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Framed Print : Ballet Dancer Robert Helpmann as Hamlet

Ballet Dancer Robert Helpmann as Hamlet



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Ballet Dancer Robert Helpmann as Hamlet

Ballet Dancer Robert Helpmann (1909-1986) as Hamlet - London, New Theatre - Old Vic Production. Date: circa 1942

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 19601461

© Mary Evans / Grenville Collins Postcard Collection

Adaptation Alas Ballet Dancer Denmark Hamlet Helpmann Oct19 Performance Performers Poor Role Shakespeare Skull Tragic Yorick


14"x12" (38x32cm) Modern Frame

Introducing the captivating Ballet Dancer Robert Helpmann as Hamlet Framed Print from Media Storehouse's exclusive collection. This stunning image, captured from the Old Vic Production in London around 1942, showcases Helpmann's mesmerizing performance as Shakespeare's iconic tragic hero. With its rich history from Mary Evans Prints Online, this framed print is a must-have for any art enthusiast, Shakespeare lover, or ballet aficionado. Immerse yourself in the timeless beauty of this theatrical masterpiece and elevate your home or office décor.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 17.6cm x 24.4cm (6.9" x 9.6")

Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Animals > Mammals > Muridae > Fortior

> Arts > Dance

> Europe > Denmark > Ballet

> Europe > Denmark > Dance

> Europe > Denmark > Posters

> Europe > Denmark > Related Images

> Europe > United Kingdom > England > London > Art > Ballet

> Europe > United Kingdom > England > London > Art > Dance

> Europe > United Kingdom > England > London > Art > Related Images

> Europe > United Kingdom > England > London > Art > Theatre

> Mary Evans Prints Online > New Items from the Grenville Collins


EDITORS COMMENTS
In this photograph, Australian-born ballet dancer Robert Helpmann (1909-1986) takes on the iconic role of Shakespeare's tragic prince, Hamlet, in a bold and innovative adaptation of the classic play. The image, captured during the Old Vic Production at London's New Theatre around 1942, showcases Helpmann's extraordinary talent and versatility as a performer. Dressed in the somber attire of the Danish prince, Helpmann holds the skull of Yorick, the jester, with a pensive and melancholic expression. The prop skull, a poignant reminder of mortality and the fleeting nature of life, adds an air of solemnity to the scene. Helpmann's portrayal of Hamlet, a complex character known for his introspection and indecision, is brought to life through the language of dance. The 1940s, a time of great turmoil and change, saw a surge in experimental adaptations of Shakespeare's works for the stage. Helpmann's dance-theater interpretation of Hamlet, which combined the elegance and grace of ballet with the depth and complexity of Shakespeare's text, was a groundbreaking achievement. The production, which received critical acclaim, showcased Helpmann's unique ability to captivate audiences through movement and emotion. This photograph, with its striking composition and evocative imagery, offers a glimpse into the world of this innovative and thought-provoking production. The image, imbued with the tragic weight of Hamlet's soliloquy "Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy," serves as a poignant reminder of the power of art to explore the depths of the human condition.

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