Photographic Print > Animals > Birds > Passerines > Woodswallows > Dusky Woodswallow
Photographic Print : White-crested helmetshrike, Prionops plumatus
Photo Prints from Mary Evans Picture Library
White-crested helmetshrike, Prionops plumatus
White-crested helmetshrike, Prionops plumatus, and dusky woodswallow, Artamus cyanopterus.. Handcolored copperplate stipple engraving from Dumont de Sainte-Croixs Dictionary of Natural Science: Ornithology, Paris, France, 1816-1830. Illustration by J. G. Pretre, engraved by David, directed by Pierre Jean-Francois Turpin, and published by F.G. Levrault. Jean Gabriel Pretre (1780-1845) was painter of natural history at Empress Josephines zoo and later became artist to the Museum of Natural History
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14214653
© Florilegius / Mary Evans
Crested Croix Dictionary Dumont Dusky Gabriel Ornithology Pretre Sainte Stipple Helmetshrike Woodswallow
12"x8" (30x20cm) Photo Print
Introducing the Media Storehouse range of Photographic Prints featuring the captivating White-crested Helmetshrike (Prionops plumatus). This stunning image, sourced from Mary Evans Prints Online, showcases the intricate beauty of this bird's unique plumage and distinctive helmet-like head. With its expressive gaze and vibrant colors, this print is a must-have for any nature enthusiast or avian art collection. Our high-quality prints are produced using archival inks and materials, ensuring your artwork remains vibrant and true to the original for years to come. Add a touch of natural wonder to your home or office with this exquisite White-crested Helmetshrike print. Available now at Media Storehouse. (Note: This caption is for a product listing and should be concise, engaging, and informative. It is not meant to be a comprehensive description of the White-crested Helmetshrike or the print itself, but rather a teaser to entice potential buyers to learn more and make a purchase.)
Printed on archival quality paper for unrivalled stable artwork permanence and brilliant colour reproduction with accurate colour rendition and smooth tones. Printed on professional 234gsm Fujifilm Crystal Archive DP II paper. 12x8 for landscape images, 8x12 for portrait images.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 20.3cm x 30.5cm (8" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This exquisite handcolored copperplate stipple engraving depicts two distinctive bird species native to Africa: the White-crested Helmetshrike (Prionops plumatus) and the Dusky Woodswallow (Artamus cyanopterus). The illustration is taken from the "Dictionnaire de Naturalisie: Ornithologie" by Dumont de Sainte-Croix, published in Paris between 1816 and 1830. The artwork was created by the skilled painter of natural history, Jean Gabriel Pretre (1780-1845), who later became the artist to the Museum of Natural History. The White-crested Helmetshrike is identified by its distinctive white crest, black and white plumage, and long, curved beak. This bird is native to Central and West Africa, and is known for its omnivorous diet and social behavior. The Dusky Woodswallow, on the other hand, is characterized by its dusky brown plumage, long, pointed wings, and distinctive forked tail. This bird is found in open woodlands and savannas across sub-Saharan Africa. It is an insectivorous species that feeds on a variety of insects, which it catches in flight. The intricate detail and vibrant colors of this engraving showcase the beauty and diversity of African avian life during the early 19th century. The use of the stipple engraving technique, which involves the application of tiny dots to create shading and texture, adds to the artwork's depth and realism. The illustration was engraved by David, directed by Pierre Jean-Francois Turpin, and published by F.G. Levrault.
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