Framed Print > Animals > Birds > Passerines > Woodswallows > Dusky Woodswallow
Framed Print : White-crested helmetshrike, Prionops plumatus
Framed Photos from Mary Evans Picture Library
White-crested helmetshrike, Prionops plumatus
White-crested helmetshrike, Prionops plumatus, and dusky woodswallow, Artamus cyanopterus.. Handcolored copperplate stipple engraving from Dumont de Sainte-Croixs Dictionary of Natural Science: Ornithology, Paris, France, 1816-1830. Illustration by J. G. Pretre, engraved by David, directed by Pierre Jean-Francois Turpin, and published by F.G. Levrault. Jean Gabriel Pretre (1780-1845) was painter of natural history at Empress Josephines zoo and later became artist to the Museum of Natural History
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14214653
© Florilegius / Mary Evans
Crested Croix Dictionary Dumont Dusky Gabriel Ornithology Pretre Sainte Stipple Helmetshrike Woodswallow
22"x18" (58x48cm) Modern Frame
Introducing the latest addition to our Media Storehouse Framed Prints collection: a stunning representation of the White-crested Helmetshrike, Prionops plumatus. This exquisite piece, sourced from Mary Evans Prints Online, showcases the intricate details of this captivating bird species in a handcolored copperplate stipple engraving from Dumont de Sainte-Croix's Dictionary of Natural Science. Each print is meticulously framed to preserve its beauty and authenticity, making it a perfect addition to any home or office space. Immerse yourself in the natural world with this breathtaking depiction of the White-crested Helmetshrike.
Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 26.6cm x 39.6cm (10.5" x 15.6")
Estimated Product Size is 47.8cm x 57.9cm (18.8" x 22.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This exquisite handcolored copperplate stipple engraving depicts two distinctive bird species native to Africa: the White-crested Helmetshrike (Prionops plumatus) and the Dusky Woodswallow (Artamus cyanopterus). The illustration is taken from the "Dictionnaire de Naturalisie: Ornithologie" by Dumont de Sainte-Croix, published in Paris between 1816 and 1830. The artwork was created by the skilled painter of natural history, Jean Gabriel Pretre (1780-1845), who later became the artist to the Museum of Natural History. The White-crested Helmetshrike is identified by its distinctive white crest, black and white plumage, and long, curved beak. This bird is native to Central and West Africa, and is known for its omnivorous diet and social behavior. The Dusky Woodswallow, on the other hand, is characterized by its dusky brown plumage, long, pointed wings, and distinctive forked tail. This bird is found in open woodlands and savannas across sub-Saharan Africa. It is an insectivorous species that feeds on a variety of insects, which it catches in flight. The intricate detail and vibrant colors of this engraving showcase the beauty and diversity of African avian life during the early 19th century. The use of the stipple engraving technique, which involves the application of tiny dots to create shading and texture, adds to the artwork's depth and realism. The illustration was engraved by David, directed by Pierre Jean-Francois Turpin, and published by F.G. Levrault.
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