offers a glimpse into the world of this innovative and thought-provoking production. The image, imbued with the tragic weight of Hamlet's soliloquy "Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy," serves as a poignant reminder of the power of art to explore the depths of the human condition.
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