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Fine Art Print : Ballet Dancer Robert Helpmann as Hamlet

Ballet Dancer Robert Helpmann as Hamlet



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Ballet Dancer Robert Helpmann as Hamlet

Ballet Dancer Robert Helpmann (1909-1986) as Hamlet - London, New Theatre - Old Vic Production. Date: circa 1942

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 19601461

© Mary Evans / Grenville Collins Postcard Collection

Adaptation Alas Ballet Dancer Denmark Hamlet Helpmann Oct19 Performance Performers Poor Role Shakespeare Skull Tragic Yorick


A2 (42x59cm) Fine Art Print

Experience the captivating fusion of ballet and Shakespearean drama with our exquisite fine art print of Robert Helpmann as Hamlet. This iconic image, taken from the Old Vic Production in London during the 1940s, showcases Helpmann's unparalleled artistry as he brings the tragic prince to life on the stage. The print, sourced from the esteemed Mary Evans Prints Online, is a must-have for art enthusiasts, ballet lovers, and Shakespeare scholars. Each print is meticulously produced using the highest quality materials, ensuring a stunning and long-lasting addition to your home or office decor. Immerse yourself in the rich history of the performing arts and add this timeless masterpiece to your collection today.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Animals > Mammals > Muridae > Fortior

> Arts > Dance

> Europe > Denmark > Ballet

> Europe > Denmark > Dance

> Europe > Denmark > Posters

> Europe > Denmark > Related Images

> Europe > United Kingdom > England > London > Art > Ballet

> Europe > United Kingdom > England > London > Art > Dance

> Europe > United Kingdom > England > London > Art > Related Images

> Europe > United Kingdom > England > London > Art > Theatre

> Mary Evans Prints Online > New Items from the Grenville Collins


EDITORS COMMENTS
In this photograph, Australian-born ballet dancer Robert Helpmann (1909-1986) takes on the iconic role of Shakespeare's tragic prince, Hamlet, in a bold and innovative adaptation of the classic play. The image, captured during the Old Vic Production at London's New Theatre around 1942, showcases Helpmann's extraordinary talent and versatility as a performer. Dressed in the somber attire of the Danish prince, Helpmann holds the skull of Yorick, the jester, with a pensive and melancholic expression. The prop skull, a poignant reminder of mortality and the fleeting nature of life, adds an air of solemnity to the scene. Helpmann's portrayal of Hamlet, a complex character known for his introspection and indecision, is brought to life through the language of dance. The 1940s, a time of great turmoil and change, saw a surge in experimental adaptations of Shakespeare's works for the stage. Helpmann's dance-theater interpretation of Hamlet, which combined the elegance and grace of ballet with the depth and complexity of Shakespeare's text, was a groundbreaking achievement. The production, which received critical acclaim, showcased Helpmann's unique ability to captivate audiences through movement and emotion. This photograph, with its striking composition and evocative imagery, offers a glimpse into the world of this innovative and thought-provoking production. The image, imbued with the tragic weight of Hamlet's soliloquy "Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy," serves as a poignant reminder of the power of art to explore the depths of the human condition.

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