Mounted Print > Arts > Artists > F > Hans Fries
Mounted Print : Visitation 1512 tempera paneled softwood 87 x 56 cm
Mounted Prints from Liszt Collection
Visitation 1512 tempera paneled softwood 87 x 56 cm
The Visitation, 1512, tempera on paneled softwood, 87 x 56 cm, unmarked, Hans Fries, Freiburg i. U. um 1460 - nach 1523 Bern
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19588722
© Artokoloro
1512 Hans Fries Unmarked Visitation Tempera
10"x8" Mount with 8"x6" Print
Experience the timeless beauty of art with Media Storehouse's Mounted Photos. Our high-quality reproduction of Hans Fries' "The Visitation" (circa 1460-1523) showcases the intricate details of this exquisite 16th-century tempera panel painting from the Liszt Collection. Each mounted photo is meticulously printed on premium photo paper and mounted on a sturdy backing for a museum-quality display. Bring the masterpiece into your home and elevate your decor with this stunning work of art.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 13cm x 20.3cm (5.1" x 8")
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases "Visitation" a remarkable artwork created in 1512 by Hans Fries. The piece is executed using tempera on paneled softwood, measuring 87 x 56 cm. The artist, hailing from Freiburg i. U. , was active between the years of 1460 and after 1523 in Bern. "Visitation" depicts a profound biblical scene where two women, Mary and Elizabeth, come together during their pregnancies with Jesus and John the Baptist respectively. This tender moment is beautifully captured through Fries' skilled brushwork and attention to detail. The composition exudes a sense of serenity as Mary gently touches her cousin Elizabeth's pregnant belly while they exchange warm smiles. The delicate colors used in this piece further enhance the emotional connection between these two important figures in Christian history. Although unmarked, this artwork bears all the hallmarks of Fries' distinctive style - his ability to convey human emotions with subtlety and grace is evident here. As we gaze upon this print from Liszt Collection, we are transported back to the early sixteenth century when religious art played an integral role in society. It serves as a reminder of the enduring power of visual storytelling and its ability to evoke deep spiritual contemplation even centuries later.
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